The Sign of the Cross (1932 film)

The Sign of the Cross
Theatrical release poster
Directed by	Cecil B. DeMille
Screenplay by	Waldemar Young Sidney Buchman
Based on	The Sign of the Cross by Wilson Barrett
Produced by	Cecil B. DeMille
Starring	Fredric March Elissa Landi Claudette Colbert Charles Laughton
Cinematography	Karl Struss
Edited by	Anne Bauchens
Music by	Rudolph G. Kopp
Production company	Paramount Pictures
Distributed by	Paramount Pictures
Release dates	November 30, 1932 (1932-11-30) (New York City, premiere) December 25, 1932 (1932-12-25) (Los Angeles)
Running time	125 minutes
Country	United States
Language	English
Budget	$694,065[1]
Box office	$2,738,993[1]

The Sign of the Cross is a 1932 American pre-Code epic film produced and directed by Cecil B. DeMille and released by Paramount Pictures. Based on the original 1895 play by English playwright Wilson Barrett,^[2] the screenplay was written by Waldemar Young and Sidney Buchman. It stars Fredric March, Elissa Landi, Claudette Colbert, and Charles Laughton, with Ian Keith and Arthur Hohl.

Both play and film have a strong resemblance to the 1895–96 novel Quo Vadis and, like the novel, take place in ancient Rome during the reign of Nero. The art direction and costume design were by Mitchell Leisen, who also acted as assistant director. Karl Struss was nominated for an Academy Award for Best Cinematography.^[3] It is the third and last in DeMille's biblical trilogy, following The Ten Commandments (1923) and The King of Kings (1927).

During the Great Fire of Rome in AD 64, Emperor Nero "fiddles". Tigellinus informs Nero that he is suspected of starting the fire. Nero instead has the fire blamed on the Christians. In Rome, the Apostle Titus, Mercia, and Favius are apprehended by a mob for being Christians. Marcus Superbus, the prefect of Rome, arrives and disperses the mob, allowing the Christians to go free.

News of Marcus's mercy towards the Christians spreads throughout Rome, including to Empress Poppaea. At a fountain, Marcus meets with Mercia again; there, Licinius reads Nero's edict to Marcus reminding him of his duty to arrest Christians. Later that night, Titus sends Stephan, a young Christian man, to tell other Christians of the secret meeting at the Cestian Bridge. Shortly after, Marcus arrives at Mercia's home wanting to take her for himself, but Mercia decides to stay. Stephan is arrested by Licinius under suspicion of being a Christian. In a dungeon, under torture Stephan reveals the location of the Christians' secret meeting.

After learning of Stephan's arrest and torture, Marcus races to the meeting hoping to save Mercia. Along the way, he crashes into Poppaea's carriage. She demands Marcus stay, but he leaves her and promises to be with her in the morning. At the meeting, Roman soldiers surround the Christians, and Titus and some members of his congregation are struck dead by arrows. Marcus arrives at the meeting and saves Mercia, and takes her home, while the other Christians are arrested and imprisoned.

The next morning, Poppaea scolds Marcus for his affections to Mercia. Elsewhere in the palace, Tigellinus informs Nero of Marcus's disobedience to his edict. Nero accuses Marcus of betrayal. Jealous of Mercia, Poppaea influences Nero to sign an order for Mercia's arrest. At a feast in Marcus's home, he introduces Mercia to Ancaria, who performs an exotic dance. Outside, Ancaria's performance is drowned out by the Christians' singing. Annoyed by the singing, Marcus sends his party away so he may be alone with Mercia. He tries to get Mercia to renounce her Christian faith so she may be with him, but she refuses. Shortly after, Licinius arrives to arrest Mercia, who is to be executed for treason amongst one hundred Christians in the arena.

Marcus returns to Nero's palace and demands that the emperor spare Mercia, but Nero refuses. In the arena, the audience is entertained by several spectacles, including gladiator battles. When the time for the Christians' execution arrives, Mercia is told to stay behind by Poppaea's orders, as she is to be executed alone. In the arena, the Christians are mauled to death by lions. Following the execution, Marcus again asks for Mercia to renounce her faith and be his wife. Mercia refuses once more, but she states that she loves him. Refusing to live without her, Marcus accompanies Mercia, and they are both executed.

Fredric March

Elissa Landi

Claudette Colbert

Charles Laughton

The famous scene in which Poppaea (Claudette Colbert) bathes in asses' milk took several days to shoot. DeMille announced to the press that real asses' milk was used; however, it was actually powdered cow's milk. After a few days under the hot lights, the milk turned sour, making it very unpleasant for Colbert to work in the stench.^[5][6][7]

To save production expense during the Great Depression, existing sets were reused as well as costumes left over from the making of The Ten Commandments (1923).^[8] DeMille also attempted to provide out-of-work actors jobs as extras such as the crowd arena scenes.^[8]

Paramount marketed the film using market segmentation by focusing their promotion efforts on three market segments. The first was general moviegoers and movie enthusiasts who enjoyed certain features of religiously themed movies, movie goers who regularly attended church, and students of primary and elementary schools.^[9]

In 2008, the film was nominated for the American Film Institute's 10 Top 10 in the Epic Film category.^[10]

As with many other pre-Code films that were reissued after the Motion Picture Production Code was strictly enforced in 1934, this film has a history of censorship. In the original version, Marcus Superbus (Fredric March) is unsuccessful in his attempt to seduce Mercia (Elissa Landi), an innocent Christian girl. He then urges Ancaria (Joyzelle Joyner) to perform the erotic "Dance of the Naked Moon" that will "warm her into life".^[11] This "lesbian dance" was cut from the negative for a 1938 reissue, but was restored by MCA/Universal for its 1993 video release.^[12] Some gladiatorial combat footage was also cut for the 1938 reissue, as were arena sequences involving naked women being attacked by crocodiles and a gorilla. These were also restored in 1993.^[13]

DeMille himself supervised a new version for its 1944 rerelease. New footage with a World War II setting, featuring actor Stanley Ridges (who did not originally appear in the film) was added to make the film more topical. In the new prologue, a group of planes is seen flying over what was ancient Rome. The conversation of the soldiers in one of the planes leads directly into the film's original opening scene. The last few seconds of the edited version of the film showed the planes flying off into the distance, rather than simply fading out on the original closing scene of the movie.

For many years, this edited version was the only one available. The version now shown on Turner Classic Movies has been restored to the original 125 minute length by the UCLA Film and Television Archive with the help of the DeMille estate and Universal Television, which now owns most pre-1950 Paramount sound features.

The reaction of the Catholic Church in the United States to the content in this film and in Ann Vickers helped lead to the 1934 formation of the Catholic Legion of Decency, an organization dedicated to identifying and combating objectionable content, from the point of view of the Church, in motion pictures.^[14]

This film, along with Four Frightened People (1934), Cleopatra (1934), The Crusades (1935) and Union Pacific (1939), was released on DVD in 2006 by Universal Studios as part of The Cecil B. DeMille Collection, a new Blu-ray edition was released on August 25, 2020 by Kino Lorber.

• Nudity in film
• The Sign of the Cross (1914 silent film)
• The Sign of the Cross (play)

Citations

Bibliography

• Barrett, Wilson The Sign of the Cross, J.B. Lippincott Company, (Philadelphia), 1896: Barrett's novelized version of his play.
• Birchard, Robert S. (2004). Cecil B. DeMille's Hollywood. University Press of Kentucky. ISBN 0-8131-2324-0. Retrieved September 12, 2011.
• Black, Gregory D. (1996). Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge University Press. ISBN 0-521-56592-8. Retrieved September 12, 2011.
• Vieira, Mark A. (1999). Sin in Soft Focus: Pre-Code Hollywood. New York: Harry N. Abrams, Inc. ISBN 0-8109-4475-8.

Online sources

• "The Sign of the Cross". Sex in the Cinema. The Kinsey Institute. Retrieved September 12, 2011.
• Margarita Landazuri. "The Sign of the Cross". tcm.com. Turner Classic Movies. Retrieved September 12, 2011.

• Cecilia de Mille Presley; Mark A. Vieira. "The Wickedest Movie in the World: How Cecil B. DeMille Made The Sign of the Cross". brightlightsfilm.com. Bright Lights Film Journal. Retrieved December 30, 2018.

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