Renata Adler (born October 19, 1938) is an American author, journalist, and film critic. Adler was a staff writer-reporter for The New Yorker for over...

Renata Adler that offers a fragmentary account of the experiences of Jen Fain, a young journalist living in New York City. Prior to Speedboat, Adler was...

Renata include: Renata Adler (born 1938), American author, journalist and film critic Renata Alt (born 1965), Slovakian born German politician Renata...

Pitch Dark is a 1983 modernist novel by Renata Adler about a newspaper reporter's affair with a married man. Decades after falling out of print, Pitch...

1969, he was designated The New York Times' film critic, succeeding Renata Adler. Canby was an enthusiastic supporter of only specific styles of filmmakers...

three sides of the table, but the 'downstage' side is always left bare." Renata Adler of The New York Times called the film "a very funny, professional adaptation"...

to 'Bye, Bye, Blackbird?'", straightdope.com. Retrieved June 8, 2009. Renata Adler (1965-04-10). "Letter from Selma". The New Yorker. Retrieved September...

Max Adler (actor) (born 1986), American actor Mortimer J. Adler (1902–2001), American Aristotelian philosopher, author, and educator Renata Adler (born...

office and was not well received by all critics; New York Times critic Renata Adler reviewed the film and described it as "black college humor". In 1969...

"Spaghetti Westerns". In a negative review in The New York Times, a critic Renata Adler said that the film "must be the most expensive, pious and repellent movie...

worldwide against its $3.2 million budget. In contemporary reviews, Renata Adler wrote in The New York Times that: "The movie—although it is pleasant—doesn't...

which make up in imagination what they lack in technical facility." Renata Adler of The New York Times wrote that "in spite of the dreadful title, Chitty...

Renata Martínez Notni (born January 2, 1995, in Cuernavaca, Morelos, Mexico) is a Mexican actress and model. Notni was born in Cuernavaca, Morelos, Mexico...

"The Perils of Pauline", a famous and controversial essay by author Renata Adler about film critic Pauline Kael, published in The New York Review of Books...

or "in the Caro mold" for their own extensive research. These include Renata Adler, Taylor Branch, David Garrow, Garrett Graff, Gerard Henderson, Jason...

critics, indicating "mixed or average" reviews. On December 21, 1968, Renata Adler reviewed the film for The New York Times: "a fairly tight, exciting,...

flashback scenes. In a contemporary review for The New York Times, critic Renata Adler called Rachel, Rachel "the best written, most seriously acted American...

shocking and Steele's manic performance annoying. In The New York Times, Renata Adler described it as a "cheesy, joyless thing", and added, "There is something...

entertaining, and its philosophical pretensions don't get in the way". Renata Adler of The New York Times wrote, "It is no good at all, but fun, at moments...

received his only Academy Award nomination for Best Actor in this role. Renata Adler of the New York Times observed “the direction, by John Frankenheimer...

dialogue, did most of her acting, though some critics were unimpressed. Renata Adler of the New York Times dismissed Harrison as “Heston's Neanderthal flower...

while Newsweek called For a Few Dollars More "excruciatingly dopey". Renata Adler of The New York Times said The Good, the Bad and the Ugly was "the most...

Melbourne International Film Festival. In a 1968 The New York Times review, Renata Adler called the film an "extraordinary documentary" that "shows us another...

Variety, August 7, 1968 "One Does Not Want This Sniper To Miss" by Renata Adler, The New York Times, August 25, 1968 "Bogdanovich Debuts as a Director...

be an inadequate addition to the science fiction genre of filmmaking. Renata Adler of The New York Times wrote that it was "somewhere between hypnotic and...

and important program in television. That is not anything much yet. —Renata Adler, The New Yorker, 1972 Sesame Street was not without its detractors, however...

Earth Did Not Devour Him) (1971) Italo Calvino – Invisible Cities (1972) Renata Adler – Speedboat (1976) Georges Perec – Life a User's Manual (1978) Sandra...

Coronado is used. By 1968, Presley films had long become formulaic. Renata Adler of The New York Times wrote that Speedway was "just another Presley movie...

show up the inexperience of those involved." In The New York Times, Renata Adler wrote of "the latest in the series of British working-class color films...

others considered it a great success. One of the mixed reviews came from Renata Adler, who, writing for The New York Times, stated: "The Producers, which opened...