The samavadi or samvadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary...
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Bhairavi (Hindustani) (section Vadi & Samavadi)
Re Ga Ma Pa Dha Ni Ṡa Avarohana : Ṡa Ni Dha Pa Ma Ga Re Sa Vadi : Ma/Pa Samavadi : sa The rich culture of Bhairavi being the closing Raga for any formal...
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Megh Malhar (section Vadi & Samavadi)
m P n (d) N S Avaroh: S' n P m R g~ m R S In this raga vadi is Sa and samavadi is P 'n 'P R g~ m R S Related ragas: Ragas of Malhar family, namely Megh...
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Malkauns (section Vadi and Samavadi)
shrutis list, with a factor of 6/5. The vadi swara is Madhyam (Ma) while the Samavadi swara is Shadaj (Sa). Pakad : G̱ M Ḏ M G̱ M G̱ S Malkauns is a serious...
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Kafi (raga) (section Vadi and Samavadi)
are komal swaras). Pancham (Pa) is the vadi swara and Risabh (Re) is the samavadi swara. A typical improvisation of Kafi starts as M P D P M g R, g R S,...
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Ahir Bhairav (section Vadi and samavadi)
slight oscillation on komal re to express the character of Bhairav. Vadi: M Samavadi: S S, r G M, G M r, ṇ Ḍ, ṇ r S | komal Ni, shuddha Dha, komal Ni, komal...
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Alhaiya Bilaval (section Vadi and Samavadi)
S'N D Ṉ D P M G R S Pakad: G R G P M G M R G P M G M R S Vadi: Dhaivat Samavadi: Gandhar Komal Swar: N (Vakra) in Avarohana Varjit Swar: M in Arohana Alhaiya...
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Arohana S G m D n S Avarohana S' n D P m G R G m g R S Vadi & Samavadi Vadi: Madhyama (Ma) Samavadi: Ṣaḍja (Sa) Pakad or Chalan G m g R S n S D n S G m Relationships...
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Ma Pa Ni Sa Avarohana: Sa Re Ni Dha, Ma Pa Dha Ma Ga Re Ni Sa Vadi: Re Samavadi: Dha The melodies are characterized by sweeping phrases with glides connecting...
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Brindavani Sarang (section Vadi and Samavadi)
svara is Shuddha in Arohana and Komal in Avarohana. Vadi: Rishabha (re) Samavadi: Panchama (pa) Ni Sa Re Ma Re Pa Ma Re Ni Sa R M P n - PMR, M- R N S R-S...
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Bageshri (section Vadi & Samavadi)
Arohana : S g m D n S' Avarohana : S' n D m P D g m g R S Vadi : Madhyam (Ma) Samavadi: Shadja (Sa) D n s, m, m P D, m g R S Varjit Swara – P & R in Aaroh Jati :...
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Bilaval (section Vadi and samavadi)
Ni, Sa' Avrohana/Avarahi: Sa' Ni Dha, Pa, ma Ga, Ma, Re Sa Vadi: Dha Samavadi: Ga Ga Re, Ga Ma Dha Pa, Ma Ga, Ma Re Sa Ga Pa Ni Dha Ni Sa Ga Re Ga Pa...
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Patdeep (section Vadi and Samavadi)
essentially Gowrimanohari sans rishaba and dhaivata in ascent. Vadi: Pa Samavadi: Sa Pakad or Chalan: N' S g M P (M) g, M g R S, g M P N S" D P, M P g,...
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Re Ga Ma Pa Dha Ni Sa' Avarohana : Sa' Ni Dha Pa Ma Ga Re Sa Vadi : Dha Samavadi : Re Pakad : Ga Ma Dha Dha Pa, Ga Ma Re Re Sa Chalan : Sa Ga Ma Pa Dha...
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Hamsadhvani (section Vadi and samavadi)
place of the panchamam. Structures are shown in below table. Vadi: Sa Samavadi: Pa ga pa ni Sa ga re ni pa Sa The Pakad is the one where one can identify...
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Bhoopali (section Vadi and samavadi)
Ga Pa Dha Sa' Avaroha (descent): Sa'! Dha Pa Ga Re Sa Vadi Gandhar – ga Samavadi Dhaivat – Dha S, D1 D1...S, R - - S...D1 S..., D1 - - - P1, S - - - D1...
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Kirwani (section Vadi & Samavadi)
E-flat F G A-flat B c Avarohana : S' N d P M g R S There is no strict Vadi-Samavadi, but Re, ga, pa and dha are important. d- P- g R-- S R---, R-- g M P d...
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Yaman (raga) (section Vadi and samavadi)
Sa Pakad ni-Re-Ga-/Re-Ga/ni-Re-Sa/Pa-Ma-Ga-Re/ni-Re-Sa' (Ma is teevr) Vadi Ga Samavadi Ni Equivalent Kalyani Lydian mode Similar Yaman Kalyan, Kalyani...
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Bilaskhani Todi (section Vadi and samavadi)
Arohana: Sa re ga Pa dha Sa Avarohana: re ni dha Ma ga re Sa Vadi: dha Samavadi: ga Thaat: Bhairavi Morning, between 6 a.m. to 12 p.m. Certain ragas have...
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Todi (raga) (section Vadi and Samavadi)
M̄ Ḏ N Ṡ Avarohana Ṡ N Ḏ P M̄ G̱ Ṟ S Ṡ N Ḏ P M̄ Ḏ M̄ G̱ Ṟ G̱ Ṟ S Vadi Ḏ Samavadi G̱ Synonym Miyan ki Todi Shuddh Todi Darbari Todi Equivalent Shubhapantuvarali...
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Adana (raga) (section Vadi and samavadi)
Late night, 12–3 Arohana S R M P Ṉ P M P Ṉ Ṡ S R G̱ M P Ṉ P Ṡ Avarohana Ṡ Ḏ Ṉ P G̱ M R S Vadi Sa Samavadi Pa Synonym Adana Kanada Similar Darbari Kanada...
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Arohana: S G M P Ḏ N Ṡ Avarohana: Ṡ N Ḏ P M̄ P Ḏ Ṉ Ḏ P M̄ P G M Ṟ S Vadi : Pa Samavadi : Sa Pakad/Chalan : M̄ P Ḏ Ṉ Ḏ P ; M̄ P G M Ṟ S This raag is very similar...
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Madhuranjani (section Vadi and Samavadi)
this raag. It is sung in Night First Pehar in Hindustani music Vadi: Pa Samavadi: Sa Pakad or Chalan: N' S g M P g, M g S N', g M P N S", M P g, g S N'...
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Amritvarshini (raga) (section Vadi and Samavadi)
Amritvarshini Thaat Kalyan Arohana S G M P N Ṡ Avarohana Ṡ N P M G S Vadi P Samavadi S...
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Purvi (section Vadi & Samavadi)
Avarohana Ṡ N Ḏ P M̄ G M G Ṟ S Pakad S Ṟ G M̄ G M G M̄ Ḏ P N Ḏ P G M̄ P M̄ G M G Ṟ S Chalan S Ṟ G M̄ G M G M̄ Ḏ P N Ḏ P G M̄ P M̄ G M G Ṟ S Vadi G Samavadi N...
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Ṡ Ṉ P M R M Ṉ̣ R S Pakad R R S Ṉ̣ S M R P M R Ṉ̣ S Vadi & Samavadi In this raga vadi is Sa and samavadi is Pa – Re is used a lot but always sliding down from...
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Bibhas (section Vadi and samavadi)
Audava Time of day Daybreak Arohana S r G P d S' Avarohana S' d P G r S Pakad r G r G P d S' d P G r S Vadi d Samavadi r Synonym Vibhas Similar Deshkar...
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note) of M. Similarly, Ṉ is sung with a kaṇ-svara from S. Vadi Swar: M Samavadi Swar: S Thaat: Kafi Pakad or Chalan: Ṉ̣ S M ❟ M G̱ P M ❟ G̱ M G̱ R S A...
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Bhairavi. Arohana: S Ṟ G̱ M P Ḏ Ṉ Ṡ Avarohana: Ṡ Ṉ Ḏ P M G̱ Ṟ S Vadi: Ḏ Samavadi: G̱ Popular carnatic compositions in the raga are:[citation needed] Vinnum...
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Kalavati (section Vadi and samavadi)
Kalavati Thaat Khamaj Type Audava-Audava Time of day Midnight Arohana S G P D n S' Avarohana S' n D P G S Vadi Pa Samavadi Sa...
7 KB (520 words) - 23:04, 20 May 2024