The Four Great Academy Presidents
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The Four Great Academy Presidents (or The Four Great Art Academy Presidents) is the title earned by four pioneers of Chinese modern art: Yan Wenliang, Lin Fengmian, Xu Beihong and Liu Haisu. These artists were revered in the early Republican Era due to their effective stewardship of the Soochow College of Art, the Hangzhou National School of Fine Art, the Art Department of Central University and the Shanghai Academy of Arts respectively.[1]
Careers
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Yan Wenliang (20 July 1893 - 1 May 1988) was a Chinese painter and educator, who is regarded as one of the fathers of Chinese oil painting and an important art educator of his time. Born in Suzhou, Jiangsu province, Yan began studying painting in 1909, founded the Suzhou Art Academy in 1922 and went to Paris in 1929, enrolling in the L'Ecole Superieure Nationale des Beaux Arts, making him, along with Xu Beihong and Sanyu, one of the earliest Chinese artists to study abroad in France.[2][3][4]
Lin Fengmian (November 22, 1900 – August 12, 1991), originally Lin Fengming (林鳳鳴), was a Chinese painter and is considered a pioneer of modern Chinese painting for blending Chinese and Western styles.[5][6][7] He was also an important innovator in the area of Chinese art education.[8]
Liu Haisu (16 March 1896 – 7 August 1994) was a prominent twentieth-century Chinese painter and a noted art educator.[5][9] He excelled in Chinese painting and oil painting.[9]
Xu Beihong (19 July 1895 – 26 September 1953) was a Chinese painter born in Yixing, Jiangsu province. He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century[5]. He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes – a show of his high proficiency in an essential Western art technique.
References
[edit]- ^ "PROPERTY FROM AN IMPORTANT PRIVATE ASIAN COLLECTION-Yan Wenliang".
- ^ 陈烟帆. (1982). 颜文梁先生的人品及艺术风格. 南京艺术学院学报 (美术与设计版), 1.
- ^ "(#5044) 顏文樑". Sothebys.com (in Traditional Chinese). Retrieved 2025-02-19.
- ^ 陆宇澄&刘丹(2004). 颜文梁与苏州美专. 苏州大学学报(工科版), 24(6):84-85. DOI:10.3969/j.issn.1673-047X.2004.06.025.
- ^ a b c Pejčochová, M. (2012). Chinese or Western: A Few Observations on the Works of Some Twentieth Century Chinese Painters Housed in European Collections. Oriens Extremus, 51, 269-285.
- ^ "林风眠:我是睁着眼睛在做梦,我的画确是一些梦境_凤凰网". i.ifeng.com. Retrieved 2025-02-19.
- ^ Cyris (2017-08-12). "一代宗師林風眠:中西兼融的美人仕女圖". 香港01 (in Chinese (Hong Kong)). Retrieved 2025-02-19.
- ^ 劉, 世敏 (2011). 林風眠︰中國現代美術教育和現代繪畫的奠基人 (in Simplified Chinese). China: 百花文藝出版社. ISBN 9787530656891.
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: CS1 maint: date and year (link) - ^ a b 谢海燕. (2006). 刘海粟大师的美育思想和艺术道路. 南京艺术学院学报: 美术与设计, (2), 54-56.