Dybbuk

In Jewish mythology, a dybbuk (/ˈdɪbək/; Yiddish: דיבוק, from the Hebrew verb דָּבַק‎ dāḇaq meaning 'adhere' or 'cling') is a malicious possessing spirit believed to be the dislocated soul of a dead person.^[1] It supposedly leaves the host body once it has accomplished its goal, sometimes after being exorcised.^[2][3][4]

Dybbuk comes from the Hebrew word דִּיבּוּק‎ dibūq, meaning 'a case of attachment', which is a nominal form derived from the verb דָּבַק‎ dāḇaq 'to adhere' or 'cling'.^[5]

The term first appears in a number of 16th-century writings,^[2][6] though it was ignored by mainstream scholarship until S. An-sky's 1920 play The Dybbuk popularised the concept in literary circles.^[6] Earlier accounts of possession (such as that given by Josephus) were of demonic possession rather than that of ghosts.^[7] These accounts advocated orthodoxy among the populace^[2] as a preventative measure. Michał Waszyński's 1937 film The Dybbuk, based on the Yiddish play by S. An-sky, is considered one of the classics of Yiddish filmmaking.^[8]

Rabbi Yoel Teitelbaum, the Satmar rebbe (1887–1979), is reported to have supposedly advised an individual said to be possessed to consult a psychiatrist.^[7]

Traditionally, dybbuks tended to be male spirits. According to Hayyim Vital, women could not become dybbuks because their souls did not participate in gilgul.^[9] Sometimes these spirits were said to possess women on the eve of their weddings, typically in a sexual fashion by entering the women through their vaginas, which is seen in An-sky's play.^[10] However, men and boys could be possessed as well.^[9]

In psychological literature, the dybbuk has been described as a hysterical syndrome.^[11]

In traditional Jewish communities, the concept of the dybbuk served as a socially acceptable way of expressing unacceptable urges, including sexual ones.^[12] Within Jewish mysticism and folklore, particularly in Kabbalistic traditions, protective practices were also used to ward off these malevolent spirits. One such practice involves affixing a mezuzah—a piece of parchment inscribed with specific Torah verses—to the doorposts of a home. While the mezuzah primarily serves as a reminder of faith and adherence to God's commandments, it is also viewed as a protective amulet against harmful spirits, including dybbuks. The Zohar, a foundational Kabbalistic text, suggests that a properly affixed mezuzah can prevent such entities from entering a home.^[13] Additionally, Jewish folklore includes accounts where neglected or improperly maintained mezuzot were believed to make homes susceptible to dybbuk possession.^[14] These perspectives emphasize the mezuzah's dual role in Jewish life: as both a symbol of faith and a spiritual safeguard.

• Dybbuk box
• Golem
• Kabbalah
• Shedim

• Chajes, J. H. (2011). Between Worlds: Dybbuks, Exorcists, and Early Modern Judaism. University of Pennsylvania Press. ISBN 978-0812221701.
• Elior, Rachel (2008). Dybbuks and Jewish Women in Social History, Mysticism and Folklore. Urim Publications. ISBN 978-9655240078.
• Peñalosa, Fernando (2012). The Dybbuk: Text, Subtext, and Context. CreateSpace Publishing. ISBN 978-1478357803.
• Peñalosa, Fernando (2012). Parodies of An-sky's "The Dybbuk". CreateSpace Independent Publishing Platform. ISBN 978-1477647721.
• Cutler, Yosl (March 2017). "The Dybbuk in the Form of a Crisis". In Geveb. Archived from the original on 6 March 2023.

• "The Dybbuk" by Ansky Jewish Heritage Online Magazine
• "Dybbuk – Spiritual Possession and Jewish Folklore" by Jeff Belanger, Ghostvillage.com
• "Dybbuk", Encyclopædia Britannica
• Dibbuk short film teaser