John Prine
John Prine | |
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Background information | |
Birth name | John Edward Prine |
Born | Maywood, Illinois, U.S. | October 10, 1946
Died | April 7, 2020 Nashville, Tennessee, U.S. | (aged 73)
Genres | |
Occupation |
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Instruments |
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Years active | 1969–2020 |
Labels | |
Spouse | Fiona Prine (m. 1996) |
Website | JohnPrine.com |
John Edward Prine[2] (/praɪn/; October 10, 1946 – April 7, 2020) was an American singer-songwriter of country-folk music. Widely cited as one of the most influential songwriters of his generation, Prine was known for his signature blend of humorous lyrics about love, life, and current events, often with elements of social commentary and satire, as well as sweet songs and melancholy ballads. He was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death.
Born and raised in Maywood, Illinois, Prine learned to play the guitar at age 14. He attended classes at Chicago's Old Town School of Folk Music.[3] After serving in West Germany with the U.S. Army, he returned to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs first as a hobby. Continuing studies at the Old Town School, he performed at a student hang-out, the nearby Fifth Peg. A laudatory review by Roger Ebert put Prine on the map. Singer-songwriter Kris Kristofferson heard Prine at Steve Goodman's insistence, and Kristofferson invited Prine to be his opening act. Prine released his eponymous debut album in 1971.[4] Featuring such songs as "Paradise", "Sam Stone" and "Angel from Montgomery", it has been hailed as one of the greatest of all albums.[5]
The acclaim Prine earned from his debut led to three more albums for Atlantic Records. Common Sense (1975) was his first to chart on the Billboard U.S. Top 100. He then recorded three albums with Asylum Records. In 1981, he co-founded Oh Boy Records, an independent label which released all of his music up until his death. His final album, 2018's The Tree of Forgiveness, debuted at #5 on the Billboard 200, his highest ranking on the charts.
Prine struggled with health issues throughout his life, surviving cancer twice. He died in 2020 from complications caused by COVID-19. Earlier the same year, he received the Grammy Lifetime Achievement Award.
Early life
[edit]Prine was the son of William Mason Prine, a tool-and-die maker, and Verna Valentine (Hamm), a homemaker, both originally from Muhlenberg County, Kentucky. He was born and raised in the Chicago suburb of Maywood.[6][7] In summers, they would go back to visit family near Paradise, Kentucky.[8] Prine started playing guitar at age 14, taught by his brother, David.[9] He attended classes at Chicago's Old Town School of Folk Music,[3] and graduated from Proviso East High School in Maywood, Illinois. He was a U.S. Postal Service mailman for five years and was drafted into the United States Army during the Vietnam War, serving as a vehicle mechanic in West Germany before beginning his musical career in Chicago.[10]
Career
[edit]Chicago folk scene
[edit]In the late 1960s, while Prine was delivering mail, he began to sing his songs (often first written in his head on the mail route) at open mic nights at the Fifth Peg on Armitage Avenue in Chicago. The bar was a gathering spot for nearby Old Town School of Folk Music teachers and students. Prine was initially a spectator, reluctant to perform, but eventually did so in response to a "You think you can do better?" comment made to him by another performer.[11] After his first open mic, he was offered paying gigs. In 1970, Chicago Sun-Times film critic Roger Ebert heard Prine by chance at the Fifth Peg and wrote his first printed review, "Singing Mailman Who Delivers A Powerful Message In A Few Words":[12]
He appears on stage with such modesty he almost seems to be backing into the spotlight. He sings rather quietly, and his guitar work is good, but he doesn't show off. He starts slow. But after a song or two, even the drunks in the room begin to listen to his lyrics. And then he has you....Prine's lyrics work with poetic economy to sketch a character in just a few words.[12]
After the review was published, Prine's popularity grew.[13] He became a central figure in the Chicago folk revival, which also included such singer-songwriters as Steve Goodman, Michael Peter Smith, Bonnie Koloc, Jim Post, Tom Dundee, Anne Hills, and Fred Holstein. Joined by such established musicians as Jethro Burns and Bob Gibson, Prine performed frequently at a variety of Chicago clubs.[14] He was offered a one-album deal of covers and with a few of his original songs, by Bob Koester from Delmark Records, but decided the project was not right for him.[11]
In 1971, Prine was playing regularly at the Earl of Old Town. Steve Goodman, who was performing with Kris Kristofferson at another Chicago club, persuaded Kristofferson to go see Prine late one night.[15] Kristofferson later recalled, "By the end of the first line we knew we were hearing something else. It must've been like stumbling onto Dylan when he first busted onto the Village scene."[16]
1970s
[edit]Prine's eponymous debut album was released in 1971. Kristofferson (who once remarked that Prine wrote songs so good that "we'll have to break his thumbs"[17]) invited Prine and Goodman to open for him at The Bitter End in New York City. In the audience was Jerry Wexler, who signed Prine to Atlantic Records the next day.[16] The album included Prine's signature songs "Illegal Smile" and "Sam Stone". "Sam Stone" is about the trauma of a Vietnam veteran. He explained in 2011:
I knew there were a lot of GIs out there, who came out of the war and they weren’t quite right. … I knew there were homes where nobody was talking to each other, which became "Angel from Montgomery". … I knew there were kids who didn’t have fathers, and nobody ever acknowledged it, which became "6 O’Clock News."… I saw all that. I knew, and I couldn’t figure out why no one would say anything.[18]
"Paradise" is about the effects of surface mining on his parents' hometown of Paradise, Kentucky. The album also featured "Hello in There", a song about aging that was later covered by numerous artists, and "Far From Me", a lonely waltz about lost love for a waitress, which Prine later said was his favorite of all his songs. The album received many positive reviews, and some hailed Prine as "the next Dylan". Bob Dylan himself appeared unannounced at one of Prine's first New York City club appearances, anonymously backing him on harmonica.[19]
Prine's second album, Diamonds in the Rough (1972), was a surprise for many after the critical success of his first LP; it was an uncommercial, stripped-down affair that reflected Prine's fondness for bluegrass music and features songs reminiscent of Hank Williams. Highlights of the compilation include the allegorical "The Great Compromise", which includes a recitation and addresses the Vietnam War, and the ballad "Souvenirs", which Prine later recorded with Goodman.[20]
His subsequent albums from the 1970s include Sweet Revenge (1973), containing such fan favorites as "Dear Abby", "Grandpa Was a Carpenter", and "Christmas in Prison", and Common Sense (1975), with "Come Back to Us Barbara Lewis Hare Krishna Beauregard". The latter album was Prine's first to chart on the U.S. Top 100 by Billboard and reflected his growing commercial success. It was produced by Steve Cropper. Bruised Orange (1978) is a Steve Goodman–produced album that gave listeners songs such as "That's The Way That The World Goes 'Round", "Sabu Visits the Twin Cities Alone", "Fish and Whistle", and the title track.[21]
In 1974, singer David Allan Coe achieved considerable success on the country charts with "You Never Even Called Me by My Name", co-written by Prine and Goodman. The song good-naturedly spoofs stereotypical country music lyrics to create what it calls "the perfect country and western song". Prine refused to take a songwriter's credit (stating he was too drunk when the song was written to remember what he had contributed) and Goodman received sole credit. Goodman bought Prine a jukebox as a gift from his publishing royalties.[22]
In 1975, Prine toured the U.S. and Canada with a full band featuring guitarist Arlen Roth.[23]
Pink Cadillac (1979) features two songs produced by Sun Records founder Sam Phillips, who by this time rarely did any studio work. The song "Saigon" is about a Vietnam veteran traumatized by the war ("The static in my attic's gettin' ready to blow"). During the recording, one of the guitar amplifiers blew up (which is evident on the album).[24] The other song Phillips produced is "How Lucky", about Prine's hometown.[25]
1980s
[edit]In 1981, rejecting the established model of the recording industry, which Prine felt exploited singers and songwriters, he co-founded the independent record label Oh Boy Records in Nashville, Tennessee. His fans, supporting the project, sent him enough money to cover the costs, in advance, of his next album.[6] Prine continued writing and recording albums throughout the 1980s. His songs continued to be covered by other artists; the country supergroup The Highwaymen recorded "The 20th Century Is Almost Over", written by Prine and Goodman. Steve Goodman died of leukemia in 1984 and Prine contributed four tracks to A Tribute to Steve Goodman, including a cover version of Goodman's "My Old Man".[26]
1990s
[edit]In 1991, Prine released the Grammy-winning The Missing Years, his first collaboration with producer and Heartbreakers bassist Howie Epstein. The title song records Prine's humorous take on what Jesus did in the unrecorded years between his childhood and ministry.[27][28][29] In 1995, Lost Dogs and Mixed Blessings was released, another collaboration with Epstein.[30] On this album is the long track "Lake Marie", a partly spoken word song interweaving tales over decades centered on themes of "goodbye".[31] Bob Dylan later cited it as perhaps his favorite Prine song.[32] Prine followed it up in 1999 with In Spite of Ourselves, which was unusual for him in that it contained only one original song (the title track); the rest were covers of classic country songs. All of the tracks are duets with well-known female country vocalists, including Lucinda Williams, Emmylou Harris, Patty Loveless, Dolores Keane, Trisha Yearwood, and Iris DeMent.[33][34]
2000s
[edit]Prine appeared in a supporting role in the Billy Bob Thornton movie Daddy & Them (2001). "In Spite of Ourselves" is played during the end credits.[35]
Prine recorded a version of Stephen Foster's "My Old Kentucky Home" in 2004 for the compilation album Beautiful Dreamer, which won the Grammy for Best Traditional Folk Album.[36]
In 2005, Prine released his first all-new offering since Lost Dogs and Mixed Blessings, the album Fair & Square, which tended toward a more laid-back, acoustic approach. The album contains songs such as "Safety Joe", about a man who has never taken any risks in his life, and also "Some Humans Ain't Human", Prine's protest piece on the album, which talks about the ugly side of human nature and includes a quick shot at President George W. Bush. Fair & Square won the 2005 Grammy Award for Best Contemporary Folk Album. The album contains original songs plus two covers: A.P. Carter's "Bear Creek Blues" and Blaze Foley's "Clay Pigeons".[37]
2010s
[edit]On June 22, 2010, Oh Boy Records released a tribute album titled Broken Hearts & Dirty Windows: Songs of John Prine. The album features members of the modern folk revival, including My Morning Jacket, The Avett Brothers, Conor Oberst and the Mystic Valley Band, Old Crow Medicine Show, Lambchop, Josh Ritter, Drive-By Truckers, Nickel Creek's Sara Watkins, Deer Tick featuring Liz Isenberg, Justin Townes Earle, Those Darlins, and Bon Iver's Justin Vernon.[38]
In 2016, Prine was named winner of the PEN/Song Lyrics Award, given to two songwriters every other year by the PEN New England chapter. The 2016 award was shared with Tom Waits and his songwriting collaborator wife Kathleen Brennan. Judges for the award included Peter Wolf, Rosanne Cash, Paul Simon, Elvis Costello, and Bono, as well as literary judges Salman Rushdie, Natasha Tretheway, and Paul Muldoon.[39][40] In 2016, Prine released For Better, or Worse, a follow-up to In Spite of Ourselves. The album features country music covers spotlighting some of the most prominent female voices in the genre, including; Alison Krauss, Kacey Musgraves, and Lee Ann Womack, as well as Iris DeMent, the only guest artist to appear on both compilation albums.[41]
On March 15, 2017, the American Currents exhibit opened at the Country Music Hall of Fame. The exhibit featured a pair of cowboy boots and jacket that Prine often wore on stage, his personal guitar, and the original handwritten lyric to his hit, "Angel From Montgomery". The American Currents Class of 2016 showcased artists who made a significant impact on country music in 2016, including, Prine. Prine won his second Artist of the Year award at the 2017 Americana Music Honors & Awards after previously winning in 2005.[42]
On February 8, 2018, Prine announced his first new album of original material in 13 years, titled The Tree of Forgiveness, would be released on April 13. Produced by Dave Cobb, the album was released on Prine's own Oh Boy Records and features guest artists Jason Isbell, Amanda Shires, Dan Auerbach, and Brandi Carlile. Alongside the announcement, Prine released the track "Summer's End".[43] The album became Prine's highest-charting album on the Billboard 200.[44]
In 2019, he recorded several tracks including "Please Let Me Go 'Round Again"—a song which warmly confronts the end of life—with longtime friend and compatriot Swamp Dogg in his final recording session.[45]
Posthumous releases
[edit]The last song Prine recorded before he died was "I Remember Everything", released on June 12, 2020, alongside a music video. It was released following the two-hour special tribute show, A Tribute Celebrating John Prine aired on June 11, 2020, which featured Sturgill Simpson, Vince Gill, Jason Isbell, Kacey Musgraves, Bonnie Raitt, Rita Wilson, Eric Church, Brandi Carlile and many other country artists and friends.[46] On the first night of the 2020 Democratic National Convention, Prine singing "I Remember Everything" was the soundtrack to the COVID-19 memorial video.[47]
Personal life
[edit]Prine was married three times. His first marriage was to high-school sweetheart Ann Carole in 1966. The marriage lasted until the late 1970s. Prine was married to bassist Rachel Peer from 1984 to 1988. Prine met Fiona Whelan, who later became his manager, in 1988.[48] She moved from Ireland to Nashville in 1993, and they were married in 1996. Prine and Whelan had two sons together, Jack and Tommy, and Prine adopted Whelan's son, Jody, from a previous relationship.[49] Prine had a home, and spent part of the year, in Kinvara, Galway, Ireland.
Health problems
[edit]In early 1998, Prine was diagnosed with squamous-cell cancer on the right side of his neck. He had major surgery to remove a substantial amount of diseased tissue, followed by six weeks of radiation therapy.[50] The surgery removed a piece of his neck and severed a few nerves in his tongue, while the radiation damaged some salivary glands. A year of recuperation and speech therapy were necessary before he could perform again.[51] The operation altered his vocals and added a gravelly tone to his voice.[52]
In 2013, Prine underwent surgery to remove cancer in his left lung. After the surgery, a physical therapist put him through an unusual workout to build stamina: Prine was required to run up and down his house stairs, grab his guitar while still out of breath, and sing two songs. Six months later, he was touring again.[51]
Death
[edit]On March 19, 2020, amid the COVID-19 pandemic in the United States, Prine's wife Fiona revealed that she had tested positive for SARS-CoV-2 and had been quarantined in their home apart from him.[53] He was hospitalized on March 26 after experiencing COVID-19 symptoms.[54] On March 30, Fiona tweeted that she had recovered and that John was in stable condition but not improving.[55][56][57] Prine died on April 7, 2020, of complications caused by COVID-19 at the age of 73.[58]
In accordance with Prine's lyrical wishes, expressed in his song "Paradise", half of his ashes were spread in Kentucky's Green River.[59][60] The other half were buried next to his parents in Chicago.[61]
Influence
[edit]Prine is widely regarded as one of the most influential songwriters of his generation.[62][63][64] He has been referred to as "the Mark Twain of songwriting".[32][65]
Bob Dylan named Prine one of his favorite songwriters in 2009. He remarked, "Prine's stuff is pure Proustian existentialism. Midwestern mindtrips to the nth degree. And he writes beautiful songs. All that stuff about 'Sam Stone', the soldier junkie daddy, and 'Donald and Lydia', where people make love from ten miles away. Nobody but Prine could write like that."[66]
Johnny Cash, in his autobiography Cash, wrote, "I don't listen to music much at the farm, unless I'm going into songwriting mode and looking for inspiration. Then I'll put on something by the writers I've admired and used for years—Rodney Crowell, John Prine, Guy Clark, and the late Steve Goodman are my Big Four ..."[67]
Roger Waters, when asked by Word Magazine in 2008 if he heard Pink Floyd's influence in newer British bands such as Radiohead, replied, "I don't really listen to Radiohead. I listened to the albums and they just didn't move me in the way, say, John Prine does. His is just extraordinarily eloquent music—and he lives on that plane with Neil [Young] and [John] Lennon."[68] He later named Prine as among the five most important songwriters.[69]
Prine's influence is seen in the work of younger artists, whom he often mentored, including Jason Isbell, Amanda Shires, Brandi Carlile, Sturgill Simpson, Kacey Musgraves, Margo Price, Tyler Childers, and Robin Pecknold.[70][71]
Awards and honors
[edit]Grammy Awards
[edit]Prine won four Grammy Awards out of 13 nominations, as well as a Grammy Lifetime Achievement Award.[72]
Year | Nominated work | Category | Result |
---|---|---|---|
1972 | John Prine | Best New Artist | Nominated |
1986 | German Afternoons | Best Contemporary Folk Recording | Nominated |
1988 | John Prine Live | Nominated | |
1991 | The Missing Years | Best Contemporary Folk Album | Won |
1995 | Lost Dogs and Mixed Blessings | Nominated | |
1997 | Live on Tour | Nominated | |
1999 | In Spite of Ourselves | Nominated | |
2005 | Fair & Square | Won | |
2018 | The Tree of Forgiveness | Best Americana Album | Nominated |
2018 | "Summer's End" | Best American Roots Song | Nominated |
2018 | "Knockin' on Your Screen Door" | Nominated | |
2020 | John Prine | Lifetime Achievement Award | Won |
2021 | "I Remember Everything" | Best American Roots Performance | Won |
2021 | Best American Roots Song | Won |
Other accolades
[edit]- In 2005, at the request of U.S. Poet Laureate Ted Kooser, John Prine became the first singer-songwriter to read and perform at the Library of Congress.[73]
- In 2016, Prine received the PEN New England Song Lyrics of Literary Excellence Award.[32]
- In 2019, Prine was inducted into the Songwriters Hall of Fame with a speech by Bonnie Raitt.[74]
- Over his career, Prine received six awards from the Americana Music Honors & Awards: the Lifetime Achievement Award for Songwriting (2003), Artist of the Year (2005, 2017, 2018), Song of the Year for "Summer's End" (2019), and Album of the Year for The Tree of Forgiveness (2019).
- On June 30, 2020, Illinois's Governor J. B. Pritzker posthumously named Prine the honorary Poet Laureate of Illinois.[75]
- The John Prine Songwriter Fellowship was created in Prine's honor. In 2022, Leith Ross became the first recipient.[76]
Discography
[edit]The week after his death, Prine hit number one on Billboard's Rock Songwriters Chart because his singles ("In Spite Of Ourselves", "Angel from Montgomery", "Hello In There", "When I Get To Heaven", and "That's the Way the World Goes Round") all charted in the top 25 of the Hot Rock Song Chart. On the Billboard 200, his 1971 debut album re-entered the chart at 55, and his last album, 2018's Tree of Forgiveness, re-entered at 109.[77]
Studio albums
[edit]Year | Album | Peak chart positions | Label | |||||
---|---|---|---|---|---|---|---|---|
US [78] | US Country [79] | US Indie [80] | US Rock [81] | US Folk [82] | Can [83] | |||
1971 | John Prine
| 55 | — | — | — | — | — | Atlantic |
1972 | Diamonds in the Rough
| 148 | — | — | — | — | — | |
1973 | Sweet Revenge
| 135 | — | — | — | — | — | |
1975 | Common Sense
| 66 | — | — | — | — | — | |
1978 | Bruised Orange
| 116 | — | — | — | — | — | Asylum |
1979 | Pink Cadillac
| 152 | — | — | — | — | — | |
1980 | Storm Windows
| 144 | — | — | — | — | — | |
1984 | Aimless Love
| — | — | — | — | — | — | Oh Boy |
1986 | German Afternoons
| — | — | — | — | — | — | |
1991 | The Missing Years
| — | — | — | — | — | — | |
1993 | A John Prine Christmas
| — | — | — | — | — | — | |
1995 | Lost Dogs and Mixed Blessings
| 159 | — | — | — | — | — | |
1999 | In Spite of Ourselves
| 197 | 21 | — | — | — | — | |
2000 | Souvenirs
| — | — | — | — | — | — | |
2005 | Fair & Square
| 55 | — | 2 | — | — | — | |
2007 | Standard Songs for Average People (with Mac Wiseman)
| — | — | 37 | — | — | — | |
2016 | For Better, or Worse
| 30 | 2 | 7 | — | 5 | — | |
2018 | The Tree of Forgiveness
| 5 | 2 | 2 | 2 | 1 | 26 | |
"—" denotes releases that did not chart |
Live albums
[edit]Year | Album | Peak chart positions | |||||
---|---|---|---|---|---|---|---|
US [78] | US Indie [80] | US Rock [81] | US Folk [82] | ||||
1988 | John Prine Live | — | — | — | — | ||
1997 | Live on Tour
| — | — | — | — | ||
2010 | In Person & On Stage
| 85 | — | 27 | 1 | ||
2011 | Singing Mailman Delivers
| 94 | 20 | 22 | 4 | ||
2015 | September '78
| — | — | — | — | ||
2021 | Live At The Other End Dec. 1975
| — | — | — | — | ||
"—" denotes releases that did not chart |
Compilation albums
[edit]Year | Album | Peak chart positions | Label |
---|---|---|---|
US [78] | |||
1976 | Prime Prine: The Best of John Prine | 196 | Atlantic |
1993 | Great Days: The John Prine Anthology | — | Rhino |
Year | Song | Album |
---|---|---|
1994 | "Lonely Just Like Me" | Adios Amigo: A Tribute to Arthur Alexander |
2004 | "My Old Kentucky Home" | Beautiful Dreamer: The Songs of Stephen Foster |
2010 | "This Guitar Is for Sale" | Twistable, Turnable Man: A Musical Tribute to the Songs of Shel Silverstein |
Year | Single | Artist | Peak positions | Album |
---|---|---|---|---|
US Country | ||||
1992 | Sweet Suzanne | Buzzin' Cousins | 68 | Falling from Grace soundtrack |
2013 | Yes We Will | Maria Doyle Kennedy | – | Sing |
2020 | Memories | Swamp Dogg | – | Sorry You Couldn't Make It |
Please Let Me Go Around Again | – | |||
How Lucky | Kurt Vile | – | Speed, Sound, Lonely KV (ep) |
Year | Title | Label |
---|---|---|
2001 | John Prine – Live from Sessions at West 54th | Oh Boy Records Music Video |
Year | Video | Director |
---|---|---|
1992 | "Picture Show"[84] | Jim Shea |
"Sweet Suzanne" (Buzzin' Cousins) | Marty Callner | |
1993 | "Speed of the Sound of Loneliness" (featuring Nanci Griffith) | Rocky Schenck |
1995 | "Ain't Hurtin' Nobody"[85] | Jim Shea |
2016 | "Fish and Whistle (Lyric Video)"[86] | Northman Creative |
2016 | "I'm Telling You"[87] (featuring Holly Williams) | Joshua Britt and Neilson Hubbard |
2016 | "Color of the Blues" featuring Susan Tedeschi[88] | Joshua Britt and Neilson Hubbard |
2017 | "Sweet Revenge"[89] | Oh Boy Records |
2017 | "In Spite of Ourselves"[90] | Oh Boy Records |
2018 | "The Road to 'The Tree of Forgiveness'"[91] | Oh Boy Records |
2018 | "Knockin' On Your Screen Door"[92] | David McClister |
2018 | "Knockin' On Your Screen Door (Lyric Video)"[93] | David McClister |
2018 | "God Only Knows (Lyric Video)"[94] | Joshua Britt and Neilson Hubbard |
2018 | "Summer's End"[95] | Kerrin Sheldon and Elaine McMillion Sheldon |
2018 | "Summer's End (Lyric Video)"[96] | Oh Boy Records |
2018 | "When I Get to Heaven (Lyric Video)"[97] | Oh Boy Records |
2018 | "Egg & Daughter Nite, Lincoln, Nebraska, 1967 (Crazy Bone)"[98] | Oh Boy Records |
2019 | "My Old Kentucky Home, Goodnight"[99] | Oh Boy Records |
2020 | "I Remember Everything"[46] | Oh Boy Records |
References
[edit]- ^ Carr, Patrick (July 22, 1973). "It's So 'Progressive' in Texas". The New York Times. Retrieved July 22, 2023.
- ^ "John Prine Obituary - Nashville, TN".
- ^ a b "John Prine OTSFM Registration Card". Old Town School of Folk Music. September 17, 1964. Retrieved April 26, 2018.
- ^ "John Prine Shares the Remarkable 'Cinderella Story' of How His Career Got Started". Billboard.
- ^ "#149 John Prine, 'John Prine' (1971)". Rolling Stone 500 Greatest Albums Of All Time. Retrieved October 10, 2023.
- ^ a b Barry, Dan (April 6, 2016). "John Prine Endures, With a Half-Smile and a Song". The New York Times. ISSN 0362-4331. Archived from the original on March 30, 2020. Retrieved March 30, 2020.
- ^ Huffman, Eddie (March 15, 2015). John Prine: In Spite of Himself. University of Texas Press. p. 76. ISBN 9780292748224 – via Google Books.
- ^ "John Prine discusses his life and his formation in music". Studs Terkel Radio Archive. WFMT and Chicago History Museum. 1975. Retrieved April 11, 2020.
- ^ "John Prine Information". Shrout.co.uk. October 10, 1946. Archived from the original on October 6, 2011. Retrieved March 15, 2011.
- ^ "John Prine, Grammy-winning singer-songwriter, dead at 73 from coronavirus complications". New York Post. April 7, 2020. Archived from the original on April 8, 2020. Retrieved April 8, 2020.
- ^ a b Kot, Greg (February 28, 2010). "John Prine recalls his Chicago folk roots". Chicago Tribune. Retrieved April 8, 2020.
- ^ a b "Roger Ebert's Journal: "John Prine: American Legend" reprinting October 9, 1970 review". Chicago Sun-Times. November 14, 2010. Archived from the original on February 23, 2015. Retrieved February 23, 2015.
- ^ Wilkening, Matthew (April 8, 2020). "How an Unplanned Roger Ebert Review Launched John Prine's Career". Ultimate Classic Rock. Retrieved April 8, 2020.
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- ^ "John Prine Shares the Remarkable 'Cinderella Story' of How His Career Got Started". Billboard. June 11, 2019. Retrieved April 12, 2020.
- ^ a b Betts, Stephen L.; Doyle, Patrick; Doyle, Patrick (April 8, 2020). "John Prine, One of America's Greatest Songwriters, Dead at 73". Rolling Stone. Retrieved April 11, 2020.
- ^ Chilton, Martin (February 8, 2013). "John Prine: I Find the Human Condition Funny". Daily Telegraph. Archived from the original on January 11, 2022. Retrieved April 12, 2020.
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- ^ Huffman, Eddie (2015). John Prine: In Spite of Himself. University of Texas Press. pp. 69–70. ISBN 9780292748224. Retrieved April 7, 2020.
Rolling Stone caught up with Prine in New York shortly before the album's release [referring to Diamonds in the Rough]. The opening paragraph of Ed McCormack's story described Prine on stage at the Bitter End, halfway through a six-night stand, calling out for a special guest: 'Whar's that harmonica player?' The 'nervously nondescript figure' who joined him was none other than Bob Dylan.
- ^ "Looking Back on John Prine Buddy Steve Goodman". Rolling Stone. July 19, 2019. Retrieved April 8, 2020.
- ^ Cocks, Jay (September 7, 1978). "Bruised Orange". Rolling Stone. Retrieved April 8, 2020.
- ^ "John Prine – You Never Even Call Me by My Name (1987)". YouTube. June 11, 2015. Archived from the original on February 28, 2020. Retrieved October 4, 2019.
- ^ "About Arlen Roth". www.arlenroth.com. Retrieved April 8, 2020.
- ^ Ramsey, Jan (December 2002). "John Prine". offbeat.com. Offbeat Magazine. Retrieved April 8, 2020.
- ^ Betts, Stephen (September 14, 2018). "Hear John Prine Update His 'Song of Personal Confrontation' 'How Lucky'". Rolling Stone. Retrieved April 8, 2020.
- ^ Oermann, Robert K. (January 12, 1986). "Sade's 'Promise' broken; Grace's is the 'Greatest'". The Tennessean.
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- ^ Davis, Noel (July 7, 1992). "Finding Success in 'Missing Years' : Pop music: John Prine, who will perform at the Coach House, says the popularity of his latest album caught him by surprise". Los Angeles Times. Archived from the original on April 8, 2020. Retrieved April 7, 2020.
- ^ Reid, Graham (March 29, 2020). "John Prine: The Missing Years (1991)". Elsewhere. Archived from the original on April 8, 2020. Retrieved April 7, 2020.
- ^ Manning, Kara (September 21, 1995). "John Prine: 'It's Hard to Write a Happy Love Song'". Rolling Stone. Archived from the original on April 8, 2020. Retrieved April 7, 2020.
- ^ Coyle, Jake (April 10, 2020). "Essential tracks from John Prine, folk music's Mark Twain". The Oklahoman. Associated Press. Retrieved April 11, 2020.
- ^ a b c Doyle, Patrick (January 4, 2017). "Inside the Life of John Prine, the Mark Twain of American Songwriting". Rolling Stone. Retrieved April 9, 2020.
- ^ Klein, Joshua (March 29, 2002). "John Prine: In Spite Of Ourselves". AV Club. Archived from the original on November 6, 2019. Retrieved April 7, 2020.
- ^ Spacek, Nick (September 19, 2016). "Vinyl Review: John Prine – In Spite of Ourselves". Modern Vinyl. Archived from the original on April 8, 2020. Retrieved April 7, 2020.
- ^ "Daddy and Them (2001)". Rotten Tomatoes. Retrieved April 8, 2020.
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John Prine, one of the most influential and revered folk and country songwriters of the last 50 years and an unassuming man who was still producing quality work after two bouts with cancer, has died at the age of 73 after being infected with the COVID-19 virus ... through two dozen albums over nearly 40 years, Prine remained a hugely influential songwriter who was held in high esteem by his peers in folk and country music.
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Many tough days have been made better by Mr. Prine, the influential singer and songwriter with a gift for articulating moments almost beyond words. His songs have won the respect of Johnny Cash, Kris Kristofferson, Pink Floyd, the Library of Congress, you name it. One admirer, Bob Dylan, once described his canon as 'pure Proustian existentialism' and 'Midwestern mind trips to the nth degree.'
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External links
[edit]- Official website
- John Prine at AllMusic
- John Prine discography at Discogs
- John Prine at IMDb
- Doyle, Patrick (April 3, 2020). "John Prine: The Secrets Behind His Classic Songs". Rolling Stone. Retrieved April 12, 2020. (Notes by John Prine about the inspirations for several of his songs)
- A Literary Evening with John Prine and Ted Kooser. March 9, 2005. The Poetry and Literature Center at the Library of Congress.