French
DeutschNational Film Award for Best Costume Design
| National Film Award for Best Costume Design | |
|---|---|
| National award for contributions to Indian Cinema | |
| Awarded for | Best costume design for the feature films for a year |
| Sponsored by | National Film Development Corporation of India |
| Reward(s) |
|
| First awarded | 1984 |
| Last awarded | 2022 |
| Most recent winner | Niki Joshi |
| Highlights | |
| Total awarded | 48 |
| First winner |
|
The National Film Award for Best Costume Design is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal (Silver Lotus).
The award was instituted in 1984, at 32nd National Film Awards and awarded annually for films produced in the year across the country, in all Indian languages.
Multiple Wins
[edit]• 4 wins : Neeta Lulla
• 2 wins : Bhanu Athaiya, P. Krishnamoorthy, Indrans Jayan, Dolly Ahluwalia
Recipients
[edit]Award includes 'Rajat Kamal' (Silver Lotus) and cash prize. Neeta Lulla has majority of wins in this category with four.
Following are the award winners over the years:
| List of award recipients, showing the year (award ceremony), film(s), language(s) and citation | |||||
|---|---|---|---|---|---|
| Year | Recipient(s) | Film(s) | Language(s) | Citation | Refs. |
| 1984 (32nd) | Harudas | Ghare Baire | Bengali | – | [1] |
| Bapuldas | |||||
| 1985 (33rd) | Saba Zaidi | Trikal | Hindi | For creatively designing the appropriate costumes for this period film, thereby lending authenticity to the milieu. | [2] |
| 1986 (34th) | Prabhat Jha | Parinati | Hindi | For the authenticity in the use of costumes. | [3] |
| 1987 (35th) | Ramilla Patel | Pestonjee | Hindi | For recreating the costumes of the period and the Parsi community with meticulous attention to detail, enhancing the quality of the film. | [4] |
| Mani Rabadi | |||||
| 1988 (36th) | Sudharshan | Daasi | Telugu | For his tender handling of warped fabric and jewellery with correct hues and authenticity. | [5] |
| 1989 (37th) | P. Krishnamoorthy | Oru Vadakkan Veeragatha | Malayalam | For his intimate knowledge, artistic competence and the brilliant execution of the costumes of a bygone era, recreating the reality of life in the past as few films have done. | [6] |
| 1990 (38th) | Bhanu Athaiya | Lekin... | Hindi | For the texture and tone of the costumes, which heighten the visual quality of the film, breaking away from the traditional image of bright Rajasthani colours by using subdued pastel shades. | [7] |
| 1991 (39th) | Neeta Lulla | Lamhe | Hindi | For faithfully recreating the color, variety and richness of the dresses worn in Rajasthan. | [8] |
| Kachins | |||||
| Leena Daru | |||||
| 1992 (40th) | Mala Dey | Rudaali | Hindi | For the authentic designs they created to blend with the desert backdrop of Rajasthan. | [9] |
| Simple Kapadia | |||||
| 1993 (41st) | Loveleen Bains | Muhafiz | Urdu | For recreating an entire spectrum of costumes, representing not only the protagonist, the ageing litterateur and his closeted world, but the entire milieu of the city and the small town. | [10] |
| 1994 (42nd) | Supriya Dasgupta | Amodini | Bengali | For an aesthetic recreation of 18th century costumes, evoking the traditions of Bengali painting and theatre. | [11] |
| 1995 (43rd) | Dolly Ahluwalia | Bandit Queen | Hindi | For her authentic creation of costumes in terms of the tone and texture of the rugged and harsh realities of ravines of Chambal and its people. | [12] |
| 1996 (44th) | M. Dandapani | Kulam | Malayalam | For creating beautiful costumes that are authentic to the period depicted in the film. | [13] |
| 1997 (45th) | Vaishali Kasaravalli | Thaayi Saheba | Kannada | For her care and perception in designing the period costuming required for a film that covers a demanding range encompassing the upper class to the common man. | [14] |
| 1998 (46th) | S. B. Satheeshan | Daya | Malayalam | For a fantasy without any concrete reference to known periods, locales or styles – the film achieves a high quality design integrity. The use of fabrics, weaves and prints are superbly executed and leave a lasting impression. | [15] |
| 1999 (47th) | Sarika | Hey Ram | Tamil | For recreating a range of period costumes worn by characters from regions as varied as Lahore, Calcutta, Madras and Delhi and coming down to present times. | [16] |
| 2000 (48th) | P. Krishnamoorthy | Bharati | Tamil | For recreating a whole range of period costume to depict the early twentieth century of Tamil/Banaras. The aesthetic selection of colours go well with the décor of the structure/sets and the costumes give the film and authentic look. | [17] |
| 2001 (49th) | Bhanu Athaiya | Lagaan | Hindi | For taking microscopic care in designing the costumes of pre independence era which gives the film an authentic look. | [18] |
| 2002 (50th) | Neeta Lulla | Devdas | Hindi | For their researched, inventive, designing of costumes enhancing the persona of the various characters. | [19] |
| Abu Jani | |||||
| Sandeep Khosla | |||||
| Reza Shariffi | |||||
| 2003 (51st) | Bibi Ray | Chokher Bali | Bengali | For evoking a period in harmony with the spirit of the film's art direction. | [20] |
| Sushanto Pal | |||||
| 2004 (52nd) | Ishrath Nissar | Hasina | Kannada | For the costumes that lent a realistic feel to the characters thereby adding to their credibility. | [21] |
| 2005 (53rd) | Anna Singh | Taj Mahal: An Eternal Love Story | Hindi | For creating costumes true to the spirit of a period film. | [22] |
| Sabyasachi Mukherjee | Black | Hindi | For his imaginative creations that enhanced the mood and added to ambience of the film. | ||
| 2006 (54th) | Manjeet Maan | Waris Shah: Ishq Daa Waaris | Punjabi | For accurate and convincing costumes, reflecting the socio-cultural fabric of a historic era. | [23] |
| 2007 (55th) | Ruma Sengupta | Krishnakanter Will | Bengali | For creating realistic characters during that historic period when lavish costumes and colourful court life, were the order of the day. | [24] |
| 2008 (56th) | Neeta Lulla | Jodhaa Akbar | Hindi | For its painstaking detail to recreate the costume costumes and jewellery of Mughal era. | [25] |
| 2009 (57th) | Indrans Jayan | Kutty Srank | Malayalam | For capturing the essence of period and characters with the right blend of colour, style and texture. | [26] |
| 2010 (58th) | Indrans Jayan | Namma Gramam | Tamil | For realising effectively the texture of a period in the history of modern India through minuscule attention to detailing. | [27] |
| 2011 (59th) | Neeta Lulla | Balgandharva | Marathi | For creating a period with appropriate costumes embellished with the right colours and textures. Neeta Lulla of 'Balgandharva' and Niharika Khan in 'The Dirty Picture' have both done meticulous research into those times, not merely to be authentic but also to appropriately contextualise the respective narratives and their times. | [28] |
| Niharika Khan | The Dirty Picture | Hindi | |||
| 2012 (60th) | Poornima Ramaswamy | Paradesi | Tamil | A keen eye for details in costume design has given the film a look of authenticity. | [29] |
| 2013 (61st) | Sabarni Das | Jaatishwar | Bengali | For realizing effectively the texture of colonial Bengal upto [sic] the modern period through a rigorous attention to details. | [30] |
| 2014 (62nd) | Dolly Ahluwalia | Haider | Hindi | For capturing the essence of the characters and moods with creative flourish. | [31] |
| 2015 (63rd) | Payal Saluja | Nanak Shah Fakir | Punjabi | For An imaginative use of colours, design and textures to recreate costumes for a host of characters, of an era, from different cultures and continents. | [32] |
| 2016 (64th) | Sachin Lovalekar | Cycle | Marathi | The film is able to achieve a rustic and simple sense of rural life through its costumes. | [33] |
| 2017 (65th) | Gobinda Mandal | Nagarkirtan | Bengali | ||
| 2018 (66th) | Indrakshi Pattanaik | Mahanati | Telugu | Evolution of costumes in the Telugu film industry from Black & White era to modern times. | |
| Gaurang Shah | |||||
| Archana Rao | |||||
| 2019 (67th) | Sujith Sudhakaran | Marakkar: Lion of the Arabian Sea | Malayalam | For the creating and designing costumes of diverse cultures of the characters and period in the film. | [34] |
| V. Sai | |||||
| 2020 (68th) | Nachiket Barve | Tanhaji | Hindi | For the stylised recreation of the historical period through elegant costuming. | |
| Mahesh Sherla | |||||
| 2021 (69th) | Veera Kapur Ee | Sardar Udham | Hindi | ||
| 2022 (70th) | Niki Joshi | Kutch Express | Gujarati | ||
References
[edit]- ^ "32nd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 6 January 2012.
- ^ "33rd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 7 January 2012.
- ^ "34th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 7 January 2012.
- ^ "35th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 9 January 2012.
- ^ "36th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 9 January 2012.
- ^ "37th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 29 January 2012.
- ^ "38th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 9 January 2012.
- ^ "39th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 February 2012.
- ^ "40th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 2 March 2012.
- ^ "41st National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 3 March 2012.
- ^ "42nd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 5 March 2012.
- ^ "43rd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 6 March 2012.
- ^ "44th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 9 January 2012.
- ^ "45th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 11 March 2012.
- ^ "46th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 12 March 2012.
- ^ "47th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 13 March 2012.
- ^ "48th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 13 March 2012.
- ^ "49th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 14 March 2012.
- ^ "50th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 14 March 2012.
- ^ "51st National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 15 March 2012.
- ^ "52nd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 28 January 2012.
- ^ "53rd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 19 March 2012.
- ^ "54th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 24 March 2012.
- ^ "55th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 26 March 2012.
- ^ "56th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2012.
- ^ "57th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 28 March 2012.
- ^ "58th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 29 March 2012.
- ^ "59th National Film Awards for the Year 2011 Announced". Press Information Bureau (PIB), India. Retrieved 7 March 2012.
- ^ "60th National Film Awards Announced" (PDF) (Press release). Press Information Bureau (PIB), India. Retrieved 18 March 2013.
- ^ "61st National Film Awards" (PDF). Directorate of Film Festivals. 16 April 2014. Archived from the original (PDF) on 16 April 2014. Retrieved 16 April 2014.
- ^ "62nd National Film Awards" (PDF) (Press release). Directorate of Film Festivals. 24 March 2015. Retrieved 24 March 2015.
- ^ "63rd National Film Awards" (PDF) (Press release). Directorate of Film Festivals. 28 March 2016. Retrieved 28 March 2016.
- ^ "64th National Film Awards" (PDF) (Press release). Directorate of Film Festivals. Archived from the original (PDF) on 6 June 2017. Retrieved 7 April 2017.
- ^ "67th National Film Awards: Complete list (updating)". The Hindu. 22 March 2021.