Andre David Sennwald (August 4, 1907 – January 12, 1936) was a motion picture critic for The New York Times. After graduating from Columbia University...
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33 critics' reviews are positive, with an average rating of 8.3/10. Andre Sennwald, who reviewed the film for The New York Times on its April 1931 release...
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elsewhere, resulting in a profit of $584,000. The New York Times critic Andre Sennwald said of the film on November 16, 1934: "Like the carefree team of Rogers...
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sequence on the Forth Bridge. Contemporary reviews were very positive. Andre Sennwald of The New York Times wrote: "If the work has any single rival as the...
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year. The film was well-received upon its release in January 1935. Andre Sennwald of The New York Times called it "the most profoundly satisfying screen...
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reviewing films for that newspaper. At the end of 1936 Nugent succeeded Andre Sennwald as its motion picture editor and critic, and held the post until 1940...
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Tasmania, Australia. 9 July 1937. p. 8. Retrieved 2 October 2017. Andre Sennwald, "Alfred Hitchcock's New Picture, "The Thirty-Nine Steps,' " The New...
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with colorization, theatrical trailers and other special features. Andre Sennwald in his New York Times review of March 22, 1935, thought the film "[a]ll...
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been permitted in real life. Contemporary reviews were enthusiastic. Andre Sennwald of The New York Times wrote, "Grim, brutal, sturdily romantic, made...
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eventually recover. In a review published two days before his death, Andre Sennwald of the New York Times wrote "With what accuracy Compton Mackenzie's...
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Crusades (1935) was a Christmas gift from her father, Cecil B. DeMille. Andre Sennwald of The New York Times wrote that the actors who gave "excellent performances"...
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States on December 27, 1934. The film received positive reviews, with Andre Sennwald in The New York Times calling it "sly and impertinent screen comedy...
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"Who's Afraid of the Big Bad Wolf?". Critics' reviews were positive. Andre Sennwald of The New York Times called the film "an authentic children's entertainment...
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Jacobson and starring Jackie Coogan, Randolph Scott and Evelyn Brent. Andre Sennwald of the New York Times described the film "to be a strictly makeshift...
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desires, and who perversely "derives amusement from his own suffering." Andre Sennwald, daily reviewer at The New York Times in 1935, defended Sternberg, calling...
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Broadway actress at the time, made her film debut playing Madame De Farge. Andre Sennwald wrote in The New York Times of December 26, 1935: "Having given us 'David...
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able to give the film a frightening pathological significance," wrote Andre Sennwald in The New York Times on the film's release, "this is scarcely Dostoievsky's...
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actress positive reviews. In his review for The New York Times, critic Andre Sennwald praised Arthur's performance in Public Hero No. 1, writing that she...
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brings up to Dal's apartment (uncredited) In his New York Times review, Andre Sennwald called it a "sleek, witty and engaging entertainment". Noting the similarities...
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Young; in the event, Brown was left unemployed and stranded in England. Andre Sennwald wrote in The New York Times that "'The Scarlet Pimpernel' is stirring...
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Canada and $1,120,000 in other markets. It made a profit of $138,000. Andre Sennwald of The New York Times critic enthused over Garbo's performance while...
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the finest and most intelligent picture I have seen in many months". Andre Sennwald of The New York Times found the film entertaining. Time felt it was...
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elsewhere resulting in a loss of $125,000. Reckless was reviewed by Andre Sennwald for The New York Times. He considered the film possessed "happy casting"...
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producer Irving Thalberg, "They can't censor the gleam in my eye." Andre Sennwald of The New York Times called the film "a drama of beauty, dignity and...
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Friend Leonard Mudie as General Burgoyne Phillip Dare as Captain George Andre Sennwald, critic for The New York Times, called the movie "a dignified and impressive...
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on YouTube Allen, Fred, Much Ado About Me, Little, Brown & Co., 1956 Andre Sennwald, The New York Times, Movie Review: "Thanks a Million," an Amusing Political...
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shooting wrapped. The film was well received by film critics, including Andre Sennwald, in The New York Times, who liked Hathaway's adaptation of the novel...
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materialized. In a contemporary review for The New York Times, critic Andre Sennwald wrote: "Mr. Raft is a vivid and pictorially interesting type, rather...
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Duck Soup. In a contemporary review for The New York Times, critic Andre Sennwald wrote: "Those who admire the comic gifts of the cigar-smoking Woolsey...
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the Opera was banned in Budapest. Contemporary reviews were positive. Andre Sennwald of The New York Times wrote, "If 'A Night at the Opera' is a trifle...
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