• Robert Brownjohn (August 8, 1925 – August 1, 1970) was an American graphic designer known for blending formal graphic design concepts with wit and 1960s...
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  • Brownjohn (1897–1973), British Army general Robert Brownjohn (1925–1970), American graphic designer This page lists people with the surname Brownjohn...
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  • released in 1964. She was also painted gold and wore a gold bikini for Robert Brownjohn's title-sequence, advertisements and soundtrack-cover (not Shirley Eaton...
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  • weight. The opening credit sequence was designed by graphic artist Robert Brownjohn, featuring clips of all James Bond films thus far projected on Margaret...
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  • art director Syd Cain. Title designer Maurice Binder was replaced by Robert Brownjohn. Stunt coordinator Bob Simmons was unavailable and was replaced by...
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  • the two Yale graduates Ivan Chermayeff and Tom Geismar as well as Robert Brownjohn, a protégé of László Moholy-Nagy and Chermayeff's father, industrial...
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  • director Syd Cain—and title designer Maurice Binder, who was replaced by Robert Brownjohn. The original screenwriter for the film was Len Deighton, but he was...
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  • artist M. C. Escher to design a cover for the album, but he declined. Robert Brownjohn then designed the cover, which displays a surreal sculpture. The image...
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  • documentaries in Paris, Hudson headed a documentary film company with partners Robert Brownjohn and David Cammell. The company produced, among others, the documentaries...
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  • theme on his 1965 John Barry Plays Goldfinger album that featured Robert Brownjohn artwork. Footnotes This composition contains the James Bond Theme,...
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  • Bernstein, creative director at McCann Erickson, hired Skirrow and Robert Brownjohn as his deputy creative directors at its London office. Bernstein described...
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  • Love (1963) and Goldfinger (1964), both of which were designed by Robert Brownjohn. Binder shot opening and closing sequences involving a mouse (an animal...
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    were Irving Harper, George Mulhauser (designer of the Coconut Chair), Robert Brownjohn (designer of the sets for the James Bond film Goldfinger), Don Chadwick...
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  • "Gorgeous, iconic, seminal." The concept for the titles came from designer Robert Brownjohn, who worked on From Russia with Love and Goldfinger, before he fell...
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  • Boom Sheila Levrant de Bretteville Alexey Brodovitch Neville Brody Robert Brownjohn Dick Bruna Peter Buchanan-Smith Jon Burgerman Margaret Calvert Eric...
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  • Gill who introduced her to the "New York Design Mafia" - George Lois, Robert Brownjohn, Saul Bass, and Ivan Chermayeff - but the couple later split. In 1961...
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  • Tomaszewski, who took inspiration from the works of Maurice Binder, Robert Brownjohn and Daniel Kleinman, paying homage to the main titles from the James...
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  • 1957, they founded the firm Brownjohn, Chermayeff & Geismar (now Chermayeff & Geismar & Haviv) along with Robert Brownjohn. Geismar has designed more than...
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  • titles for most of the James Bond films from the 1960s to the 1980s; Robert Brownjohn designed two of the films. After Binder's death, Daniel Kleinman has...
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  • Matter, Bradbury Thompson, Josef Albers and Paul Rand. He visited Robert Brownjohn, Ivan Chermayeff and Tom Geismar in New York, became friends with Bob...
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  • disagreements with the producers and did not want to return. Designer Robert Brownjohn stepped into his place, and projected the credits on female dancers...
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  • is a homage to the James Bond film title sequences (in the style of Robert Brownjohn and Maurice Binder), featuring all of the band, and the credits for...
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  • Bond film Goldfinger, which was art-directed by her then-boyfriend, Robert Brownjohn. Other films which she costumed included Fathom, Perfect Friday, and...
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  • Books. ISBN 978-0-7134-8671-1. King, Emily; Fletcher, Alan (2005). Robert Brownjohn: Sex and Typography: 1925–1970 Life and Work. London: Laurence King...
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  • Richard Saul Wurman [88] B. Martin Pedersen [89] Woody Pirtle [90] Robert Brownjohn [91] Chris Pullman [92] Samuel Antupit [93] Paula Scher [94] P. Scott...
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    agency in their Photography and Design department. He worked under Robert Brownjohn, the art director known for his James Bond title sequences, who encouraged...
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    the magazine's look and logo were redesigned by Ivan Chermayeff and Robert Brownjohn. Craft Horizons became a resource for scholars as well as for artists...
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  • shot the title sequence of the James Bond film, Goldfinger (1964) for Robert Brownjohn. It was on a commercial shoot that he met Richard Lester, who hired...
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  • Chicago 2018–Present: Kaplan Institute, 3137 S Federal St., Chicago Robert Brownjohn, artist and graphic designer Ivan Chermayeff, Principal of Chermayeff...
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    Institute of Design in Chicago; there, he was a close friend and mentor to Robert Brownjohn. Beginning in 1949, he oversaw the Institute's merger with the Illinois...
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