Asleep at the Wheel (album)

This article is about the band's 1974 self-titled second album. For the 1985 album, see Pasture Prime.
Asleep at the Wheel
Studio album by
Asleep at the Wheel
ReleasedSeptember 1974 (1974-09)
RecordedJuly 1974 (1974-07)
StudioColumbia Studio B (Nashville, Tennessee)
GenreWestern swing[1]
Length38:06
LabelEpic
ProducerNorro Wilson
Asleep at the Wheel chronology
Comin' Right at Ya
(1973) 		Asleep at the Wheel
(1974) 		Texas Gold
(1975)
Singles from Asleep at the Wheel
  1. "You and Me Instead"
    Released: August 1974 (1974-08)
  2. "Choo Choo Ch'Boogie"
    Released: November 1974 (1974-11)

Asleep at the Wheel is the second album by American western swing band Asleep at the Wheel. Produced by Norro Wilson at Columbia Studio B in Nashville, Tennessee, it was released in September 1974 as the group's first album on Epic Records. As with its predecessor Comin' Right at Ya, Asleep at the Wheel's self-titled album featured a mix of traditional and original compositions, including songs written by popular country musicians Rex Griffin, Cindy Walker and Hank Penny.

The second album by Asleep at the Wheel was the first to feature bassist Tony Garnier, who replaced Gene Dobkin in early 1974 and would remain with the band for several years. It was also the only album to feature the group's first full-time fiddler Richard "Corky" Casanova, who joined in time for the album's recording but left shortly after its release. Guest contributors include Johnny Gimble on fiddle and mandolin, Andy Stein on saxophone and fiddle, and Mickey Raphael on harmonica.

Like its predecessor, Asleep at the Wheel failed to register on any national or international record charts. However, the band did register on the US Billboard Hot Country Songs chart for the first time, when second single "Choo Choo Ch'Boogie" (originally recorded by the Tympany Five) registered at number 69 in December 1974. Critical reviews of the album were generally positive, with commentators praising the breadth of musical styles on the record and its place within Western swing.

Background

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After being dropped by United Artists, Asleep at the Wheel signed a deal with Epic Records in May 1974.[2] For the recording of their first album on the label, the band wanted to work again with Tommy Allsup, who produced their 1973 debut Comin' Right at Ya; however, Don Ellis, head of Epic at the time, assigned Norris "Norro" Wilson to the project.[3] Sessions took place in Nashville, Tennessee again, this time at Columbia Studio B (the "Quonset hut studio").[3] Speaking about the recording process, frontman Ray Benson recalled that Wilson "let us do what we wanted", describing it as "a good experience".[4] The album was released in September 1974.[5]

The Asleep at the Wheel album cover features a photograph of the seven-piece band in front of a vintage 1938 Cadillac, which was taken in Austin, Texas shortly after the band relocated there from Oakland, California.[6] The album was the band's first to feature bassist Tony Garnier, who replaced Gene Dobkin before recording began.[4] It was also the only album to feature the group's first full-time fiddler Richard "Corky" Casanova, who joined for the recording and was credited as an official member on the album sleeve.[7] Two tracks from Asleep at the Wheel were issued as singles in 1974: "You and Me Instead" and "Choo Choo Ch'Boogie".[8][9]

Reception

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Professional ratings
Review scores
SourceRating
AllMusic[10]
Christgau's Record GuideB[1]
Tom Hull – on the WebB+ ((2-star Honorable Mention)(2-star Honorable Mention))[11]

Critical response to Asleep at the Wheel was generally positive. In an uncredited review, Cash Box magazine credited the band for the "gaining momentum" of progressive country, stating: "The group has gained considerable repute for their live act and their first album for Epic marks a worthy label debut as these seven dyed-in-the-wool country buffs confidently rip their way through numbers like "Choo Choo Ch'Boogie," "I'm Gonna Be a Wheel Someday," and "Bloodshot Eyes.""[12]

In a retrospective review for website AllMusic, James Allen gave Asleep at the Wheel three and a half out of five stars, praising the "multitude of styles" present on the record including Western swing, jazz and honky-tonk.[10] Music critic Robert Christgau gave the album a B rating, lower than the A− awarded to Comin' Right at Ya, comparing it to the style of Bob Wills.[1] Cash Box praised "You and Me Instead" as "sweet",[8] and hailed "Choo Choo Ch'Boogie" as "an infectious shuffle".[9]

Track listing

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No.TitleWriter(s)Length
1."Choo Choo Ch'Boogie" (originally recorded by Louis Jordan and His Tympany Five)
3:17
2."You and Me Instead"Kevin Farrell3:25
3."Jumpin' at the Woodside" (originally recorded by the Count Basie Orchestra)Count Basie3:51
4."Last Letter" (originally recorded by Rex Griffin)Rex Griffin5:31
5."Don't Ask Me Why (I'm Going to Texas)"
2:52
6."The Kind of Love I Can't Forget" (originally recorded by Bob Wills and His Texas Playboys)Jesse Ashlock3:14
7."I'm Gonna Be a Wheel Someday" (originally recorded by Bobby Mitchell and the Toppers)Roy Hayes2:00
8."Our Names Aren't Mentioned (Together Anymore)"Preston3:59
9."Miss Molly" (originally recorded by Bob Wills and His Texas Playboys)Cindy Walker2:46
10."Blood-Shot Eyes" (originally recorded by Hank Penny)
3:48
11."Dead Man"Preston3:23
Total length:38:06

Personnel

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References

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  • Benson, Ray; Menconi, David (October 2015), Comin' Right at Ya: How a Jewish Yankee Hippie Went Country, or, the Often Outrageous History of Asleep at the Wheel, Austin, Texas: University of Texas Press, ISBN 978-0292756588

Footnotes

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  1. ^ a b c "Asleep at the Wheel". Robert Christgau. Retrieved June 10, 2020.
  2. ^ Goodman, Arty (May 18, 1974). "For the Record: Passing Remarks" (PDF). Cash Box. Vol. 36, no. 1. New York City, New York: Cash Box. p. 18. Retrieved June 10, 2020.
  3. ^ a b Benson & Menconi 2015, p. 83
  4. ^ a b Jennings, Steve (March 1, 2014). "Classic Tracks: "The Letter That Johnny Walker Read," Asleep at the Wheel". Mix. Retrieved June 10, 2020.
  5. ^ "Asleep At The Wheel firmed for Horseshoe" (PDF). RPM. Vol. 27, no. 4. Toronto, Ontario, Canada: RPM. April 23, 1977. p. 27. Retrieved June 19, 2020.
  6. ^ "Country Roundup" (PDF). Cash Box. Vol. 36, no. 14. New York City, New York: Cash Box. August 17, 1974. p. 41. Retrieved June 10, 2020.
  7. ^ Asleep at the Wheel (Media notes). Asleep at the Wheel. Epic Records. 1974. Retrieved June 10, 2020.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  8. ^ a b "Country Reviews: Singles" (PDF). Cash Box. Vol. 36, no. 17. New York City, New York: Cash Box. September 7, 1974. p. 38. Retrieved June 10, 2020.
  9. ^ a b "Country Reviews: Singles Reviews" (PDF). Cash Box. Vol. 36, no. 26. New York City, New York: Cash Box. November 21, 1974. p. 46. Retrieved June 10, 2020.
  10. ^ a b Allen, James. "Asleep at the Wheel - Asleep at the Wheel: Songs, Reviews, Credits". AllMusic. Retrieved June 10, 2020.
  11. ^ Hull, Tom (May 3, 2021). "Music Week". Tom Hull – on the Web. Retrieved May 7, 2021.
  12. ^ "Country Reviews: LP's" (PDF). Cash Box. Vol. 36, no. 23. New York City, New York: Cash Box. October 26, 1974. p. 44. Retrieved June 10, 2020.
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