A Town Like Alice (film)

This article is about the 1956 film. For the 1981 TV miniseries, see A Town Like Alice (miniseries).

A Town Like Alice
Directed byJack Lee
Written byNevil Shute (novel); W. P. Lipscomb and Richard Mason (screenplay)
Produced byJoseph Janni
StarringVirginia McKenna
Peter Finch
CinematographyGeoffrey Unsworth
Edited bySidney Hayers
Music byMatyas Seiber
Distributed byThe Rank Organisation
Release date
  • 1 March 1956 (1956-03-01)
Running time
117 min
CountriesUnited Kingdom
Australia
LanguageEnglish
Box office1,037,005 admissions (France)[1]

A Town Like Alice is a 1956 British drama film produced by Joseph Janni and starring Virginia McKenna and Peter Finch that is based on the 1950 novel of the same name by Nevil Shute.[2] The film does not follow the whole novel, concluding at the end of part two and truncating or omitting much detail. It was partially filmed in Malaya and Australia.

Alice Springs

Plot

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In post-Second World War London, a young woman, Jean Paget, is informed by solicitor Noel Strachan that she has a large inheritance. Jean uses part of it to build a well in a small village in Malaya. The village women will no longer have to walk so far each day to collect water. She lived and worked there for three years during the war.

The film then goes in flashback to 1942. Jean is working in an office in Kuala Lumpur in Malaya when the Japanese invade. When she stays to help the wife of her employer, Mr. Holland, with her three children, she is taken prisoner, along with other white men, women and children. The men are taken away to prison. The women and children, however, are made to walk from place to place, looking for a ship to transport them to Singapore, but at each place, there is no ship available, and the Japanese authorities have no wish to take responsibility for them.

On their trek, the group meet a young Australian soldier, Sergeant Joe Harman, also a prisoner, who drives a truck for the Japanese. He steals petrol and barters it for medicine for them. He and Jean strike up a friendship in the little time they have together, and he tells her about Alice Springs, the town where he grew up. Jean does not correct his impression that she is married (she is carrying the youngest of Mrs. Holland's children, the mother having succumbed to the endless walking).

One day, the eldest Holland child, a young boy, wanders off into the jungle and is fatally bitten by a snake. At one stop, a Japanese officer likes Jean's looks and offers to let her and the baby remain, while the rest travel another 200 miles to Kuantan on the east coast. Jean turns away but another young woman is not so choosy after four months of walking and the deaths of four women and the boy so gets into the officer's car. More die, including four-year-old Jane Holland.

They run into Joe twice more. The second time, he secretly drops them a package of food as he drives by in a truck. They stop at the same place that night, and Joe and Jean talk some more. She reveals she is not married. Joe steals chickens for them from the harsh Captain Sugaya. However, Sugaya has no trouble identifying the thief; the chickens are nowhere about, and Joe was the only one who left the depot. When the women are found eating chicken, Jean claims they bought the birds, but that is a transparent lie. When Joe sees Jean being relentlessly questioned, he confesses and attacks the interrogator. As punishment, Sugaya has him crucified, nailed to a large tree. The prisoners, both men and women, are forced to watch all day and night.

Sugaya orders the women to continue marching; he leaves them only one guard, the kindly sergeant, so that he can bear his disgrace alone. When he dies of exhaustion, Jean asks the elders of a Malayan village if they may stay and work in the paddy fields, asking only for food and a place to sleep, telling them that over half of the marchers have died. The elders agree and they stay there until the war ends. Afterwards, Jean gives Mr. Holland back his only surviving child.

The film returns to the present, and Jean is stunned to learn that Joe survived his ordeal. She travels to Alice Springs, then to the (fictional) town of Willstown in the Queensland outback, where Joe has resumed his job as manager of a cattle station. Joe, however, has gone to London to find her. Finally re-united at Alice Springs Airport, they embrace.

Cast

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  • Virginia McKenna as Jean Paget
  • Peter Finch as Joe Harman
  • Kenji Takaki as Japanese Sergeant
  • Tran Van Khe as Captain Sugaya
  • Jean Anderson as Miss Horsefall
  • Marie Lohr as Mrs. Dudley Frost
  • Maureen Swanson as Ellen
  • Renée Houston as Ebbey
  • Nora Nicholson as Mrs. Frith
  • Eileen Moore as Mrs. Holland
  • John Fabian as Mr. Holland
  • Vincent Ball as Ben
  • Tim Turner as British Sergeant
  • Vu Ngoc Tuan as Captain Yanata
  • Yamada as Captain Takata
  • Nakanishi as Captain Nishi
  • Ikeda as Kempetei Sergeant
  • Geoffrey Keen as Solicitor
  • June Shaw as Mrs. Graham
  • Armine Sandford as Mrs. Carstairs
  • Mary Allen as Mrs. Anderson
  • Virginia Clay as Mrs. Knowles
  • Bay White as Mrs. Davies
  • Philippa Morgan as Mrs. Lindsay
  • Dorothy Moss as Mrs. O'Brien
  • Gwenda Ewen as Mrs. Rhodes
  • Josephine Miller as Daphne Adams
  • Edwina Carroll as Fatima
  • Sanny Bin Hussan as Mat Amin
  • Charles Marshall as Well Digger
  • Jane White as Brenda
  • Cameron Moore as Freddie
  • Margaret Eaden as Jane
  • Domenic Lieven as Michael Rhodes
  • Peter John as Timothy
  • Meg Buckenham as Mary Graham
  • Geoffrey Hawkins as Robin

Production

[edit]

Leslie Norman expressed interest in making a film of the novel in 1952.[3] At one stage it was announced that Olivia de Havilland would play the lead.[4] Anna Kashfi screen tested for a small role and was given it, but had to turn it down to do another film.[5] Jack Lee had worked with Peter Finch on The Wooden Horse, and cast him as the male lead. "I don't think we ever considered anyone else for the part."[6]

The script was written by W. P. Lipscomb, who concentrated on the first half of the novel (the second half being set in Australia). Producer Joseph Janni sent a copy of the script to director Jack Lee, who later recalled, "the script made me cry and I knew it would make audiences cry too".[6] Janni and Lee took the script to Rank, who agreed to finance it. Lee did further work on the script with Lipscombe and then with Richard Mason.[6]

Lee flew to Singapore and Malaya, and "soon realised that if we cast the film in the UK, decided on their exact clothing and filmed their characteristic way of walking, we could find a second cast in Malaya, and, if we were careful, we could work very close to them on location".[6] Lee shot some footage in Malaya then went back to Britain, where the majority of the film was shot at Pinewood Studios in London.[7]

Release

[edit]

The film was withdrawn from the 1956 Cannes Film Festival because of fears it would offend the Japanese.[8] "The festivals are just a joke – a film-selling 'racket' which offers the chance for vulgar display and reckless extravagance", said Peter Finch. "They serve no cultural purpose and the awards don't mean a thing".[9]

The film's Australian premiere was held at Alice Springs.[10][11]

It was the third most popular film at the British box office in 1956.[12][13] The film's success saw Rank put Jack Lee and Joseph Janni under contract for two years as a team. They went on to make Robbery Under Arms which also starred Finch.[6] The film was released in Los Angeles and Hartford, Connecticut but was not successful and was pulled from release in other parts of the USA.[14]

See also

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References

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  1. ^ French box office for 1957 at Box Office Story
  2. ^ BFI.org
  3. ^ "LONDON". The Advertiser. Adelaide. 31 October 1952. p. 2. Retrieved 11 January 2016 – via National Library of Australia.
  4. ^ "FINCH'S BIG CHANCE IN U.K. FILM". Sunday Times. Perth. 16 January 1955. p. 38. Retrieved 7 July 2012 – via National Library of Australia.
  5. ^ "The mysterious Mrs. Brando". The Australian Women's Weekly. 6 November 1957. p. 3. Retrieved 17 May 2012 – via National Library of Australia.
  6. ^ a b c d e Brian MacFarlane, An Autobiography of British Cinema, Methueun 1997 p. 357
  7. ^ "BOOM IN FILMS ABOUT AUSTRALIA". The Australian Women's Weekly. 21 September 1955. p. 60. Retrieved 17 May 2012 – via National Library of Australia.
  8. ^ "Australia's good showing at Cannes Film Festival". The Australian Women's Weekly. 23 May 1956. p. 23. Retrieved 17 May 2012 – via National Library of Australia.
  9. ^ "Cannes a joke says Finch". The Argus. Melbourne. 18 July 1956. p. 9. Retrieved 17 May 2012 – via National Library of Australia.
  10. ^ "Weekender 5 Glamor was left behind". The Argus. Melbourne. 28 July 1956. p. 13. Retrieved 17 May 2012 – via National Library of Australia.
  11. ^ "BUSH PREMIERE". The Australian Women's Weekly. 8 August 1956. p. 33. Retrieved 17 May 2012 – via National Library of Australia.
  12. ^ "BRITISH FILMS MADE MOST MONEY: BOX-OFFICE SURVEY" The Manchester Guardian 28 December 1956: 3
  13. ^ Thumim, Janet. "The popular cash and culture in the postwar British cinema industry". Screen. Vol. 32, no. 3. p. 259.
  14. ^ "Too British For U.S. – Or Vice Versa". Variety. 22 January 1958. p. 1. Retrieved 20 October 2021 – via Archive.org.
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