May Nagmamahal Sa'yo
May Nagmamahal Sa'yo | |
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Directed by | Marilou Diaz-Abaya |
Screenplay by |
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Produced by |
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Starring | |
Cinematography | Eduardo Jacinto |
Edited by | Jess Navarro |
Music by | Nonong Buencamino |
Production company | Star Cinema |
Distributed by | Star Cinema |
Release date |
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Running time | 121 minutes |
Country | Philippines |
Language | Filipino |
May Nagmamahal Sa'yo, internationally released as Madonna and Child,[a] is a 1996 Philippine drama film directed by Marilou Diaz-Abaya from a screenplay written by Ricky Lee and Shaira Mella Salvador. Starring Lorna Tolentino, Ariel Rivera, and Stefano Mori in his first lead role, the film revolves around a woman who returned from working overseas and began to search for her missing son whom she gave up for adoption at the orphanage years earlier. It also stars Claudine Barretto, Gina Pareño, Renato del Prado, Jaclyn Jose, Tom Taus Jr., Emman Abeleda, Rolando Tinio, Archie Adamos, and Lilia Cuntapay.
Produced and released by Star Cinema, the film was theatrically released in the Philippines on 25 January 1996. It was later screened in film festivals and retrospective events worldwide, including in Hong Kong on 27 March 1996, as part of the 20th Hong Kong International Film Festival, in Japan on 15 September 1996, as one of the exhibited Filipino films for the 6th Fukuoka International Film Festival, and in Germany on 26 June 1999, as part of the tribute to the director at the Munich International Film Festival.[a]
Plot
[edit]In 1988, Louella Sevilla, a woman living in the town of Talisay, Batangas, gave up her son to the care of Father Nicandro at the orphanage to work overseas as a domestic helper. Seven years after she served there in Hong Kong, she returned to her hometown, only to be welcomed by her stepfather Boy and younger sister Janine but ignored by her mother Rosing because she threw Louella out when she found that Louella was impregnated and later, dumped by a traveling businessman. While fetching Janine from school, she reunites with Nestor, the town's policeman. The following day, Louella returns to the same place where she gave Leonard up for adoption but Father Cortez, the current parish priest, does not know about them. Manang Ofel, one of Father Nicandro's assistants before his death, informs her that Leonard and the other children were transferred to Hospicio de San Agustin in Pasig.
The search for her son begins with Louella going to Pasig, only to discover that the orphanage was demolished. Nestor, who later joins her search, tells Louella that the orphans, including Leonard, were transferred to other orphanages including the two mentioned from the information he gathered. In an unnamed orphanage located in Lipa, the two discover that the children in the said facility have disabilities, which Leonard didn't have when he was born. One morning, she received a letter from an employment agency that she was assigned to work again in Hong Kong. The search continues when they visit Hospicio de San Cristobal in Tagaytay and there, Louella meets a boy named Conrad who is humming the same melody as the one she did for her missing son.
In the slums of Metro Manila, the two met Editha.
Cast
[edit]- Lorna Tolentino as Louella Sevilla, the mother of Leonard who works as a domestic helper in Hong Kong
- Ariel Rivera as Nestor, a policeman and Louella's suitor
- Stefano Mori as Conrad, a rebellious boy at the orphanage
- Kaiser German Gonzales as 2-year-old Conrad
- Robert Norton as 5-year-old Conrad
- Tom Taus Jr. as Leonard Sevilla, Louella's son from a traveling businessman
- Angelo Lourds Silverio as 8-month-old Leonard
- Janjiro Hernandez as 2-year-old Leonard
- Emman Abeleda as 5-year-old Leonard
- Claudine Barretto as Janine, Louella's high school-aged younger sister
- Renato del Prado as Boy, Janine's father and Louella's stepfather
- Gina Pareño as Rosing, Louella and Janine's mother
- Rolando Tinio as Father Nicandro, the church's parish priest when Louella gave up Leonard at their orphanage
- Jaclyn Jose as Editha, a woman in Manila who wholeheartedly adopted Leonard after she witnessed her employer abusing him
- Archie Adamos as Father Cortez, the church's current parish priest
- Lilia Cuntapay as Manang Ofel, one of the elderly church volunteers who was Father Nicandro's assistant
- Vangie Labalan as Sister Lourdes, the nun who is the head of Hospicio de San Cristobal
- Cris Daluz as Gusting, a man in the neighborhood whose wife furiously threatened him with a machete
- Mae Ann Adonis as Melencia, Gusting's wife who threatens her husband with a machete
- Cita Astals as Mrs. Alejandro, Leonard's abusive adoptive mother and Editha's employer
- Gamaliel Viray as Mr. De Villa
- Alma Lerma as Mrs. De Villa
- Michael Macasio as Dindo
- Romy Romulo as Nestor's fellow policeman
- Jim Pebangco as Foreman
- Ani Pearl Alonzo as Betchay
- Benjamin Valdes as Stephen, the child whom Louella took care of as a domestic helper before his family relocated to Canada
- William Ng and Catbeth Tan as Stephen's parents
Production
[edit]For director Marilou Diaz-Abaya, May Nagmamahal Sa'yo is the third film she directed for ABS-CBN's film production arm, Star Cinema, following Ang Ika-11 na Utos: Mahalin Mo ang Asawa Mo, which was co-produced with Regal Films, in 1994 and Kapag May Katwiran... Ipaglaban Mo!: The Movie, which became a box-office success, in 1995. Because of the latter's success, Abaya accepted another project offered by the studio and teamed up again with Ricky Lee, her longtime screenwriting collaborator, who co-wrote the screenplay with fellow screenwriter Shaira Mella Salvador. In contrast to her previous films that deal with and depict women who were oppressed and victimized, May Nagmamahal Sa'yo depicts the life and motherhood of Louella, played by Lorna Tolentino, as well as talking about the topic of adoption.[5]
According to Lorna Tolentino, she was offered the role of Louella in the project but was hesitant to accept because she was moved by the first time reading the script, which relates to her being a mother. Ultimately, she accepted the offer because her husband, Rudy Fernandez, also moved from reading the same material.[6]
Reception
[edit]Critical reception
[edit]Noel Vera, writing for The Manila Chronicle in 1996, described the film as "enthralling" and gave praise to all aspects featured throughout the work, particularly the acting performances of the cast including Lorna Tolentino, Jaclyn Jose, Gina Pareño, and Stefano Mori, Ricky Lee and Shaira Mella Salvador's screenplay, and the direction done by Marilou Diaz-Abaya.[7]
References
[edit]Notes
[edit]Sources
[edit]- ^ The 20th Hong Kong International Film Festival. University of California, Berkeley: Urban Council of Hong Kong. 25 March 1996. pp. 57, 58. ISBN 9789627040491.
- ^ "Focus on Asia Archives: 1996 (6th)". Fukuoka International Film Festival. Archived from the original on 18 February 2018. Retrieved 29 March 2024.
- ^ Torre, Nestor U. (25 July 2001). "VIEWFINDER: Closer ties with Fukuoka". Philippine Daily Inquirer. Inquirer Group of Companies. p. A23. Retrieved 26 August 2024.
- ^ "Filmfest Munich pays tribute to Marilou Diaz-Abaya". Manila Standard. Kamahalan Publishing Corp. 22 June 1999. p. 21. Retrieved 29 March 2024.
- ^ "MARILOU DIAZ-ABAYA, OBSESSIONS AND TRANSITIONS: A BIOGRAPHICAL SURVEY (4/6)". Asian Cinevision. 23 July 2013. Archived from the original on 13 November 2023. Retrieved 29 March 2024.
- ^ Japitana, Norma (15 January 1996). "Super mom Lorna T." Manila Standard. Kamahalan Publishing Corp. p. 30B. Retrieved 26 August 2024.
- ^ Vera, Noel (2005). Critic After Dark: A Review of Philippine Cinema. Manila, Philippines: Big O Books. p. 24. ISBN 9789810531850.