The Baker's Wife (film)

The Baker's Wife
One of French theatrical release posters
Directed by	Marcel Pagnol
Screenplay by	Marcel Pagnol
Based on	Blue Boy a 1932 novel by Jean Giono
Produced by	Charles Pons
Starring	Raimu Ginette Leclerc Fernand Charpin
Cinematography	Georges Benoît
Edited by	Suzanne de Troeye
Music by	Vincent Scotto
Production company	Les Films Marcel Pagnol
Distributed by	Les Films Marcel Pagnol
Release date	7 September 1938 (1938-09-07)
Running time	133 minutes
Country	France
Language	French

The Baker's Wife (French: La femme du boulanger) is a 1938 French comedic drama film directed by Marcel Pagnol and featuring an ensemble cast lead by Raimu, Ginette Leclerc, and Fernand Charpin. It was adapted by Pagnol from a episode of French author Jean Giono's 1932 novel Blue Boy. In the film, the new baker in a Provençal village loses the will to bake after his wife runs off with a handsome shepherd, so, to regain their daily bread, the feuding villagers agree to put aside their bickering and work together to bring back the baker's wife.

The film was the basis of the American musical of the same name, which was first produced in 1976.

In an idyllic village in Provence, the locals spend most of their time bickering and feuding, but they are all bought together to try the bread at the new bakery in town. The town's previous baker was a drunk who made goods of variable quality, so the villagers are relieved to find that the new baker, Aimable Castanier, seems to be a sober man who is good at his job.

The night after the bakery's first day of business, Aurélie, Aimable's pretty and much younger wife, runs off with Dominique, a handsome young shepherd who works for the local marquis. When Aimable finds her gone in the morning, he is devastated, and word of her disappearance soon spreads through the whole village. Aimable initially tries to convince himself and others that Aurélie must have suddenly gone to visit her mother, but no one is fooled, as several people saw her leave with Dominique, and their efforts at consoling Aimable misfire. After hearing the young priest mention his plight during the sermon at Sunday mass, Aimable heads to a bar, where he gets drunk on pastis and makes a public scene, during which he declares that he cannot bring himself to bake now that his wife is gone.

The marquis enlists the schoolteacher to come up with a plan to search for Aurélie and calls a town meeting. So that they do not lose their bread, everyone agrees to help, even if it means searching with people with whom they are feuding. Aimable's spirits are lifted by the support, but his optimism begins to flag after several of the patrols return without any news of Aurélie. Giving up hope, he attempts to hang himself in his basement, but some drunken, happy villagers who have ended their feuds during the search find him.

Just then, word comes that Aurélie has been sighted on an island in a marsh—with Dominique, singing and naked—by an elderly villager named Maillefer while he was fishing. Aimable asks the priest to go talk Aurélie into coming back to him, and the marquis suggests the schoolteacher, who has ongoing philosophical and theological debates with the priest, carry the priest on his back through the marsh to the island.

When he sees the priest coming, Dominique swims off in the other direction. The priest lectures Aurélie, reading her the story of Jesus and the woman taken in adultery while they wait for the schoolteacher to arrange for everyone in the village to go inside after dark so Aurélie can sneak back to the bakery unseen. Aimable neatens up the bakery and makes dinner, and when a penitent Aurélie returns and asks for forgiveness, he acts as though he still thinks she just went to visit her mother. However, when Pomponette, their female cat who has been gone for several days, returns, he hurls insults at her for running out on their male cat, Pompon, though he is obviously really talking to Aurélie. Continuing to use the cats as proxies, Aimable describes how much he cares for Aurélie, and she says she will never leave him again. Together, the reunited couple relights the bakery's oven.

• National Board of Review Awards (1940) – Best Foreign Film & Best Acting (for Raimu)
• New York Film Critics Circle Awards (1940) – Best Foreign Film

Marcel Pagnol's grandson Nicolas and cinematographer Guillaume Schiffman supervised a 4K restoration of the film from the 35mm nitrate original camera negative conducted by the company Hiventy.^[1][2] The restored film has been released on Region B Blu-ray,^[3] and The Criterion Collection released the film on DVD and Blu-ray in 2019.

• The Baker's Wife at IMDb
• The Baker's Wife at the TCM Movie Database
• The Baker’s Wife: Bread, Love, and a Trophy Wife an essay by Ginette Vincendeau at the Criterion Collection