• Thumbnail for VistaVision
    VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format that was created by engineers at Paramount Pictures in...
    18 KB (2,492 words) - 00:48, 4 August 2024
  • The following is a list of films filmed using the VistaVision process. Titles in bold are black-and-white films. Titles with an asterisk (*) are color...
    8 KB (710 words) - 00:52, 4 August 2024
  • motion in cinematography, although horizontal pulldown is used in IMAX, VistaVision (still in use for some visual effects work), and in 35 mm consumer and...
    10 KB (1,416 words) - 17:12, 13 August 2024
  • Thumbnail for 35 mm movie film
    processes using 35 mm, such as VistaVision, SuperScope, and Technirama, most of which ultimately became obsolete. VistaVision, however, would be revived decades...
    64 KB (7,975 words) - 20:36, 30 July 2024
  • Pictures, the film is notable for being the first to be released in VistaVision, a widescreen process developed by Paramount that entailed using twice...
    36 KB (4,270 words) - 14:18, 22 May 2024
  • in El Paso, Texas, in June 2024. The film was shot on 35mm film using VistaVision cameras. Jonny Greenwood will compose the film's score, marking the sixth...
    13 KB (984 words) - 22:18, 18 August 2024
  • Thumbnail for Technirama
    8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted for Technirama. Technirama used...
    5 KB (628 words) - 08:54, 18 April 2024
  • Thumbnail for To Catch a Thief
    Catch a Thief was the director's first film (of five) made using the VistaVision widescreen process, and the last of the three Hitchcock films with Grace...
    20 KB (2,510 words) - 09:28, 17 August 2024
  • AltaVista, an Internet search engine Buena Vista (disambiguation) Natalia Boa Vista, a character in CSI: Miami Vistas (disambiguation) VistaVision, a 35mm...
    4 KB (634 words) - 20:20, 19 July 2024
  • Thumbnail for The Ten Commandments (1956 film)
    drama film produced, directed, and narrated by Cecil B. DeMille, shot in VistaVision (color by Technicolor), and released by Paramount Pictures. The film...
    94 KB (9,453 words) - 19:46, 13 August 2024
  • mm B&W, composited to a VistaVision intermediate, and optically printed back to 70 mm IP. CGI sequences recorded to VistaVision. Brainstorm (1983) – virtual...
    11 KB (1,346 words) - 05:57, 20 January 2024
  • wide-screen formats: CinemaScope (up to 2.6:1), Todd-AO (2.20:1), and VistaVision (up to 2.00:1) to name just a few. The flat 1.85:1 aspect ratio was introduced...
    50 KB (6,806 words) - 09:19, 8 August 2024
  • Thumbnail for North by Northwest
    insistence, the film was made in Paramount's VistaVision widescreen process. The only other VistaVision film made at MGM was High Society. The aircraft...
    64 KB (7,366 words) - 20:12, 14 August 2024
  • Empire (documentary, short film, 1955). VistaVision Visits Gibraltar (documentary, short film, 1956). VistaVision Visits Panama (documentary, short film...
    8 KB (716 words) - 19:05, 13 August 2024
  • Thumbnail for Mitchell Camera
    and such movements for others' 65mm and VistaVision conversions before later making complete 65mm and VistaVision cameras in normal and high speed. Mitchell...
    17 KB (2,446 words) - 21:09, 19 December 2023
  • Thumbnail for The Man Who Knew Too Much (1956 film)
    effective as the mother who is frantic about her child ... Even in mammoth VistaVision, the old Hitchcock thriller-stuff has punch." Variety wrote that, while...
    21 KB (2,534 words) - 00:15, 11 August 2024
  • closeup shots in Hollywood. Away All Boats is one of the few films made in VistaVision at a studio other than Paramount. The film made use of the Perspecta...
    10 KB (1,132 words) - 09:04, 28 June 2024
  • April 29, 2023, and wrapped on May 5, 2023. The film was shot in using VistaVision cameras with the intention of having a 70mm film release. Explained Corbet...
    20 KB (1,540 words) - 02:03, 21 August 2024
  • specifically for complex special effects shots in Star Wars. Using old VistaVision cameras (for their high image resolution), created by engineers at Paramount...
    1 KB (136 words) - 14:30, 6 May 2024
  • Thumbnail for CinemaScope
    release prints had less grain. The first Paramount film in VistaVision was White Christmas. VistaVision died out for feature production in the late 1950s with...
    34 KB (4,588 words) - 03:18, 31 July 2024
  • Artists and Models is a 1955 American musical romantic comedy film in VistaVision directed by Frank Tashlin, marking Martin and Lewis's 14th feature together...
    12 KB (1,384 words) - 01:40, 17 August 2024
  • Panavision (except for the computer-generated layers, which were shot in VistaVision and both anamorphic 35mm and Super 35 which were used for some scenes...
    60 KB (6,868 words) - 02:28, 3 August 2024
  • Thumbnail for The Searchers
    accompanied by his adopted nephew (Jeffrey Hunter). It was shot in VistaVision on Eastmancolor negative with processing and prints by Technicolor. The...
    50 KB (5,582 words) - 08:14, 7 August 2024
  • film was produced by Sol C. Siegel for Metro-Goldwyn-Mayer, and shot in VistaVision and Technicolor, with music and lyrics by Cole Porter. The film is a...
    21 KB (2,228 words) - 17:30, 19 May 2024
  • Thumbnail for The Court Jester
    distribution by Paramount Pictures. It was released in Technicolor and the VistaVision widescreen format. The film centers on Hubert Hawkins, a carnival entertainer...
    24 KB (3,295 words) - 13:59, 22 May 2024
  • Command was the second film released in Paramount's new widescreen format, VistaVision, in color by Technicolor and Perspecta pseudo-stereo sound. It would...
    16 KB (2,022 words) - 07:52, 14 August 2024
  • Thumbnail for Houseboat (film)
    directed by Melville Shavelson. It was presented in Technicolor and VistaVision. Starring Cary Grant, Sophia Loren, Martha Hyer and Harry Guardino, the...
    21 KB (2,125 words) - 23:40, 8 August 2024
  • Thief (1955, VistaVision, Technicolor), The Trouble with Harry (1955, VistaVision, Technicolor), The Man Who Knew Too Much (1956, VistaVision, Technicolor)...
    21 KB (2,392 words) - 21:08, 6 March 2024
  • Thumbnail for Vertigo (film)
    first time in DTS and 70mm, a format with a similar frame size to the VistaVision system in which it was originally shot. Significant color correction...
    83 KB (9,520 words) - 18:36, 19 August 2024
  • Thumbnail for We're No Angels (1955 film)
    Bennett, Basil Rathbone, Leo G. Carroll, and Gloria Talbott. Shot in both VistaVision and Technicolor, the film was a Paramount Pictures release. The screenplay...
    11 KB (1,272 words) - 23:57, 10 August 2024