French
DeutschThe Art of the Lie
| The Art of the Lie | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | June 14, 2024 | |||
| Studio | ||||
| Length | 61:45 | |||
| Label | Bella Union | |||
| Producer | Ivor Guest | |||
| John Grant chronology | ||||
| ||||
The Art of the Lie is the sixth studio album by American musician John Grant, released on June 14, 2024, through Bella Union. It received positive reviews from critics.
Critical reception
[edit]| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 85/100[1] |
| Review scores | |
| Source | Rating |
| Clash | 8/10[2] |
| DIY |   [3] |
| The Line of Best Fit | 8/10[4] |
| Mojo | [5] |
| Uncut | 8/10[6] |
| The Guardian | [7] |
According to the review aggregator Metacritic, The Art of the Lie received "universal acclaim" based on a weighted average score of 85 out of 100 from 10 critic scores.[1] Uncut commented that Grant is "best on matters of the heart: 'Father' is a spectral journey to a lost 1970s of family intimacy and may be the most affecting song yet in a catalog stuffed with heartbreakers".[6] Mojo felt that "with aid of latter-day Grace Jones producer Ivor Guest, his upbeat tendencies manifest in talk box-voiced electronic funk (think Roger Troutman/Zapp) that is more flattering, particularly when matched to the singer's biting wit on 'All That School' and the MAGA-bashing 'Meek AF'".[5]
Chris Todd of The Line of Best Fit called it "one of Grant's richest & most satisfying sounding albums thus far" on which he "embraces his love of eighties IBM/EBM music and kitchen sink gothery from the likes of Soft Cell, alongside the end-of-the-world electronica of Throbbing Gristle".[4] DIY's Lisa Wright described The Art of the Lie as "a record musically cleaved in two" with "twitchy 'hits' – the '80s, vocoder-doused funk strut of opener 'All That School for Nothing', or the sassy wobbles of lead single 'It's a Bitch' – but they're directly juxtaposed with moments of total devastation".[3] Reviewing the album for Clash, Luke Winstanley concluded that it is "a perfect distillation of everything one yearns for in John Grant's music; his golden baritone voice, icy electronic soundscapes, emotive balladry, sumptuous funk and phenomenal diction".[2]
Track listing
[edit]All tracks are written by John Grant.
| No. | Title | Length |
|---|---|---|
| 1. | "All That School for Nothing" | 5:20 |
| 2. | "Marbles" | 7:14 |
| 3. | "Father" | 7:02 |
| 4. | "Mother and Son" | 7:26 |
| 5. | "Twistin Scriptures" | 0:20 |
| 6. | "Meek AF" | 6:29 |
| 7. | "It's a Bitch" | 4:32 |
| 8. | "Daddy" | 6:46 |
| 9. | "The Child Catcher" | 7:14 |
| 10. | "Laura Lou" | 3:52 |
| 11. | "Zeitgeist" | 5:30 |
| Total length: | 61:45 | |
Personnel
[edit]Musicians
- John Grant – vocals, synthesizers, keyboards, programming (all tracks); spinet (tracks 9, 10)
- Kurt Uenala – additional programming
- Dave Okumu – guitar (tracks 1–4, 9–11), Vowel solo (10)
- Robin Mullarkay – bass guitar (tracks 1–3, 6, 7), fretless bass guitar (4, 8–11)
- Ed Baden Powell – guitar (tracks 1, 2, 6, 7)
- Robert Logan – synthesizers (tracks 1, 2, 6, 11), programming (6), "cut ups" (7)
- Sebastian Rochford – drum kit (tracks 1, 2, 8, 9), live drum machine (6)
- Robin Simon – reverse guitar (track 1), guitar (3)
- Charles Stuart – synthesizers (track 1)
- Ivor Guest – programming (tracks 1, 2, 6, 7), synthesizers (1, 6)
- Benge – modular synthesis (tracks 1, 2, 8, 11)
- Don-e Mclean – talk box (tracks 1, 6), stabs (7)
- Sarah Douglas – chatting (track 1)
- Leo Abrahams – acoustic guitar (track 3), guitars (8, 9), synthesizers (8), spinet (9, 10)
- Adam Blake – acoustic guitar (tracks 4, 10)
- Rachel Sermanni – chorus vocals (track 4)
Technical
- Ivor Guest – production, mixing, additional ProTools, additional engineering
- Matt Colton – mastering
- Cameron Craig – mixing (all tracks), engineering (tracks 1–3, 6–10)
- Benge – engineering (track 11); additional ProTools, additional engineering (all tracks)
- Dave Watson – additional ProTools, additional engineering
- James Watson – additional ProTools, additional engineering
- Leo Abrahams – additional ProTools, additional engineering
- Luke Glazewski – engineering assistance
- Kurt Uenala – computer engineering (tracks 1–3, 6–10)
- Samur Khouja – main vocal engineering, vocal sample engineering (track 7)
Visuals
- Drinkwater Studio – artwork
- Al Jackson – render
Charts
[edit]| Chart (2024) | Peak position |
|---|---|
| Irish Albums (IRMA)[8] | 82 |
| Scottish Albums (OCC)[9] | 5 |
| UK Albums (OCC)[10] | 28 |
| UK Independent Albums (OCC)[11] | 2 |
References
[edit]- ^ a b "The Art of the Lie by John Grant Reviews and Tracks". Metacritic. Retrieved July 9, 2024.
- ^ a b Winstanley, Luke (June 12, 2024). "John Grant – The Art of the Lie | Reviews". Clash. Retrieved June 13, 2024.
- ^ a b Wright, Lisa (June 12, 2024). "John Grant – The Art of the Lie review". DIY. Retrieved June 13, 2024.
- ^ a b Todd, Chris (June 12, 2024). "John Grant: The Art of the Lie Review – richly sensationalist". The Line of Best Fit. Retrieved June 13, 2024.
- ^ a b "John Grant – The Art of the Lie". Mojo. July 2024. p. 86.
- ^ a b "John Grant – The Art of the Lie". Uncut. July 2024. p. 32.
- ^ Kalia, Ammar (June 14, 2024). "John Grant – The Art of the Lie Review review". The Guardian. Retrieved June 14, 2024.
- ^ "Irish Albums Chart: 21 June 2024". Irish Recorded Music Association. Retrieved June 22, 2024.
- ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved June 22, 2024.
- ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved June 21, 2024.
- ^ "Official Independent Albums Chart Top 50". Official Charts Company. Retrieved June 22, 2024.