Robert Braithwaite Martineau

Robert Braithwaite Martineau
Drawing of Robert Braithwaite Martineau by William Holman Hunt(1860)
Born(1826-01-19)19 January 1826
London, England
Died13 February 1869(1869-02-13) (aged 43)
London, England
EducationRoyal Academy of Art
Known forPainting, Drawing
Notable workThe Last Day in the Old Home
MovementPre-Raphaelite

Robert Braithwaite Martineau (19 January 1826 – 13 February 1869)[1] was an English Victorian painter.

Life

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Martineau was the son of Elizabeth Batty and Philip Martineau, a Master in Chancery. Through his mother, he was the grandson of Robert Batty, M.D. (1763–1849), physician and amateur painter.[2]

Martineau attended Colfes school for a few years at the age of 15. He first trained as a lawyer and later entered the Royal Academy where he was awarded a silver medal. He studied under the Pre-Raphaelite artist William Holman Hunt and once shared a studio with him. He died at the age of 43. In 1865, he married Maria Wheeler and had two children with her.[1]

Robert Braithwaite Martineau, The Last Day in the Old Home (1862; Tate Gallery, London)

His most famous painting, The Last Day in the Old Home, portrays the household of a feckless squire after gambling away his family's inheritance. The man portrayed is Colonel John Leslie Toke (1839–1911) who was a friend of Martineau and was painted at his country home, Godinton House in Ashford, Kent. In an odd way life came to imitate art, for J L Toke inherited the house in 1866 but lost it after four hundred years of the Toke family living there. The painting can be seen at the Tate Gallery in London. Other paintings were bequeathed to the Ashmolean Museum in Oxford and Liverpool Art Gallery by his daughter Helen. Other less well known paintings include Kit's First Writing Lesson and Picciola.[1]

Martineau was buried in Kensal Green Cemetery.

Works

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  • Kit's Writing Lesson, London, Tate, 1852.
  • Picciola, London, Tate, 1853.
  • Kathrine and Petrucio, Oxford, Ashmolean Museum, 1855.
  • The Spelling Lesson, Paris, Musée d'Orsay, circa 1856.
  • The Last Chapter, Birmingham Museums Trust, 1860-1863.
  • A Lady with a Gold Chain and Earrings, Manchester Art Gallery, 1861.
  • Christians and Christians, Liverpool, Walker Art Gallery, 1868-1869.

Notes

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  1. ^ a b c Cust 1893.
  2. ^ Peak, Steve (2011). "Hastings Country Park". The Hastings Chronicle. Retrieved 9 February 2016.

References

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Bibliography

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  • Christoph Newall, La Leçon d'orthographe, La Revue du Musée d'Orsay, n° 21 autommne 2005, p. 20-25.
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