Mirage (1965 film)

Mirage
Theatrical release poster
Directed by	Edward Dmytryk
Screenplay by	Peter Stone
Based on	Fallen Angel 1952 novel by Howard Fast (as Walter Ericson; uncredited)
Produced by	Harry Keller
Starring	Gregory Peck Diane Baker Walter Matthau
Cinematography	Joseph MacDonald
Edited by	Ted J. Kent
Music by	Quincy Jones
Color process	Black and white
Production company	Universal Pictures
Distributed by	Universal Pictures
Release dates	May 26, 1965 (1965-05-26) (New York City) July 7, 1965 (1965-07-07) (United States)
Running time	109 minutes
Country	United States
Language	English
Box office	$3,270,000[1]

Mirage is a 1965 American neo noir thriller film starring Gregory Peck and Diane Baker, and released by Universal Pictures.^[2] Directed by Edward Dmytryk^[3] from a screenplay by Peter Stone, it is based on the 1952 novel Fallen Angel, written by Howard Fast under the pseudonym Walter Ericson; the novel is not credited by title onscreen.^[4] Walter Matthau, George Kennedy, Leif Erickson and Kevin McCarthy appear in support.

During a power outage in the New York City skyscraper where he works, corporate suit David Stillwell decides to exit using the unlit stairs. While descending, he encounters an attractive young woman who seems to know him, but he has no recollection of her. Alarmed, she flees to the sub-basement.

Outside is the body of the noted philanthropist and leading world peace activist Charles Calvin, who apparently jumped from his 27th-floor office. At a nearby bar, Stillwell feels uneasy and flashes back to his encounter with the woman. He returns to look for her, but now there is no sub-basement. A large, pugnacious man, Willard, is working in the machine room and orders Stillwell to leave.

At Stillwell's apartment building, a stranger, Lester, pulls a gun and forces him into the apartment. He demands that Stillwell get his briefcase and go meet "the Major". Stillwell, not knowing to what he is referring, knocks out Lester and hides him in a hallway service closet. Stillwell checks his briefcase and finds it completely empty.

While attempting to report the encounter to the police, Stillwell becomes distressed by basic questions about his background and storms out. He suddenly realizes that he has no memory of anything before the two years at his present job. He consults a psychiatrist, Dr. Broden, who throws him out, declaring it impossible to have amnesia for two years without being aware.

Stillwell hires novice private detective Ted Caselle. Skeptical at first, Caselle begins to believe his story after spotting Willard following them. He inspects Stillwell's apartment. The refrigerator, which was previously empty, is inexplicably fully stocked, and his briefcase is now full of files. Stillwell takes Caselle to his office, located near Calvin's, but there is now only a blank wall. They go to the basement; Willard arrives and shoots at them, but they escape.

Stillwell encounters the woman again, who says that "the Major" urgently wants something from him. She reveals that her name is Shela, and that she and Stillwell previously had a relationship. She reluctantly accompanies him to see Joe Turtle, a concierge at Stillwell's building who knows him, but Turtle has been beaten to death by Lester. Stillwell forces Shela to see what her associates are capable of.

The two spend the night together, but Stillwell wakes to find Shela gone. Lester and Willard are waiting downstairs. He disarms Lester and uses him as a shield, but Willard callously kills Lester. Stillwell escapes and goes to Caselle's office, but finds him dead.

Stillwell's intermittent flashbacks are becoming more regular and detailed. He revisits Dr. Broden. They deduce that Stillwell's amnesia is only two days old and that false memories have displaced recent traumatic ones. Stillwell realizes that he is not a cost accountant, but a "physio-chemist" and Calvin's protégé. His home is New York, but he has spent the last two years in California working at a private research facility in a sub-basement lab under a man named Sylvester Josephson.

Stillwell visits Calvin's widow, who believes that he killed Calvin and empathizes with him for doing so. Stillwell suddenly remembers Calvin falling through a window. He notices a photograph of Calvin with an Army officer who Mrs. Calvin says is Major Crawford Gilcuddy. Stillwell goes to see the Major, where he also finds Josephson, Willard (who beats him brutally) and Shela (who is the Major's girlfriend).

More memories begin to return. Stillwell had discovered a method to neutralize nuclear radiation, making fallout less deadly. He then went to New York to reveal the breakthrough to Calvin. There, he discovered that despite Calvin's posturing as a peace advocate, he was illegally conducting business with the Major, who sought to hijack Stillwell's work—which actually made using nuclear weapons more attractive and more profitable, for they could be used and consumed like conventional weapons. While arguing with Calvin, Stillwell had raged over becoming a mere "cost accountant" for nuclear war. To prevent his peaceful discovery from being misused, Stillwell attempted to burn the document containing the formula; as Calvin lunged at it, he had tripped out the window to his death. The combined shock caused Stillwell's amnesia.

To force Stillwell to recreate his formula, the Major has Willard point his gun at Stillwell's head and play Russian roulette. With each click of its trigger, both memories and anger swell in him. Shela shoots Willard. Josephson grabs her gun, but Stillwell convinces him that the Major will not let Josephson live (because he knows too much about the secret doings). Josephson calls the police; Stillwell and Shela embrace.

The screenplay was written by Peter Stone as a follow-up to the hugely successful Charade.^[5] Matthau and Kennedy were holdovers from the cast of Charade.^[6]

Filming took place at a number of locations in the New York Financial District.^[7] The fictitious Unidyne company was headquartered at 2 Broadway. Another key location in the film is the walk with Peck and Baker through Battery Park to City Pier A.^[8]

The movie was filmed between October 24 and December 24, 1964, on Eastman Kodak black and white film 4-X 5224,^[9] and released in the USA on May 26, 1965.^{[citation needed]}

The New York Times wrote, "In brisk, colloquial, occasionally humorous style, this exercise in mayhem, murder, mental instability and moralizing about the scientist's place in an atomic world, evolves as an interesting, fairly taut, if not especially credible, chase-mystery."^[10]

Variety wrote, "There are moments of stiff action and suspense but plot is as confusing as it is overly-contrived."^[11]

In 2012, Time Out called it "one of the better thrillers of the '60s", concluding, "The harsh b/w photography, the various levels of reality, and the use of urban landscape, all contribute to the feeling of unease, building up an atmosphere that is perhaps better than the mechanics of the plot deserve."^[12]

Professional ratings

Review scores
Source	Rating
Allmusic	[13]

The film score is composed, arranged and conducted by Quincy Jones, using an uncredited orchestra. A soundtrack album was released on Mercury Records in 1965.^[14][15]

All compositions by Quincy Jones.

1. "Mirage (Vocal Version)" (Lyrics by Robert Russell) - 2:18
2. "Boobie Baby" − 3:20
3. "Shoot to Kill" − 2:28
4. "Dead Duck" − 3:12
5. "Purple Rose" − 3:06
6. "Main Title" − 2:50
7. "Mirage (Instrumental Version)" − 3:34
8. "Turtle's Last Lap" − 3:34
9. "A Shot in the Park" − 4:03
10. "Kinda Scary" − 4:33
11. "End Title" − 2:51

• List of American films of 1965

• Mirage at IMDb
• Mirage at AllMovie
• Mirage at the TCM Movie Database
• Mirage at the AFI Catalog of Feature Films
• Mirage at Rotten Tomatoes
• Mirage at Film Noir of the Week by Wheeler Winston Dixon
• The Stairwell: Memories and Mirages of Film Noir, a video essay about Mirage by Stephen Broomer on Vimeo