Stephan Michelspacher
![](http://upload.wikimedia.org/wikipedia/commons/thumb/5/56/Cabala%2C_Speculum_Artis_Et_Naturae_In_Alchymia_by_Stephan_Michelspacher_%281654%29_%28dresden%29.jpg/220px-Cabala%2C_Speculum_Artis_Et_Naturae_In_Alchymia_by_Stephan_Michelspacher_%281654%29_%28dresden%29.jpg)
Stephan Michelspacher was a Tyrolean printmaker active in Augsburg during the early seventeenth century.[1]
Michelspacher was a paracelsian physician living in Tyrol. Alinda van Ackooy has suggested that as a Lutheran he left Tyrol in around 1613 owing to the Catholic Renewal promoted by the Habsburgs. Augsburg also was a centre of the print industry, in which Michelspacher was to participate.[2]
In Augsburg, on becoming a printmaker, he published Cabala, Spiegel der Kunst und Natur: in Alchymia in 1615. The book is noted for its selection of hermetic inspired prints.
He collaborated with Johann Remmelin on an anatomical work, Pinax microcosmographicus.[3]
References
[edit]- ^ "Stephan Michelspacher (Biographical details)". British Museum. Retrieved 13 May 2018.
- ^ Ackooy, Alinda van. "Through the Alchemical Looking Glass. An Interpretation of Stephan Michelspacher's Cabala: Spiegel der Kunst und Natur, in Alchymia concerning the Tincture of the Alchemists". Academia.edu. Retrieved 13 May 2018.
- ^ Rola, Stanislas Klossowski de (1997). The golden game : alchemical engravings of the seventeenth century (1st paperback ed.). New York: Thames and Hudson. ISBN 978-0500279816.