Robin de Raaff

Robin de Raaff
Robin de Raaff, Rotterdam Codarts 2006
Born	Hubertus Jacobus de Raaff (1968-12-05) 5 December 1968 (age 55) Breda, Noord-Brabant
Nationality	Dutch nationality
Other names	Robin
Citizenship	Dutch
Alma mater	Royal College of Music (1999 to 2002) / Sweelinck Conservatory of Amsterdam (now Conservatory of Amsterdam) (1992 to 1997)
Occupation(s)	Composer, bassist, and academic teacher
Years active	1992-present
Notable work	- Violin Concerto No. 1 "Angelic echoes" - Waiting for Miss Monroe an opera in three acts - Atlantis an Oratorio for soprano, baritone, 2 harps solo, orchestra and large mixed choir
Children	Cecilia Josephine Sapphire de Raaff
Website	https://www.robinderaaff.com/

Robin de Raaff (pronounced [ˈrobin də ˈra:f]; born in 1968) is a Dutch composer and bassist.^[1] De Raaff has written five Symphonies, eleven Concertos for solo instruments and orchestra,^[2][3][4] an Oratorio entitled Atlantis,^[5] two main stage Operas. Currently De Raaff is composing a Cantata for mixed Choir and Orchestra on a poem entitled L'Azur by Stéphane Mallarmé commissioned by the Lucerne Festival of 2025 and co-commissioned by the NTR-Zaterdagmatinee.

His most recent opera Waiting for Miss Monroe^[6] is about the death of Marilyn Monroe^[7] whose role was sung by American soprano Laura Aikin.^[8] His first opera entitled RAAFF^[9][10] is about the complex relationship between the older Anton Raaff and the young "M." (Wolfgang Amadeus Mozart) in their struggle to create the world premiere of Idomeneo. Both operas were commissioned by the Dutch National Opera^[11] co-produced by the Holland Festival.^[12]

Alongside the creation of these large scale works De Raaff composed a chamber opera, chamber music, vocal music, a series of solo works entitled Contradictie (I to VII) for several musical instruments, and music for film^[13] and choreographed dance filmed on forehand.^[14]

De Raaff belongs to the generation of Dutch composers that emerged in the 1990s with an exposure that soon gained International interest leading to regular national and international performances and commissions. In 2001 De Raaff became teacher of Musical composition and Instrumentation. Since the start of academic year 2024–2025 De Raaff also teaches Screen Scoring Instrumentation as part of the new Master Screen Scoring of Codarts, University for the Arts.

Robin de Raaff grew up in Breda in a musically active family. His father is a pianist and accordionist with whom young Robin had private piano lessons from the age of seven while individually learning how to play the bass guitar. Through the growing influence of Classical music De Raaff started composing complete instrumental works alongside a switch to Jazz oriented playing as he discovered the bassist Jaco Pastorius, and switched to fretless bass guitar as well. De Raaff was accepted as a composition student at the Sweelinck Conservatory (now Conservatorium van Amsterdam) in 1992. He was especially interested in music of the 20th century and contemporary classical music.

De Raaff moved to Amsterdam in 1992 to pursue his Academic career at the Sweelinck Conservatory. The first years Geert van Keulen was his composition teacher, composer and bass clarinet player in the Royal Concertgebouw Orchestra, in 1997 De Raaff finished the Studies of Composition Cum Laude with Theo Loevendie, composer and Jazz saxophonist.

De Raaff's 1992 composition, Symphony No. 2 "Two Worlds Colliding", was originally premiered as his Concerto for Saxophone Quartet and Orchestra but renamed and revised after the world premiere in 2011. It was composed for the Raschèr Saxophone Quartet and commissioned by the NTR Zaterdag Matinee to be premiered at the Royal Concertgebouw in Amsterdam.

During a masterclass, led by composer Pierre Boulez, De Raaff stood out with his opus 1 String Quartet No. 1 "Athomus" meeting up with praise from the French master. The Dutch National Opera organized this masterclass in 1995 when Pierre Boulez was conducting the opera Moses und Aron by Arnold Schoenberg, it was the beginning of a life long connection with DNO as Pierre Audi took De Raaff under his wing preparing him to compose his first opera RAAFF which was premiered in 2004 in the Westergasfabriek directed by Pierre Audi. De Raaff's second opera, Waiting for Miss Monroe was premiered in 2012 in the Stadsschouwburg in Amsterdam directed by Lotte de Beer, both operas were coproductions between DNO and the Holland Festival.^[15]

In 1999, after finishing his studies at the Conservatory of Amsterdam, De Raaff become a private student of George Benjamin at the Royal College of Music in London. Alongside his lessons with Benjamin, De Raaff had private lessons with Julian Anderson as well.

As George Benjamin became Composer-in-Residence in 2000 at the renowned Tanglewood Music Festival he invited De Raaff to become the senior fellow at the summer festival where he won the prestigious Paul Jacobs Memorial Commission for the next summer's Festival of Contemporary Music. This became his first Piano Concerto premiered by Ralph van Raat in 2001 friend and artist-in-residence that year at the FCM. Six years later The Boston Symphony Orchestra commissioned De Raaff to compose an orchestral work that would be premiered in the famous Koussevitzky Shed at Tanglewood in 2007. This became his Entangled Tales for orchestra. For the 75th Anniversary of Tanglewood De Raaff was commissioned to write a composition for brass orchestra, which became his Fanfare.

Since 2001 Robin de Raaff has been teaching Composition and Instrumentation at Codarts, University for the Arts in Rotterdam,^[16] education a wide array of composers.

After composing his second opera De Raaff redirected his expanding oeuvre towards non-theatrical works, with a renewed insight which he developed composing these large scale operas. This new insight can best be described as a new dramaturgical depth in his composing and orchestration, which gave rise to an increasing amount of large scale works. Among them five Symphonies, four of the in total eleven Concertos, an orchestral work, a composition for chamber orchestra, his oratorio Atlantis, two of the in total three String Quartets, a vast number of vocal and instrumental chamber works, and a Suite for saxophone and ensemble from the film music created for the dramatized documentary Megumi. Currently De Raaff is composing a cantate for choir and orchestra on the poem L'Azur by Stéphane Mallarmé.

In 2012 De Raaff changed publisher from Donemus, who represented his work exclusively since 1993, to Deuss Music^[17] where his entire oeuvre is presently managed. The copyrights to his oeuvre have been transferred to Buma/Stemra for International exploitation of the performing, broadcasting, and recording rights

Since 2013 De Raaff composes in his own Studio^[18] in Betondorp of Amsterdam. The studio is located in an old school in the famous Amsterdam School architectural style.

• 1995: AG Kunst Prijs,^[19] an art reward for his Equilibre II for clarinet and bass clarinet, Athomus for string quartet, & In Memoriam Dmitri Shostakovich for 2 trumpets, 2 horns, and orchestra.
• 1995: KNTV Composition Prize for De vlucht van de magiër for soprano, flute, mandolin, guitar and harp on a poem by Serge van Duijnhoven^[20]
• 1997 First prize at the 1997 International Competition for Composers of Chamber Music in Collegium Winterthur (Switzerland) for his work Anachronie for flute and harpsichord
• 1998: Bernhard van den Sigtenhorst Meyer Prize from GeNeCo for his Double concerto for clarinet, bass clarinet and orchestra.^[21]
• 1998 Nomination/Jury selection for the Gaudeamus Prize^[22] for his Double Concerto for clarinet, bass clarinet & orchestra.
• 2008: Toonzetters Prize for his Violin Concerto No. 1 "Angelic echoes"^[23]

For an overview of a selection of De Raaff's Works.^[24] On the Dutch Wikipedia section on the composer an updated list is maintained of the complete works of De Raaff: Oeuvre of Robin de Raaff

• Jaap van Zweden conducts De Raaff^[25]– Violin Concerto No. 1 "Angelic Echoes" and Symphony No.1 "Tanglewood Tales".^[26] Tasmin Little violin solo and Radio Philharmonic Orchestra EtCetera KTC 1593
• Waiting for Miss Monroe – 2CD;^[27] Recording of the World Premiere in 2012, at the anniversary of Marilyn Monroe's death. Challenge Records CC 72685
• Orphic Descent^[28] – Piano Concerto No. 2 "Circulus", Orphic descent, and Violin Concerto No. 2 "North Atlantic Light".^[29] CC 72942 Challenge Records
• Atlantis^[30]– Oratorio on Atlantis by Hart Crane, Plato, and texts by the composer. Challenge Records CC72808
• Entangled Tales^[31]– Cello Concerto, Entangled Tales, and Symphony No. 3 "Illumination...Eclipse". Challenge Records CC 72747
• Melodies Unheard^[32]– Symphony No. 2 "Two Worlds Colliding" for Saxophone Quartet and Orchestra, Symphony No. 1 "Tanglewood Tales", and Symphony No. 4 "Melodies Unheard". A Symphony of Songs on Poems by Emily Dickinson. Challenge Records CC 72762
• Stolen Back from Time – 2CD;^[33] Violin Concerto No. 1 "Angelic Echoes", Percussion Concerto, Double Concerto for clarinet, bass clarinet and orchestra, Unisono (Remastered) for Orchestra, Ennea's domein for septet, Clarinet Concerto, and in Memoriam Dmitri Shostakovich for 2 Trumpets, two Horns and Orchestra.^[34] Attacca Records ATT 2017152
• Doelen Ensemble performs De Raaff – Der Einsame im Herbst, Flute Concerto, Megumi-Suite
• RAAFF^[35]– Recording of the World Premiere in 2004
• Orchestral Works – Piano Concerto No. 1, Unisono, Concerto for Orchestra

• Contradictie IVa (1998/rev. 2014 Deuss Music) CD Ladder of Escape 11, Fie Schouten bass clarinet solo, ATT2014140^[36][37]
• Soundscapes – Sonate for Violin and Piano No. 2 "North Atlantic Light", Carnegie Hall version Challenge Classics. Tosca Opdam^[38] Violin & Alexander Ullman piano
• Untangled Tales (2011) for Orchestra,^[39] appears on RECHERCHEN^[40] by the Junge Deutsche Philharmonie conducted by Lothar Zagrosek
• Gemini Gestures (1998, rev 2003), for 2 string quartets, BV Haast, Schoenberg Quartet and the Mondriaan Quartet^[41]
• Un visage d'emprunt (1991, rev 2001) for clarinet, violin, cello, and piano, catalogue number CJX6217^[42]
• Der Einsame im Herbst (1998) for large ensemble is named after the 2nd movement (Der Einsame im Herbst) of Das Lied vonder der Erde by Gustav Mahler, appears on NM Classics 92121^[43]

• Official website
• Robin de Raaff discography at Discogs
• Composers portrait by Deuss Music on YouTube
• The Music of Robin de Raaff YouTube Channel devoted to the music of Robin de Raaff