Elvis Mitchell (born December 6, 1958) is an American film critic, host of the public radio show The Treatment, and visiting lecturer at Harvard University...

and film essay written and directed by culture critic and historian Elvis Mitchell. The film examines the history, craft, and legacy of African-American...

Elvis Goes There is an American documentary television series hosted by Elvis Mitchell that premiered on February 4, 2019, on Epix. Elvis Goes There features...

Entertainment Weekly. Mitchell, Elvis (August 21, 1998). "Vincent Gallo - The Treatment". KCRW (Podcast). Event occurs at 2:45. Mitchell, Elvis (August 21, 1998)...

surveyed by CinemaScore gave the film a grade B+ on a scale of A to F. Elvis Mitchell of The New York Times called it a "sloppy, dumb, though occasionally...

Look up Elvis in Wiktionary, the free dictionary. Elvis is a male given name that first appears as that of a Saint Elvis, a figure said to be active in...

was "one of her best film performances." "Each actor shines", wrote Elvis Mitchell, "even Ms. Holmes, whose beauty seems to have fogged the minds of her...

opening train ride. Michael Caine appears as Cliff Brumby, in what Elvis Mitchell described as "a role that will increase regard for the original", speculating...

seriously can be as much of a handicap as not taking it seriously at all." Elvis Mitchell of The New York Times gave a more favorable review, feeling the script...

Elvis Aaron Presley (January 8, 1935 – August 16, 1977), known mononymously as Elvis, was an American singer and actor. Known as the "King of Rock and...

President of the Cannes Directors' Fortnight. Limos and film critic Elvis Mitchell interview Limos in the documentary New York Conversations in 2010. Tiffany...

debut of Alejandro González Iñárritu. Writing for The New York Times, Elvis Mitchell called the latter "a ruminative, stunned look at life after death –...

2020. "Spotify". open.spotify.com. Retrieved July 15, 2024. Official Elvis Perkins website Elvis Perkins discography at Discogs Elvis Perkins at IMDb...

a new arrangement of the same song?" Writing in the New York Times Elvis Mitchell commented that "Mr. Ritchie seems to be stepping backward when he should...

three stars out of four, calling it "a lush story of unrequited love". Elvis Mitchell, writing for The New York Times, referred to it as "probably the most...

scenes trail off into long-winded monologues and silly digressions", and Elvis Mitchell of The New York Times called the film "[may]be the greatest picture...

Retrieved 26 April 2014. Brad Pitt and Quentin Tarantino interview by Elvis Mitchell (at 01:29) ${time} (21 May 2014). "Til und Dana Schweiger geschieden:...

wobbly helicopter—and somehow it keeps flying." In the New York Times, Elvis Mitchell wrote that "almost every girl in the movie with fewer than 10 lines...

Archived from the original on 8 April 2015. Retrieved 31 March 2015. Elvis Mitchell (12 July 2002). "Film Review; Fire-Breathing Dragons Make It Hot for...

The New Yorker, David Edelstein of New York Magazine, Greil Marcus, Elvis Mitchell, Michael Sragow, Armond White, and Stephanie Zacharek of Salon. It was...

wantonly violent, criminal behavior. It was well received by critics, with Elvis Mitchell of The New York Times describing Cho's character's "lazy magnetism of...

interventionist policy." In a review featured in The New York Times, film critic Elvis Mitchell expressed dissatisfaction with the film's "lack of characterization"...

to bring a spark to the bonfire. That's also true of [this movie]." Elvis Mitchell of the New York Times criticised Farrell's accent, writing that he "employ[ed]...

reduces itself to a search for the money and drugs to open it again". Elvis Mitchell, writing for The New York Times, gave the film a positive review, stating...

the World (1975). For his portrayal of rock and roll superstar Elvis Presley in Elvis (1979), he was nominated for the Primetime Emmy Award for Outstanding...

on reviews from 31 critics, indicating "mixed or average reviews". Elvis Mitchell of The New York Times called the film an "overplotted, hollow thriller...

predictable and is sparked by the excellent performance of Jennifer Garner". Elvis Mitchell of The New York Times wrote: "The performances give the film more flavor...

for their portrayal of physical and mental degradation. The critic Elvis Mitchell wrote in The New York Times: Ms. Connelly, too, whittled herself down...

Garner had discovered "an aptitude for" through her work on Alias. Elvis Mitchell of The New York Times wrote that she "realizes Elektra more through...

world outside that bedroom window that has big bad wolves, and worse." Elvis Mitchell of The New York Times wrote: "The movie has the ebb and flow that come...