Roberto Longhi

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Roberto Longhi
Longhi in around 1960
Born	(1890-12-28)28 December 1890 Alba, Piedmont, Kingdom of Italy
Died	3 June 1970(1970-06-03) (aged 79)[1] Florence, Italy
Alma mater	University of Turin
Known for	Scholarship on Caravaggio and Piero della Francesca
Spouse	Lucia Lopresti
Scientific career
Fields	Art history
Patrons	Count Alessandro Contini Bonacossi (1878–1955)
Thesis	(1911)
Doctoral advisor	Pietro Toesca
Notable students	Evelina Borea, Giovanni Previtali, Luciano Bellosi
Website	Fondazione di Studi di Storia dell'Arte Roberto Longhi

Roberto Longhi (28 December 1890 – 3 June 1970) was an Italian academic, art historian, and curator. The main subjects of his studies were the painters Caravaggio and Piero della Francesca.^[2]

Longhi was born in December 1890 in Alba, Piedmont to parents from Emilia. He studied with Pietro Toesca, in Turin, and Adolfo Venturi in Rome. The latter made him book reviews editor of the journal L'Arte in 1914. Between 1912 and 1917, Longhi, primarily an essayist, published texts in L'Arte and La Voce on Mattia Preti, Piero della Francesca, Orazio Borgianni and Orazio Gentileschi.^[3] His writings in L'Arte were academic whereas his writings in La Voce were very radical.^[3]

Over the course of his career Longhi developed a fascination with Caravaggio and his followers. his book Quesiti caravaggeschi [Questions on Caravaggio] (1928–34), was followed by Ultimi studi caravaggeschi [Latest Caravaggio studies] (1943). In 1951, Longhi curated a ground-breaking exhibition on Caravaggio at the Royal Palace in Milan, Mostra di Caravaggio e dei Caravaggeschi.^[4] In 1968 he authored a monograph on the artist.

Whilst establishing himself as a notable Caravaggio scholar, Longhi retained a lively interest in Piero della Francesca, editing a monograph in 1928, representing him as the leading painter of the Quattrocento. Longhi believed Piero della Francesca played a decisive role in the development of Venetian painting. This monograph, which Kenneth Clark opined could hardly be improved upon, established itself as a classic of art-historical literature.^[1]

Between 1920 and 1922, Longhi made a Grand Tour of Europe. He never visited Russia, nor some American collections, like the Kress Collection of the National Gallery, Washington. However, his first-hand viewing of many works, like those in the Borghese Gallery in Rome, led to the rediscovery of many lost masterpieces such as two panels of a Giotto altarpiece.

Longhi also rekindled interest in a large number of followers of Caravaggio, such as Hendrick ter Brugghen (he edited a monograph in 1927) and some painters from Ferrara. His book Officina Ferrarese (1934) still stands as an exemplary study.^[1] Along with the publication of the Officina, Longhi started his academic career, first as Professor at Bologna University (from 1935), and later in Florence.

During the Second World War, Longhi advised Eugenio Ventura, a dealer in Florence, who was investigated for his involvement in an exchange of pictures confiscated by the Nazi looting organisation known as the ERR or Reichsleiter Rosenberg Taskforce.^[5] He also advised Count Alessandro Contini-Bonacossi (1878–1955) until 1945.^[6][7]

In 1950, Longhi co-founded and edited with his wife Anna Banti Paragone, a bi-monthly magazine on art and literature still running to this day.^{[as of?]}

Longhi also curated a number of exhibitions, including Mostra della pittura bolognese del Trecento (Pinacoteca Nazionale, Bologna, 1948);^[8] I pittori della realtà in Lombardia (Royal Palace, Milan, 1953); and Arte lombarda dai Visconti agli Sforza (Royal Palace, Milan, 1958).^[9]

Longhi died on 3 June 1970, and is buried at Cimitero degli Allori in Florence.

• Knight Grand Cross of the Order of Merit of the Italian Republic (30 December 1969)^[10]

• Grand Officer of the Order of Merit of the Italian Republic (2 June 1961)^[11]

• Longhi, Roberto (1927). Piero della Francesca. Rome: Valori Plastici.
• Longhi, Roberto (1934). Officina ferrarese. Edizioni d'Italia.
• Longhi, Roberto (1946). Viatico per cinque secoli di pittura veneziana. Florence: Sansoni.
• Longhi, Roberto (1951). Mostra del Caravaggio e dei caravaggeschi Catalogo. Florence: Sansoni.
• Longhi, Roberto (1956–1991). Edizione delle opere complete di Roberto Longhi. 14 vols. Florence: Sansoni.
• Longhi, Roberto; Ghidiglia Quintavalle, Augusta (1964). Correggio: the Frescoes in San Giovanni Evangelista in Parma. New York: H. N. Abrams.
• Longhi, Roberto (1968). Me pinxit e quesiti caravaggeschi, 1928-1934. Florence: Sansoni. OL 18650068M.

Wikimedia Commons has media related to Roberto Longhi (art historian).

• (in Italian) Roberto Longhi Biography in Archivio della scuola Romana