Mikrophonie is the title given by Karlheinz Stockhausen to two of his compositions, written in 1964 and 1965, in which "normally inaudible vibrations...

University Press. ISBN 978-0-19-509887-7. Maconie, Robin. 1972. "Stockhausen's Mikrophonie I: Perception in Action." Perspectives of New Music 10, no. 2...

(1974–75) is a musical composition by the German composer Karlheinz Stockhausen. The title is the German word for Zodiac, and the composition consists...

in Mikrophonie II. By 1969, Stockhausen had also taken to merging Solo with other works in a single composite performance. Karlheinz Stockhausen: Solo...

a series of nineteen compositions by German composer Karlheinz Stockhausen. Stockhausen has said the Klavierstücke "are my drawings". Originating as a...

(Play, or Game) is a two-movement orchestral composition by Karlheinz Stockhausen, written in 1952. Withdrawn by the composer after its first performance...

for a soloist with a shortwave receiver, is a composition by Karlheinz Stockhausen, written in 1968. It is Number 27 in the catalogue of the composer's...

A list of compositions by Karlheinz Stockhausen (alphabetical by title—a link to a chronological list is given at the end). Contents Top A B C D E F G...

Mantra is a composition by the German composer Karlheinz Stockhausen. It was composed in 1970 and premiered in autumn of the same year at the Donaueschingen...

orchestral composition written in 1969 by the German composer Karlheinz Stockhausen as foyer music for an evening-long retrospective programme of his music...

Days of the Week), is a cycle of seven operas composed by Karlheinz Stockhausen between 1977 and 2003. The composer described the work as an "eternal...

(Sound—The 24 Hours of the Day) is a cycle of compositions by Karlheinz Stockhausen, on which he worked from 2004 until his death in 2007. It was intended...

Les Moutons de Panurge (1969) Karlheinz Stockhausen Kreuzspiel (1951) Kontakte Plus-Minus (1963) Mikrophonie I (1964) Solo (1965–66) Prozession (1967)...

by Karlheinz Stockhausen, written while he was still a student in 1951. It carries the work-number ⅛ in his catalogue of works. Stockhausen composed the...

with mobile (or, in Stockhausen's nomenclature, "polyvalent") forms, because in four of these compositions (Momente, Mixtur, Mikrophonie I, and Stimmung)...

études de bruits (1948) Karlheinz Stockhausen – Gesang der Jünglinge (1955–56), Kontakte (1958–60), Mixtur (1964), Mikrophonie I & II (1964 and 1965), Telemusik...

Karlheinz Stockhausen entered on a period of intensive work with live electronics with three works, Mikrophonie I and Mixtur (both 1964), and Mikrophonie II...

filters and uses the resulting sounds to create montages. Mikrophonie I (1964) by Karlheinz Stockhausen uses a tam-tam and a microphone as the primary sound...

ring-modulators Stockhausen, Karlheinz Mikrophonie I (1964) for two tam-tams & microphones with band-pass filters Stockhausen, Karlheinz Mikrophonie II (1965)...

radio receivers and a sound projectionist, is a composition by Karlheinz Stockhausen, written in 1970. It is Number 30 in the catalogue of the composer's...

is a composition for orchestra (divided into six groups) by Karlheinz Stockhausen, work-number 18 in the composer’s catalogue of works, where two performing...

or Against-Points) is a composition for ten instruments by Karlheinz Stockhausen which resolves contrasts among six instrumental timbres, as well as extremes...

quintet by Karlheinz Stockhausen composed in 1966. It is Number 21 in the composer's catalog of works, and the second of Stockhausen's three wind quintets...

Ylem is a composition by Karlheinz Stockhausen for a variable ensemble of 19 or more players, and is given the work number 37 in his catalogue of compositions...

Formel (Formula) is a composition for chamber orchestra by Karlheinz Stockhausen, written while he was still a student in 1951. It is given the number...

(1970) Mikrophonie I, for tamtam (2 players), 2 microphones, 2 filters with potentiometers, and 4 pair of loudspeakers, Nr. 15 (1964) Mikrophonie II, for...

composition for orchestra and tape by the German composer Karlheinz Stockhausen, written in 1971. It is Number 35 in the composer's catalog of works...

celesta with antique cymbals) is a chamber music composition by Karlheinz Stockhausen, and is number 11 in his catalog of works. Refrain was composed in June...

Mycènes Alpha (1978) with it. In Europe in 1964, Karlheinz Stockhausen composed Mikrophonie I for tam-tam, hand-held microphones, filters, and potentiometers...

"Choral" (Chorale) is a short a cappella choral composition by Karlheinz Stockhausen, who wrote both the words and music in 1950. It was later given the number...