Lee Garmes

Lee Garmes, A.S.C.
Garmes in 1937
Born	Lee Dewey Garmes (1898-05-27)May 27, 1898 Peoria, Illinois
Died	August 31, 1978(1978-08-31) (aged 80) Los Angeles, California
Occupation	Cinematographer
Title	A.S.C.
Board member of	A.S.C. President (1960–1961)
Spouse	Ruth Hall (1933–his death)
Children	2 daughters, Pamela and Carol
Awards	Academy Award for Best Cinematography 1932 Shanghai Express

Lee Garmes, A.S.C. (May 27, 1898 – August 31, 1978) was an American cinematographer. During his career, he worked with directors Howard Hawks, Max Ophüls, Josef von Sternberg, Alfred Hitchcock, King Vidor, Nicholas Ray and Henry Hathaway, whom he had met as a young man when the two first came to Hollywood in the silent era. He also co-directed two films with legendary screenwriter Ben Hecht: Angels Over Broadway and Actors and Sin.^[1]

Born in Peoria, Illinois, Garmes came to Hollywood in 1916. His first job was as an assistant in the paint department at Thomas H. Ince Studios, but he soon became a camera assistant before graduating to full-time cameraman. His earliest films were comedy shorts, and his career did not fully take off until the introduction of sound films.

Garmes was married to film actress Ruth Hall from 1933 until his death in 1978. He is interred in the Grand View Memorial Park Cemetery in Glendale, California.

Garmes was one of the early proponents of video technology, which he advocated as early as 1972. That year, he had been hired by Technicolor to photograph the short film Why, which was intended to test whether video was a viable technology for shooting feature films.

According to American Cinematographer magazine, "Although officially unaccredited, Lee Garmes photographed a considerable portion of Gone with the Wind. Many consider the famous railroad yard sequence among his finest cinematic efforts."^[2]

Declaring that his cinematography can be “followed like a thread” through films he photographed for various directors, Garmes acknowledged his debt to Dutch painter Rembrandt van Rijn:

Rembrandt has been my favorite artist. I’ve always used his technique of north light—of having my main source of light on the set coming from the north…And of course I’ve always followed Rembrandt in my fondness for low key. If you look at his paintings, you’ll see an awful lot of blacks. No strong highlights.^[3]

Garmes was one of many Hollywood veterans from the silent era interviewed by Kevin Brownlow for the television series Hollywood (1980).^[4]

Wins

• Academy Awards: Best Cinematography, for Shanghai Express; 1933.^[5]
• Twice received the Eastman Kodak Award.^{[citation needed]}

Nominations

• Academy Awards: Best Cinematography, for Morocco; 1931.^[6]
• Academy Awards: Best Cinematography, for Since You Went Away; 1945. Shared with: Stanley Cortez.^[7]
• Academy Awards: Best Cinematography, for The Big Fisherman; 1960.^[8]

Sources:^[9]

• Higham, Charles. 1970. Hollywood Cameraman: Sources of Light. Indiana University Press, Bloomington, Indiana and London. ISBN 0-253-13820-5

• Lee Garmes at IMDb
• Lee Garmes at the TCM Movie Database
• Lee Garmes at the Internet Encyclopedia of Cinematographers
• Lee Garmes at Film Reference
• Lee Garmes Cinema Institute