John James Cunningham

John James Cunningham
Cunningham in 1927
Born
John James O'Farrell Cunningham

(1904-04-05)April 5, 1904
Cliffwood, New Jersey, US
DiedJanuary 22, 2004(2004-01-22) (aged 99)
Carmel-by-the-Sea, California, US
EducationUniversity of California, Berkeley
Occupation(s)Artist, teacher
Known forCarmel Art Institute
Spouses
Patricia Stanley
​
​
(m. 1930; div. 1959)​
Patricia Ann Duncan Peterson
​
​
(m. 1961)​
Children3

John Cunningham (1904-2004) was an American painter, teacher, and director of the Carmel Art Institute in Carmel-by-the-Sea, California, United States. In 1990, He became president emeritus and transferred the responsibility of the Carmel Art Institute to the Carmel Art Association.[1][2]

Early life and education

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Cunningham was born on April 5, 1904, in New Jersey.[2] He was brought up in Manhattan, one of the smallest of the five boroughs of New York City. In 1921, he enlisted as an ordinary seaman aboard the S.S. President Arthur, embarking on a journey to Bremerhaven, Germany.[3] In 1923, he attended the Manhattan College for two years.[4]

In 1926, Cunningham began his studies at the University of California, Berkeley, achieving both his Bachelor's and Master's degrees in fine arts.[citation needed] While attending Berkeley, he met Patricia "Pat" Stanley (1907-1984).[5]

European influences

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Following graduation, in 1929 Cunningham received a traveling fellowship, enabling he and Pat to study with the same teachers as Hans Hofmann at the Schule für Bildende Kunst (School of Fine Art) in Munich, André Lhote at the Académie Notre-Dame des Champs in Paris, and Beniamino Bufano in Cagnes-sur-Mer, France.[2][6] In 1930 he exhibited his paintings in Munich. Bufano had a studio in southern France and taught Cunningham stone carving.[7][8]

On May 15, 1930, he and Patricia Stanley were married at the City Hall of the 16th arrondissement of Paris. They were divorced in 1959. On September 2, 1961 Cunningham married Patricia "Patti" Ann Duncan Peterson.[3][unreliable source?]

Artistic career

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In 1930, during the Great Depression, Cunningham and his wife Patricia returned from Paris to New York City. He worked as a decorator, created murals, for Gimbels and Macy's in New York City department stores. He also worked for Livingston Manor, New York, and the Firestone Winery in Los Olivos. This period of mural execution spanned from 1931 to 1933.[2] In 1931, Cunningham took up a role as a barker for Barnum & Bailey at Coney Island in Brooklyn. He presented his artwork from Coney Island in a solo exhibition at the Art Alliance in New York. The same year, Cunningham painted an Arabian Night panel for the Edgewood Inn at Livingston Manor, New York. Subsequently, he also joined the Central Executive Board of the American Artists' Congress in New York City.[3]

In 1931, Cunningham was hired as director at the Cranbrook Academy of Art located in Bloomfield Hills, Michigan.[9][10] Between 1931 and 1933, Cunningham served as the resident artist and head of the Fine Arts Department at Cranbrook. He subsequently headed the Department of Fine and Industrial Art at Cranbrook where he established the inaugural summer session.[11][12]

In November 1932 he had a solo exhibition at the De Young Museum in San Francisco.[11][13]

In 1933, he finished the first-hand set tessera glass mosaic (imitation of a stained-glass window) at the great hall at the Cranbrook Educational Community.[12]

In 1935, Cunningham was hired as visiting professor and head of the summer session in Art at Mills College in Oakland, California.[9][10] Subsequently, he was appointed as the Director of the Fine Arts Department.[3] His wife, Patricia served on the faculty of Mills College.[11]

Between 1935 to 1937, Cunningham exhibited at the Carnegie Institution in Washington D.C., the Greater Texas & Pan-American Exposition for the World's Fair held at Fair Park in Dallas, Texas, the Paris Exposition.[citation needed] From 1938 to 1939, he accepted a job of staff artist for the State of California Governor's Commission at the University of California for the Golden Gate International Exposition on Treasure Island in San Francisco.[1]

After the Attack on Pearl Harbor, Cunningham enlisted in the Merchant Marine, during World War II, spanning from 1942 to 1945, serving as an able seaman[14] initially and later attaining the rank of Chief Mate by the conclusion of the war years. He did sketches of seamen during the war that were exhibited at the Architectural League in New York City and as part of a traveling show across the county. He was granted an Honorable Discharge from the United States Coast Guard on August 15, 1945.[3]

Cunningham began helping teach a painting class for Armin Hansen at the Carmel Art Institute when Hansen fell ill. In 1938 Cunningham he became Director for the First Summer School at the institute. In 1939, Hansen and the Whitmans sold the institute to the Cunninghams, as Hansen returned to his own painting pursuits.[15][7][10] By 1940, the institute was holding six week summer classes outdoors, teaching figure and landscape painting.[16] In 1941, Kit Whitman made a public announcement that Cunningham and his wife Patricia would take over all day-to-day affairs at the institute.[9]

Cunningham's international connections brought well known European artists to the institute to assist in instructing students. Notable figures like Fernand Léger, Alexander Archipenko, and Salvador Dalí served as guest instructors.[10][15] Artist Jane Reece had one-person shows at the Carmel Art Institute in 1947.[17]

In 1947, the institute hosted its art activities initially at Cunningham‘s studio on Rio Avenue on Carmel Point, subsequently it moved several times before relocating in 1976 to the Flanders Mansion, where the Institute continued to operate until Cunningham's retirement in 1990.[7] Upon his retirement he transferred the responsibility of the Carmel Art Institute to the Carmel Art Association.[3][1]

In July 1964, Cunningham and his family moved to Carmel Valley, where he settled near the Carmel River and constructed an art studio.[3] Between 1972 and 1973, Cunningham embarked on a year-long painting journey across Europe, exploring various destinations in a van accompanied by his wife and their son, Blair.[3]

In September 1992, Cunningham organized an auction and benefit for the Blind Children's Center of Los Angeles, featuring his paintings, at Graystone Mission in Beverly Hills, California.[18]

Death and legacy

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On January 22, 2004, Cunningham died at the age of 99 at Hospice House. His dedication to art, education, and community engagement earned him the title of President Emeritus of the Carmel Art Institute.[2][1]

Selected works

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  • Guatemalan Mural (1935)[3]: p426 
  • Monastery Bay (1950)[3]: p430 
  • Carmel Coast (1984)[19]

References

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  1. ^ a b c d "John James Cunningham". Carmel Pine Cone. Carmel-by-the-Sea, California. January 30, 2004. p. 18. Retrieved August 12, 2023.
  2. ^ a b c d e "John Cunningham Obituary (2004) - CARMEL, CA - Monterey Herald". Legacy.com. Monterey Herald. January 27, 2004. Retrieved February 13, 2024.
  3. ^ a b c d e f g h i j Alice Putnam Erskine (July 2006). Loose Ends A Biography of John Cunningham. Carmel-by-the-Sea, California: Anava Designs. ISBN 9780976772019. Retrieved August 12, 2023.
  4. ^ "Manhattan College Holds Its Commencement At Fiedston". The Herald Statesman. Yonkers, New York. June 16, 1923. p. 2. Retrieved February 14, 2024.
  5. ^ "Oral history interview with Patricia Stanley Cunningham". Smithsonian Institution. July 28, 1964. Retrieved February 14, 2024.
  6. ^ "Art Institute In New Hands Now". Carmel Cymbal. April 18, 1941. Retrieved February 14, 2024.
  7. ^ a b c Gilliam, Harold; Gilliam, Ann (1992). Creating Carmel: the enduring vision. Peregrine Smith Books. pp. 13, 154–155, 158, 232. ISBN 978-0-87905-397-0. Retrieved February 13, 2024.
  8. ^ Love, Richard H. (1983). The Sculpture of John Cunningham, Image, Space, Interval. Haase-Mumm Publishing Company. ISBN 9780940114159. Retrieved February 16, 2024.
  9. ^ a b c "Cunninghams Head Art Institute". Carmel Pine Cone. Carmel-by-the-Sea, California. March 28, 1941. p. 2. Retrieved August 12, 2023.
  10. ^ a b c d Barbara J. Klein. "The Carmel Monterey Peninsula Art Colony: A History". tfaoi.org. Retrieved February 14, 2024.
  11. ^ a b c "John Cunningham". Carmel Art Association. Carmel-by-the-Sea, California. Retrieved August 14, 2023.
  12. ^ a b Leslie S. Edwards (January 2006). "John Cunningham and the Cranbrook School Mosaics". Cranbrook Kitchen Sink. Bloomfield Hills, Michigan. Retrieved August 12, 2023.
  13. ^ "Paintings and Lithographs at Local Gallery". Oakland Tribune. Oakland, California. November 20, 1932. p. 18. Retrieved February 14, 2024.
  14. ^ "John Cunningham Sails to Red Sea". Carmel Pine Cone. Carmel-by-the-Sea, California. April 24, 1942. p. 13. Retrieved February 14, 2024.
  15. ^ a b "Carmel Art Institute". Carmel-by-the-Sea, California. Retrieved August 12, 2023.
  16. ^ "Carmel Art Institute". The Californian. Carmel-by-the-Sea, California. July 18, 1940. p. 16. Retrieved August 14, 2023.
  17. ^ Mary Sayre Haverstock; Jeannette Mahoney Vance; Brian L. Meggitt (2000). Artists in Ohio, 1787-1900: A Biographical Dictionary. Kent State University Press. p. 713. ISBN 978-0-87338-616-6. Retrieved July 23, 2013.
  18. ^ "Art Aution". The Los Angeles Times. Los Angeles, California. September 27, 1992. p. 995. Retrieved February 14, 2024.
  19. ^ "Carmel Coast". Artnet. 1984. Retrieved August 12, 2023.
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