Alan Bates

Sir Alan Bates CBE
Bates in 1975
Born	Alan Arthur Bates (1934-02-17)17 February 1934 Allestree, Derby, England
Died	27 December 2003(2003-12-27) (aged 69) London, England
Education	Royal Academy of Dramatic Art
Occupation	Actor
Years active	1956–2003
Children	2, including Benedick

Sir Alan Arthur Bates (17 February 1934 – 27 December 2003) was an English actor who came to prominence in the 1960s, when he appeared in films ranging from Whistle Down the Wind to the "kitchen sink" drama A Kind of Loving.

Bates is also known for his performance with Anthony Quinn in Zorba the Greek, as well as his roles in King of Hearts, Georgy Girl, Far From the Madding Crowd and The Fixer, for which he received an Academy Award nomination for Best Actor. In 1969, he starred in the Ken Russell film Women in Love with Oliver Reed and Glenda Jackson.

Bates went on to star in The Go-Between, An Unmarried Woman, Nijinsky and in The Rose with Bette Midler, as well as many television dramas, including The Mayor of Casterbridge, Harold Pinter's The Collection, A Voyage Round My Father, An Englishman Abroad (as Guy Burgess) and Pack of Lies. He also appeared on the stage, notably in the plays of Simon Gray, such as Butley and Otherwise Engaged.

Bates was born at the Queen Mary Nursing Home, Darley Abbey, Derby, England, on 17 February 1934, the eldest of three boys born to Florence Mary (née Wheatcroft), a housewife and a pianist, and Harold Arthur Bates, an insurance broker and a cellist.^[1] They lived in Allestree, Derby, at the time of Bates' birth, but briefly moved to Mickleover before returning to Allestree.

Both parents were amateur musicians who encouraged Bates to pursue music. By the age of 11, having decided to become an actor, he studied drama instead.^[2] He further developed his vocation by attending productions at Derby's Little Theatre.

Bates was educated at the Herbert Strutt Grammar School, Derby Road, Belper, Derbyshire (now "Strutts", a volunteer led business and community centre) and later gained a scholarship to the Royal Academy of Dramatic Art in London, where he studied with Albert Finney and Peter O'Toole, before leaving to join the RAF for National Service at RAF Newton.

Bates's stage debut was in 1955, in You and Your Wife, in Coventry.^[3]

In 1956, Bates made his West End debut as Cliff in Look Back in Anger, a role he had originated at the Royal Court and which made him a star. He also played the role on television (for the ITV Play of the Week) and on Broadway. He also was a member of the 1967 acting company at the Stratford Festival in Canada, playing the title role in Richard III.^[4][5]

In the late 1950s, Bates appeared in several plays for television in Britain in shows such as ITV Play of the Week, Armchair Theatre and ITV Television Playhouse.

In 1960, Bates appeared as Giorgio in the final episode of The Four Just Men (TV series) entitled Treviso Dam.

Bates made his feature film debut in The Entertainer (1960) opposite Laurence Olivier. Bates worked for the Padded Wagon Moving Company in the early 1960s while acting at the Circle in the Square Theatre in New York City.

Bates played the lead in his second feature, Whistle Down the Wind (1961), directed by Bryan Forbes. He followed it with the lead in A Kind of Loving (1962), directed by John Schlesinger. Both films were very popular, establishing Bates as a film star.

Film critics cited the 1963 film noir The Running Man as being one of Bates' finest performances. The film starred Laurence Harvey as a man who fakes his death, with Bates in the supporting role of Stephen Maddox, an insurance company investigator.

Bates went into an adaptation of Harold Pinter's The Caretaker (1963) with Donald Pleasence and Robert Shaw. It was directed by Clive Donner who then made Nothing But the Best (1964) with Bates.

Bates supported Anthony Quinn in Zorba the Greek (1964) and James Mason in Georgy Girl (1966). Bates returned to TV doing episodes of Wednesday Theatre and starred in Philippe de Broca's King of Hearts (1966).

Bates was reunited with Schlesinger in Far From the Madding Crowd (1967), starring Julie Christie then did the Bernard Malamud film The Fixer (1968), which earned him an Academy Award nomination for Best Actor.

In 1969 Bates starred in Women in Love directed by Ken Russell with Oliver Reed and Glenda Jackson, in which Bates and Reed wrestled naked. He followed it appearing as Col. Vershinin in the National Theatre's film of Three Sisters, directed by and co-starring Laurence Olivier.^[6]

Bates was handpicked by director John Schlesinger (with whom he had previously worked on A Kind of Loving and Far From The Madding Crowd) to play the starring role of Dr Daniel Hirsh in the film Sunday Bloody Sunday (1971). Bates was held up filming The Go-Between (1971) for director Joseph Losey alongside Christie, and had also become a father around that time, and so he had to refuse the role. (The part then went first to Ian Bannen, who balked at kissing and simulating sex with another man, and then to Peter Finch who earned an Academy Award nomination for the role.)

Bates starred in the film of A Day in the Death of Joe Egg (1972) and produced and appeared in a short, Second Best (1972).

Bates starred in Story of a Love Story (1973), and some play adaptations, Butley (1974) and In Celebration (1975). He was the villain in Royal Flash (1975) and appeared on television in Plays for Today and the Laurence Olivier Presents version of Harold Pinter's The Collection (1976).

Bates starred in the TV movie Piccadilly Circus (1977) and The Mayor of Casterbridge (1978). In the latter he played Michael Henchard, the ultimately-disgraced lead, which he described as his favourite role. He starred in such international films as An Unmarried Woman (1978) and Nijinsky (1980), and also played Bette Midler's ruthless business manager in the film The Rose (1979). He was also in The Shout (1979) and Very Like a Whale (1980).

Bates played two diametrically opposed roles in An Englishman Abroad (1983), as Guy Burgess, a member of the Cambridge spy ring exiled in Moscow, and in Pack of Lies (1987), as a British Secret Service agent tracking several Soviet spies.

Bates continued working in film and television in the 1990s, including the role of Claudius in Franco Zeffirelli's version of Hamlet (1990). In 2001 he joined an all-star cast in Robert Altman's critically acclaimed period drama Gosford Park, in which he played the butler Jennings. He later played Antonius Agrippa in the 2004 TV film Spartacus, but died before it premiered. The film was dedicated to his memory and that of writer Howard Fast, who wrote the original novel that inspired the film Spartacus by Stanley Kubrick.

On stage, Bates had a particular association with the plays of Simon Gray, appearing in Butley, Otherwise Engaged, Stage Struck, Melon, Life Support, and Simply Disconnected, as well as the film of Butley and Gray's TV series Unnatural Pursuits. In Otherwise Engaged, his co-star was Ian Charleson, who became a friend, and Bates later contributed a chapter to a 1990 book on his colleague after Charleson's early death.^[7]

Bates was made a Commander of the Order of the British Empire (CBE) in the 1995 Birthday Honours,^[8] and was knighted in the 2003 New Year Honours, in both cases for services to drama.^[9][10] He was an Associate Member of RADA,^{[citation needed]} and was a patron of The Actors Centre, Covent Garden, London, from 1994 until his death in 2003.^[11][12]

Bates was married to actress Victoria Ward from 1970 until her death from a heart attack in 1992, although they had separated many years earlier.^[13] They had twin sons, born in November 1970: the actors Benedick Bates and Tristan Bates. Tristan died following an asthma attack in Tokyo in 1990.^[14]

Bates had numerous gay relationships, including those with actor Nickolas Grace and Olympic skater John Curry, as detailed in Donald Spoto's authorised biography Otherwise Engaged: The Life of Alan Bates.^[15] Spoto characterised Bates's sexuality as ambiguous, and said, "he loved women but enjoyed his closest relationships with men".^[16] Even after homosexuality was partially decriminalised in England in 1967,^[17] Bates rigorously avoided interviews and questions about his personal life, and even denied to his male lovers that there was a homosexual component in his nature.^[15] Throughout his life, Bates sought to be regarded as charming and charismatic, or at least as a man who, as an actor, could appear attractive to and attracted by women. He also chose some roles with an aspect of homosexuality or bisexuality,^[15] including the role of Rupert in the 1969 film Women in Love and the role of Frank in the 1988 film We Think the World of You.

In the later years of his life, Bates had a relationship with the Welsh actress Angharad Rees.^[18]

Bates died of pancreatic cancer^[19] on 27 December 2003, after slipping into a coma. He was buried at All Saints' Church, Bradbourne in Derbyshire.^[20] Bates bequeathed companion and actress Joanna Pettet £95,000 (equivalent to £189,712 in 2023) upon his death. The two had been friends since 1964, and Pettet provided support and companionship during his final months after he had been diagnosed with pancreatic cancer in February 2003. Pettet was quoted as saying: "It was a very touching gesture because he had done everything while he was in hospital to make sure I would be looked after following his death."^[21]

Donald Spoto's 2007 book, Otherwise Engaged: The Life of Alan Bates,^[22] is a posthumous authorised biography of Alan Bates. It was written with the cooperation of his son Benedick and features more than one hundred interviews, including with Michael Linnit and Rosalind Chatto.

Bates and his family created the Tristan Bates Theatre at the Actors' Centre in Covent Garden, in memory of his son Tristan who died at the age of 19.^[23] Tristan's twin brother, Benedick, is a vice-director.^[24]

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^‡This mini-film was shown as part of a presentation on the anthology series, Screen Two.

• Alan Bates at IMDb 
• Alan Bates at the TCM Movie Database
• Alan Bates at the Internet Broadway Database
• Alan Bates at the BFI's Screenonline