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The Marfa is a form of celebratory rhythmic music and dance from Hyderabad, India, among the Hyderabadi Muslims, adapted from Afro-Arab music of Hadhramawt in Yemen.[1] It is played at a high tempo using instruments such as marfa, daff, dhol, sticks,[2] steel pots and wooden strips called thapi.[what language is this?][3] The chorus effects and vocal meter are set according to beats.[1][2]
It was introduced during 18th century in Hyderabad State by the East African Siddi community, who used to serve as cavalry guards in Asaf Jahi Nizams irregular army. Asaf Jahi Nizams patronized marfa music and it was performed during official celebrations and ceremonies as they also claimed Arab ancestry from the first Caliph Abu Bakr Siddique through the Bayafandi Clan of Asir province in Arabia. It became popular in India, particularly in Hyderabad state. It was brought there by the diaspora of Siddis and Hadhramis.[1][2]
The associated marfa dance is typically performed with janbiya daggers and/or talwars (swords) and latts[what language is this?] (canes), and is likely to have been derived from the Bar'a (Arabic: برع) dance of Yemen.
Origin
[edit]Marfa is a Yemeni Arabic word used for the kettledrum.[4] Due to the Hadhrami people's influence on the culture of the Ethiopian Siddis, the word marfa became a symbol of the music played using the kettledrum.[5][6] Kettledrums are replaced with Handi kettledrums[3] in the Siddi form of marfa music played in Hyderabad, India.[7]
Forms
[edit]Marfa music is created from three different musical rhythmic beats also called teen maar taal.[what language is this?][2] A typical dance involves jiggling with swords and sticks based on the music's tempo and rhythm.[8] The music is performed only by men, whereas dances and jiggling are common among both men and women.[1][2] Popular marfa rhythms include:
- sewariʿarabī
- bamb sheklahʿarabī
- ya abu bakar-ya abu salahʿarabī
- salaam almukallahʿarabī
- jumbali zimbaliʿarabī
- benazeer benazeerʿarabī
- ahlan wasahlanʿarabī
Popularity
[edit]Playing marfa has become popular in Hyderabad and it is considered a traditional sign of welcome.[2][9][10][11] Since 1951, it is performed officially by the government of India as part of the annual celebration on the occasions of Independence Day and Republic Day at Red Fort, New Delhi, India.[2] It is also played at Hyderabadi Muslim weddings, with great fervour.[12]
See also
[edit]External links
[edit]References
[edit]- ^ a b c d "'Marfa' band of the Siddis 'losing' its beat". The Hindu. Hyderabad, India. 10 July 2011. Retrieved 16 August 2011.
- ^ a b c d e f g Ababu Minda Yimene (2004). An African Indian community in Hyderabad: Siddi identity, its maintenance and Change. Greenwood. pp. 209–211. ISBN 3-86537-206-6.
- ^ a b "It's "teen maar" for marriages, festivals". The Hindu. Hyderabad, India. 23 October 2008. Archived from the original on 26 October 2008. Retrieved 16 August 2011.
- ^ Michael S. Kinnear (1994). The Gramaphone Company's first Indian recordings, 1899-1908. Popular Prakashan. p. 203. ISBN 81-7154-728-1.
- ^ British-Yemeni Society: Traditional music in the Yemen Archived 2011-07-16 at the Wayback Machine
- ^ Yemen Music | Enjoy The Poetry In Yemeni Music
- ^ Census of India : Andhra Pradesh. India. Director of Census Operations, Andhra Pradesh. 1981. p. 82.
- ^ Welcome to the Telangana Archived 2012-03-30 at the Wayback Machine
- ^ "US Consul General floored by Arabi daf". The Hindu. 1 December 2010. Archived from the original on 19 January 2011. Retrieved 3 February 2012.
- ^ "Spiritual leader of Dawoodi Bohras in city". The Hindu. Hyderabad, India. 29 March 2009. Archived from the original on 17 October 2007. Retrieved 16 August 2011.
- ^ "Sania-Shoaib-enters-Mirza-residence-hand-in-hand". The Hindu. Hyderabad, India. 13 April 2010. Archived from the original on 17 October 2007. Retrieved 16 August 2011.
- ^ "From the era of the Nizams 'Arabi marfa' continues to be a hit even now". The Hindu. 26 October 2012. ISSN 0971-751X. Retrieved 19 March 2016.