French
DeutschLibro de las Estampas
The Libro de las Estampas ("Book of the Pictures") or Testamentos de los Reyes de León ("Donations of the Kings of León") is a late twelfth-century cartulary codex of León Cathedral. It contains copies of donations from seven kings—Ordoño II, Ordoño III, Ramiro III, Vermudo II, Alfonso V, Fernando I and Alfonso VI—and one countess, Sancha Muñiz. Each copy is preceded by an illustration of the donor. All but Ordoño II are shown bearing the original charter (a scroll with a large seal). These lavish depictions in the Romanesque style served an authenticating function.[1][2][3][4]
The illustrations, however, are anachronistic. The costume depicted is typical of the twelfth century, not the early tenth. Similarly, pendant seals did not become common in Iberia until the twelfth century. Each king is depicted crowned and seated on a throne, bearing a sceptre. The scrolls the donors hold bear their names and a confirmation of their donation. For example, Ego Ordonius minor rex confirmo ("I, Ordoño the younger [i.e., the third], confirm [this gift]").[5] The depiction of the countess differs from those of the kings in that she is bending her knees while a second figure lifts a sword ready to strike. In the iconography of the times, she is portrayed as a martyr because of her gift to the church.[2]
Gallery
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Ordoño II -
Ordoño III -
Ramiro III -
Vermudo II
-
Alfonso V -
Fernando I -
Alfonso VI -
Sancha
Notes
[edit]- ^ A facsimile edition was published by Agapito Fernández Alonso, El Libro de las Estampas (León, 1981).
- ^ a b Margarita Torres Sevilla Quiñones de León and Fernando Galván Freile, "La condesa Doña Sancha: Una nueva aproximación a su figura", Medievalismo: Boletín de la Sociedad Española de Estudios Medievales, 5 (1995), pp. 9–30.
- ^ Ana M. Gómez-Bravo, Textual Agency: Writing Culture and Social Networks in Fifteenth-Century Spain (University of Toronto Press, 2013), p. 104.
- ^ Marta Herrero de la Fuente, "Cartularios leoneses: Del Becerro Gótico de Sahagún al Tumbo Legionense y al Libro de las Estampas", in Elena E. Rodríguez Díaz and Antonio Claret García Martínez, eds., La escritura de la memoria: los cartularios (Universidad de Huelva, 2011), pp. 111–52, at 143–52.
- ^ Raymond McCluskey, "Malleable Accounts: Views of the Past in Twelfth-Century Iberia", in Paul Magdalino, ed., The Perception of the Past in 12th Century Europe (Hambledon Press 1992), pp. 211–26, at p. 223.
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