Legend of Nazaré

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The Legend of Nazaré is a legend from Portuguese Middle Ages, centered in the town of Nazaré, Portugal. The tale includes Catholic elements of faith and divine intervention by Mary, mother of Jesus. The legend discusses the foundation of the Sanctuary of Our Lady of Nazaré and the alleged origins of the statue of Our Lady of Nazaré.

It has it that on the early morning of September 14, 1182, Dom Fuas Roupinho, alcalde of Porto de Mós, Portugal, was out hunting on his domain near the coast, when he saw and immediately began chasing a deer. All of a sudden a heavy fog rose up from the sea. The deer ran towards the top of a cliff, and in the fog Dom Fuas was cut off from his companions. When he realised he was at the edge of the cliff, he recognised the place. He was next to a small grotto where a statue of Our Lady with the Infant Jesus was venerated. He prayed out loud "Our Lady, help me" (Portuguese: Señora, Valei-me!). The horse miraculously stopped at the end of a rocky point suspended over the void, at the Bico do Milagre (Point of the Miracle), saving the rider and his mount from a drop of more than 100 metres, which would certainly have caused their death.

Dom Fuas dismounted and went down to the grotto to pray and give thanks for the miracle. Then he ordered his companions to fetch masons in order to build a small chapel over the grotto, so that the miraculous statue could be easily venerated by all as a memorial to the miracle that saved him. Before walling up the grotto, the masons destroyed the existing altar where among the stones they found an ivory chest containing some relics and an old parchment describing the story of the little wooden statue, one palm high, of Our Lady seated breastfeeding baby Jesus seated on her left leg.

According to oral tradition, the holy icon was sculpted by Joseph the carpenter, in Nazareth, when Jesus was still a baby. A few decades later Luke the Evangelist painted it. This would makes it one of the most ancient images venerated by Christians and the first depiction of Mary and Jesus.

According to the parchment the statue must have been venerated since the beginning of Christianity in Nazareth, in Palestine. It was rescued from the iconoclasts in the fifth century by the monk Ciriaco. He brought it to Iberia, to the monastery of Cauliniana near Mérida. It remained there until 711, the year of the battle of Guadalete, when the Christian forces were defeated by the invading Moorish army coming from North Africa.

When the news of the defeat arrived at Mérida, the friars of Cauliniana prepared to leave their monastery. Meanwhile, the defeated king, Roderic, who was able to flee the battlefield alone and disguised as a beggar, anonymously asked for shelter at the monastery. When he asked one of the friars, Frei Romano, to hear him in Confession he had to tell him who he really was. Then the friar suggested they flee together, taking with them an old and holy image of Mary with the Infant venerated at the monastery.

So the statue of Our Lady of Nazaré, which received its name from the village in the Holy Land where it was first venerated, was brought by friar Romano and by king Roderic to the Atlantic coast. When they reached their destination they settled in an empty hermitage on the top of a rocky hill, the Monte de S. Bartolomeu, and there they stayed for a few days. They then decided to separate and live by themselves as hermits. The friar took the image and settled in a little grotto on the edge of a cliff above the sea, next to the hill where the king went on living.

A year went by and Roderic decided to leave the region. Friar Romano stayed in his hermitage above the sea until he died. The holy statue, a black Madonna, stayed on the altar where he left it until 1182, when Dom Fuas, after the miracle, moved it to the chapel built over the grotto as a memorial to the event that saved his life. Thus the still existing chapel was named Capela da Memória (Chapel of the Memory).^[1]

In 1377, because of the increased number of pilgrims, king Fernando had a church built near the chapel and transferred the statue there. At the end of the sixteenth century, this church experienced the first of a series of reconstructions and enlargements. The existing building is now the result of several interventions from the sixteenth to the nineteenth centuries that give it a very unusual character. This church or sanctuary is named Santuário de Nossa Senhora da Nazaré (Sanctuary of Our Lady of Nazaré).^[1] The holy image is now on display in the main chapel in a small niche above the altar that can be accessed by a staircase leading from the sacristy. Since 711, the statue has remained in the village named after it: Sítio da Nazaré (Place of the Nazaré). In this village, nowadays, a quarter of the town of Nazaré, one can still visit the three sanctuaries mentioned above: the underground hermitage, the small chapel above it, and the church where one can visit Our Lady of Nazaré.

• Memory Hermitage of Nazaré

• Brito, Frei Bernardo de, Monarquia Lusitana, Tomo II pags 272-283, Lisboa, 1609
• Alão, Manoel de Brito, Antiguidade da Sagrada Imagem de Nossa S. de Nazareth, Lisboa, 1628
• Costa, Padre António Carvalho da, Corografia Portuguesa, Lisboa, 1712
• Boga, Padre Mendes, Nossa Senhora da Nazaré, Porto, 1ª ed. 1929
• Begg, Ean, The cult of the Black Virgin, England, 1985
• Granada, João António Godinho, Nazaré, Nossa Senhora e D. Fuas Roupinho, Batalha, 1998
• Penteado, Pedro, coord., Santuário da Senhora da Nazaré, Lisboa, 2002
• Monteiro, João Filipe Oliva, Nossa Senhora da Nazaré, Nazaré, 2012