Renata Adler (born October 19, 1938) is an American author, journalist, and film critic. Adler was a staff writer-reporter for The New Yorker for over...
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Renata Adler that offers a fragmentary account of the experiences of Jen Fain, a young journalist living in New York City. Prior to Speedboat, Adler was...
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Renata include: Renata Adler (born 1938), American author, journalist and film critic Renata Alt (born 1965), Slovakian born German politician Renata...
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Pitch Dark is a 1983 modernist novel by Renata Adler about a newspaper reporter's affair with a married man. Decades after falling out of print, Pitch...
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1969, he was designated The New York Times' film critic, succeeding Renata Adler. Canby was an enthusiastic supporter of only specific styles of filmmakers...
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three sides of the table, but the 'downstage' side is always left bare." Renata Adler of The New York Times called the film "a very funny, professional adaptation"...
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to 'Bye, Bye, Blackbird?'", straightdope.com. Retrieved June 8, 2009. Renata Adler (1965-04-10). "Letter from Selma". The New Yorker. Retrieved September...
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Max Adler (actor) (born 1986), American actor Mortimer J. Adler (1902–2001), American Aristotelian philosopher, author, and educator Renata Adler (born...
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office and was not well received by all critics; New York Times critic Renata Adler reviewed the film and described it as "black college humor". In 1969...
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"Spaghetti Westerns". In a negative review in The New York Times, a critic Renata Adler said that the film "must be the most expensive, pious and repellent movie...
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worldwide against its $3.2 million budget. In contemporary reviews, Renata Adler wrote in The New York Times that: "The movie—although it is pleasant—doesn't...
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which make up in imagination what they lack in technical facility." Renata Adler of The New York Times wrote that "in spite of the dreadful title, Chitty...
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Renata Martínez Notni (born January 2, 1995, in Cuernavaca, Morelos, Mexico) is a Mexican actress and model. Notni was born in Cuernavaca, Morelos, Mexico...
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or "in the Caro mold" for their own extensive research. These include Renata Adler, Taylor Branch, David Garrow, Garrett Graff, Gerard Henderson, Jason...
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critics, indicating "mixed or average" reviews. On December 21, 1968, Renata Adler reviewed the film for The New York Times: "a fairly tight, exciting,...
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"The Perils of Pauline", a famous and controversial essay by author Renata Adler about film critic Pauline Kael, published in The New York Review of Books...
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flashback scenes. In a contemporary review for The New York Times, critic Renata Adler called Rachel, Rachel "the best written, most seriously acted American...
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entertaining, and its philosophical pretensions don't get in the way". Renata Adler of The New York Times wrote, "It is no good at all, but fun, at moments...
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shocking and Steele's manic performance annoying. In The New York Times, Renata Adler described it as a "cheesy, joyless thing", and added, "There is something...
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received his only Academy Award nomination for Best Actor in this role. Renata Adler of the New York Times observed “the direction, by John Frankenheimer...
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dialogue, did most of her acting, though some critics were unimpressed. Renata Adler of the New York Times dismissed Harrison as “Heston's Neanderthal flower...
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while Newsweek called For a Few Dollars More "excruciatingly dopey". Renata Adler of The New York Times said The Good, the Bad and the Ugly was "the most...
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Melbourne International Film Festival. In a 1968 The New York Times review, Renata Adler called the film an "extraordinary documentary" that "shows us another...
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Variety, August 7, 1968 "One Does Not Want This Sniper To Miss" by Renata Adler, The New York Times, August 25, 1968 "Bogdanovich Debuts as a Director...
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be an inadequate addition to the science fiction genre of filmmaking. Renata Adler of The New York Times wrote that it was "somewhere between hypnotic and...
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and important program in television. That is not anything much yet. —Renata Adler, The New Yorker, 1972 Sesame Street was not without its detractors, however...
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Earth Did Not Devour Him) (1971) Italo Calvino – Invisible Cities (1972) Renata Adler – Speedboat (1976) Georges Perec – Life a User's Manual (1978) Sandra...
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Coronado is used. By 1968, Presley films had long become formulaic. Renata Adler of The New York Times wrote that Speedway was "just another Presley movie...
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show up the inexperience of those involved." In The New York Times, Renata Adler wrote of "the latest in the series of British working-class color films...
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until nobody knows which end is, at the moment, up". New Yorker writers Renata Adler and Gerald Jonas joined the fray in the Winter 1966 issue of Columbia...
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