ii–V–I progression ("two–five–one progression") (occasionally referred to as ii–V–I turnaround, and ii–V–I) is a common cadential chord progression used...

The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale...

the vi–ii–V–I progression is a chord progression (also called the circle progression for the circle of fifths, along which it travels). A vi–ii–V–I progression...

for C7. The second common usage of the tritone substitution is in ii–V–I progression, which is extremely common in jazz harmony. This substitution is particularly...

progression," than the diatonic vi–ii–V7–I (in C: Am–Dm–G7–C). Play The three-chord version (II–V–I) is "related to the cadential progression IV–V–I....

is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example...

Komuro who popularised the progression. Predominant chord Three-chord song V–IV–I turnaround ii–V–I progression Ragtime progression Jonas, Oswald (1982). Introduction...

The following is a list of commonly used chord progressions in music. R., Ken (2012). DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services...

improvisation. The changes serve as a pattern of chord substitutions for the ii–V–I progression (supertonic–dominant–tonic) Play and are noted for the tonally unusual...

understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals...

distance from I. In terms of the [descending] circle of fifths, it leads away from I, rather than toward it." He states that the progression I–ii–V–I (an authentic...

chord progression comprising four chords descending stepwise – a iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with...

Rawlins and Bahha, as above: "The ii-V-I [progression] provides the cornerstone of jazz harmony" The ii-V-I (Play ii-V-I) may appear differently in major...

the chord progression from iv7 to ♭VII7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression or the backdoor ii-V, as described...

simple chord progression I–ii–V–I, which in the key of C major would be the chords C Major–D minor–G Major–C Major, a musician could replace the I chords with...

progression can be used without the seventh notes, so that it becomes IV–V–iii–vi. If resolved by an ii–V–I cadence, this becomes IV–V–iii–vi–ii–V–I....

soloist's cliche to arpeggiate this chord [A7♭9 (V/ii = VI7♭9)] from the 3 up to the ♭9." Bebop blues progression Problems playing this file? See media help...

substitution, unusual chords (e.g., augmented chords), and extensive use of ii–V–I progression, all of which typically move through multiple keys within a single...

chord progressions typically utilize the II – V–I progression and the circle of fifths. For example, a jazz standard using a chord progression of Dm7...

progression, or melodically. Typical turnarounds in jazz include: I–vi–ii–V (ii–V–I turnaround, circle progression) I-VI-ii-V I–VI–II–V (I–V/ii–V/V–V)...

fifths-circle chord progression are used in music. In particular, the ii–V–I progression is the most important chord progression in jazz music. Major...

analysis, the supertonic chord is typically symbolized by the Roman numeral "ii" in a major key, indicating that the chord is a minor chord (in C: D–F–A)...

chordPages displaying short descriptions of redirect targets ii–V–I progression – Common chord progression Secondary development Subtonic – the lowered or minor...

upper voices. The rare plagal half cadence involves a I–IV progression. Like an authentic cadence (V–I), the plagal half cadence involves an ascending fourth...

a functional chord progression in the keys of G major and E Major. In bars 1-4 of this section, it is a simple ii–V–I progression. Using a common chord...

mode) of the same root. It can be used on all three chords of a minor ii–V–I progression. It is the sixth mode of the bebop major scale: for instance, the...

ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III7–VI7–II7–V7, a progression which...

For example, listen to C2ShiningC, which uses a timbre progression and a tuning progression to make the intervals within a single chord more or less...

– I – V I – IV – V – IV Beside the I, IV and V chord progression, other widely used 3-chord progressions are: I – vi – V I – ii – V Songwriter Harlan...

Hyperrealism (music) Hypoaeolian mode Hypoionian mode Hypophrygian mode ii–V–I progression Illusory continuity of tones Illusory discontinuity Imitation (music)...