Small Graces
Small Graces | ||||
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Studio album by | ||||
Released | 1997 | |||
Genre | CCM | |||
Label | Covenant Artists | |||
Producer | Phil Naish | |||
Bob Bennett chronology | ||||
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Review scores | |
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Source | Rating |
Cross Rhythms | [1] |
The Phantom Tollbooth | [2] |
Small Graces is Bob Bennett's sixth release.
Phil Naish recorded the tracks on Small Graces by having Bob come into the studio and record each track solo (only Bob's guitar & his vocals), along with a click track; to obtain Bob's most natural performance. Then the other players were brought in to play around that initial solo track. Small Graces was Phil Naish's mandola debut.[3]
The songs on Small Graces are split between songs that hint at relationships and romance, and those that are directed upward and outward to the body of Christ.
Track listing
[edit]All songs written by Bob Bennett, except where noted.
- "Small Graces" – 3:55
- "The Only Risk Worth Taking" – 4:13
- "Lone Star State" – 3:47
- "Hand Of Kindness" – 4:05
- "Jesus In Our Time" – 4:45
- "The Better Part Of Me" – 4:17
- "Jesus Christ The Apple Tree" – 3:38
- "The Last One" – 3:08
- "My Shadow Companion" – 5:19
- "Altar In The Field" – 2:30
Personnel
[edit]- Bob Bennett – acoustic guitar, vocals, composer
- Bonnie Keen – background vocals on "Jesus in our Time" and "Small Graces"
- Cheryl Rogers – background vocals on "Jesus in our Time" and "Small Graces"
- Danny O'Lannerghty – electric bass, acoustic bass
- Ken Lewis – percussion
- Lisa Cochran – background vocals on "Hand of Kindness" and "The Only Risk Worth Taking"
- Phil Naish – mandola, producer
- Ronnie Brookshire (at Mole End) – engineer & mixer
- Scott Brasher – string arrangement for track 2
Release history
[edit]Small Graces was released by Covenant Artists in 1997; it was distributed by Myrrh.
References
[edit]- ^ Rimmer, Mike (1 February 1998). "(Review) Small Graces". Cross Rhythms (43). Retrieved 2009-10-21.
- ^ Rock, Ed (1998). "(Review) Small Graces". The Phantom Tollbooth. Retrieved 2009-10-21.
- ^ Bob Bennett in conversation with Tom Loredo.