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DeutschKatia Forbert Petersen
 | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (January 2019) |
Katia Forbert Petersen | |
|---|---|
| Born | 6 February 1949 |
| Nationality | Polish, Danish |
| Other names | Katia Forbert |
| Occupation(s) | Cinematographer, film director, producer, writer |
| Years active | 1973 – Present[1] |
| Parent | Wladyslaw Forbert (father)[2] |
Katia Forbert Petersen (born 6 February 1949) is a Polish-Danish cinematographer, film director, producer, and writer, known for her work on the Danish-language films En fremmed piges dagbog (1989), Behind the Mountains (2004), and My Iranian Paradise (2008), among others.[3]
Petersen has been involved in approximately 150 documentary and feature films over her career, and has done work for Zweites Deutsches Fernsehen in Germany and the National Film Board of Canada.[4]
Career
[edit]The daughter of Polish engineer and cinematographer Wladyslaw Forbert, Petersen spent her early career studying cinematography at the National Film School in Łódź, Poland. In response to the mounting anti-Semitic political crisis in Poland, Petersen emigrated to Denmark, where she held dual citizenship, after receiving her degree in 1969.[4]
Petersen joined the Danish Film Institute in 1973. Soon after, she managed cinematography for three feminist feature films: the Danish film Take It Like a Man, Madam (1975), and two German films: The Power of Men is the Patience of Women (1978) and Redupers: The All-Round Reduced Personality (1978). Since then, she has filmed and directed numerous feature and documentary productions in Denmark and abroad.[1]
Petersen is a frequent collaborator of fellow Danish women directors Annette Mari Olsen and Mette Knudsen. In 1988, Petersen and Olsen founded the production company Sfinx Film/TV, through which the duo continues to produce films together.[5]
Filmography
[edit]| Year | Film | |||
|---|---|---|---|---|
| Director | Cinematographer | Writer | ||
| 1971 | En husmor | No | Yes | No |
| 1973 | Polske piger | Yes | Yes | Yes |
| 1975 | Take It Like a Man, Madam | No | Yes | No |
| 1976 | Frihed er ikke noget man får, det er noget man tager | No | Yes | No |
| 1976 | Havets lavvandsfauna | Yes | Yes | Yes |
| 1977 | Christiania | No | Yes | No |
| 1977 | Kvinde og job | Yes | Yes | Yes |
| 1978 | The Power of Men is the Patience of Women | No | Yes | No |
| 1978 | Redupers: The All-Round Reduced Personality | No | Yes | No |
| 1979 | Anarchiets land | No | Yes | No |
| 1979 | Sammen med Lena | Yes | Yes | Yes |
| 1979 | Plantagens lange skygger - En film om Sylvia Woods | No | Yes | No |
| 1979 | Do We Start Off with a Dance? | No | No | Yes |
| 1980 | En uge uden smil | Yes | Yes | No |
| 1980 | Træerne og skovens folk | No | Yes | No |
| 1981 | Jeg blir' så bange | No | Yes | Yes |
| 1981 | En fugl under mit hjerte | No | Yes | No |
| 1982 | Teknik for dig og mig | Yes | Yes | |
| 1982 | Bjerg Eivind og hans hustru | No | Yes | No |
| 1983 | Hærvejen | No | Yes | No |
| 1983 | Syv billeder fra Hærvejen | No | Yes | No |
| 1983 | Veras historie - en film om modstandskamp | No | Yes | No |
| 1984 | Jeg vil ha' dig tilbage | Yes | Yes | Yes |
| 1984 | Midvinter, Masketid | No | Yes | No |
| 1984 | Betagelse Q-Q | No | Yes | No |
| 1985 | Johanne fra Daugbjerg | Yes | Yes | Yes |
| 1985 | Højt på en gren | No | Yes | No |
| 1985 | Rødstrømper - en kavalkade af kvindefilm | No | Yes | No |
| 1986 | Din daglige dosis | No | Yes | No |
| 1986 | Jobtilbud i nazismens Tyskland | No | Yes | No |
| 1987 | Mit søde barn | Yes | Yes | Yes |
| 1987 | Holografi | No | Yes | No |
| 1987 | En hård dags nat | No | Yes | No |
| 1988 | Indvandrerkvinder 3 - Kvinde i eksil | Yes | Yes | |
| 1988 | Jako | Yes | Yes | |
| 1988 | Musen og dansepigen | No | Yes | No |
| 1989 | En fremmed piges dagbog | Yes | Yes | Yes |
| 1989 | The Old Folk's Dance | No | Yes | No |
| 1990 | A Wanted Child | Yes | Yes | Yes |
| 1990 | A Pig after My Own Heart | Yes | Yes | Yes |
| 1990 | Stemmeret, Liberty, Equality and the Right to Vote | No | Yes | No |
| 1991 | Klar besked - en film om prævention | No | Yes | No |
| 1991 | Gud ånder på øjet, når det græder | No | Yes | No |
| 1991 | Madsen's Hotel | Yes | ||
| 1992 | Gud gav hende en Mercedes-Benz | Yes | Yes | |
| 1992 | You Have to be Round to Live in a Globe | Yes | ||
| 1993 | Dreams & Dreams | No | Yes | No |
| 1993 | Lasse Lasse lille | No | Yes | No |
| 1994 | Like Birds in a Cage | No | Yes | No |
| 1995 | Man with Camera | Yes | Yes | Yes |
| 1996 | Two Women on a River | Yes | Yes | |
| 1996 | War is Not a Children's Game | No | Yes | No |
| 1996 | Go West | No | Yes | No |
| 1997 | Mit sprog som menneske | No | Yes | No |
| 1997 | They Don't Burn Priests, Do They? | No | Yes | No |
| 1998 | Cecilie's World | No | Yes | No |
| 1999 | Filmhits for børn 4 (Sut slut finale) | No | Yes | No |
| 1999 | The Time Before the Moment | Yes | Yes | Yes |
| 2000 | Von Trier's 100 Eyes | Yes | Yes | Yes |
| 2000 | Free as a Bird | No | Yes | No |
| 2001 | Min egen motorhest | Yes | Yes | No |
| 2001 | Konfirmanderne / Gud hvor er det svært | No | Yes | No |
| 2001 | The Countess and Her Daughters | No | Yes | No |
| 2002 | When Mum and Dad are Clowns | Editor | ||
| 2003 | Det ulogiske instrument | Producer | ||
| 2003 | Avation | Producer | ||
| 2003 | It's All Good | Producer | ||
| 2003 | 5 hjerteslag | Producer | ||
| 2004 | Behind the Mountains | Yes | Yes | Yes |
| 2004 | Homulus spectaculus | No | Yes | No |
| 2006 | Sound on Life | Yes | Yes | Yes |
| 2007 | The Bird That Could Tell Fortunes | Yes | Yes | |
| 2008 | My Iranian Paradise | Yes | Yes | Yes |
| 2008 | Tomme rum | No | Yes | No |
| 2014 | Mission Rape - A Tool of War | Yes | Yes | Yes |
Awards
[edit]- Bronze Medal, New York Television Festival, 1990 for A Wanted Child[6]
- Gold Medal, Prix National, Festival de la Commission des Communauts Europennes, 1990 for A Pig after My Own Heart[6]
- Special Commendation Non-fiction, Television Programme of the Year, Prix Europa, 1991 for Madsen's Hotel[6]
- Special Commendation for Serials and Documentary Miniseries, Prix Europa, 1992 for You Have to be Round to Live in a Globe[6]
- Danish Association of Cinematographers Annual Award, 1992[7]
- Best Director, European Youth Film Festival, Antwerp, 1997[6]
- Grand Prix, ITVA-Festival, Copenhagen, 1997 for Two Women on a River[6]
- Special Prize for Best Television Documentary, Prix Europa, 1997 for They Don't Burn Priests, Do They?[6]
- Special Commendation, Prix Niki, 1997 for They Don't Burn Priests, Do They?[6]
- 2nd Prize, Nordic Glory Festival, Finland, 1997 for They Don't Burn Priests, Do They?[6]
- Best Documentary and Best Photography, ITVA-Festival, New Orleans, 1998 for Two Women on a River[6]
- Aller Press Prize, 1999 for The Time Before the Moment[6]
- Women's International Film and Television Showcase - Honorary Golden Mermaid, 2001[7]
- Jury Prize, Taiwan International Children's Film Festival, 2004 for When Mum and Dad are Clowns[6]
- Jury Prize, Taiwan International Children's Film Festival, 2006 for Behind the Mountains[2]
- Robert Award for Best Documentary Short, 2007 for Sound on Life[2]
- Nominated for the Oxfam Global Justice Award, 2014 for Mission Rape - A Tool of War[4]
- Nominated for Best European TV Programme of the Year, Prix Europa Iris, 2014 for Mission Rape - A Tool of War[6]
See also
[edit]References
[edit]- ^ a b "Katia Forbert Petersen - dansk film database".
- ^ a b c d "Katia Forbert Petersen".
- ^ https://www.imdb.com/name/nm0285283/bio?ref_=nm_ov_bio_sm [user-generated source]
- ^ a b c http://sfinxfilm.dk/assets/dfi_film_idfa14_mag_single.pdf [bare URL PDF]
- ^ "Employees".
- ^ a b c d e f g h i j k l m n "Sfinx Film/TV uk".
- ^ a b "VON TRIer's 100 EYES by Katia Forbert Peterson @ Brooklyn Film Festival".
External links
[edit]- Katia Forbert on IMDb
- Katia Forbert Petersen on the Danish Film Database (danish)