USA (King Crimson album)

USA
Live album by King Crimson
Released	April 1975[1]
Recorded	28, 30 June 1974
Venue	Casino Arena, Asbury Park, New Jersey Palace Theatre, Providence, Rhode Island
Genre	Progressive rock progressive metal heavy metal
Length	38:48 67:18 (2002 reissue)
Label	Island Atlantic
Producer	King Crimson
King Crimson chronology
Red (1974) USA (1975) Discipline (1981)

Professional ratings

Review scores
Source	Rating
AllMusic	[2]
Christgau's Record Guide	B+[3]

USA is a live album by the English progressive rock band King Crimson, released in 1975.^[4] It was recorded at the Casino, Asbury Park, New Jersey, on 28 June 1974, except “21st Century Schizoid Man”, which was recorded at the Palace Theatre, Providence, Rhode Island, United States, on 30 June 1974. Violin and electric piano overdubs by Eddie Jobson were recorded at Olympic Studios, London in 1975.

The live recording was performed by George Chkiantz and David Hewitt using the Record Plant Remote Truck.

“Asbury Park” and “Easy Money” were edited to about half their original lengths for the LP release. The unedited versions were released digitally on dgmlive.com in 2005, along with the rest of the show in original running order.

The album opens with a brief excerpt of "The Heavenly Music Corporation" from (No Pussyfooting), an album Robert Fripp recorded with musician and producer Brian Eno. While it was not listed as a separate track on the original album, it is present on all releases.

Jobson plays violin on “Larks’ Tongues in Aspic (Part II)” and “21st Century Schizoid Man”, and Fender electric piano on “Lament” to improve the poor sound quality of the original parts played by David Cross.

Original vinyl releases contain audio content in both the lead-in grooves to both sides of the album, and in side two's run-out groove. In the latter case, the audience's applause following "21st Century Schizoid Man" continues through side two's final locked groove, causing the applause to continue on manual turntables as long as the phonograph needle remains on the record.

There have been four releases of the album:

1. Original vinyl release in 1975. Includes tracks 1 - 6 (although track 1 & 2 are combined) with Eddie Jobson's overdubs.
2. 30th Anniversary Remaster released 2002. Added tracks 8 & 9 to original release, credited track 1.
3. 2005 mix of original multi-track tapes by Ronan Chris Murphy at DGM. Released as download from dgmlive.com in 2005 and on CD as disc two of The Collectable King Crimson Vol. 1 in 2006. This edition is now the full Asbury Park concert, without overdubs, and in the proper running order. Includes all tracks, with the uncut versions of "Asbury Park" and "Easy Money"; "21st Century Schizoid Man" is moved to be the last track and is now the version from Asbury Park rather than Providence, Rhode Island. Does not include Eddie Jobson's overdubs.
4. 2013 mix by original multi-track tapes by Robert Fripp, Tony Arnold and David Singleton at the Courthouse, Cranborne, Dorset. Same track order and versions as release #3. Splits improv at end of track 6 into its own track. This mix is available on The Road to Red and the 40th Anniversary edition of USA.

The cover is a photograph by British fashion photographer and film director Willie Christie, who also photographed the cover of the Fripp & Eno No Pussyfooting album. The idea for the cover came from Wetton and was inspired by the Statue of Liberty. ^[5]

King Crimson

• Robert Fripp – electric guitar, Mellotron, Hohner Pianet
• John Wetton – bass guitar, vocals
• David Cross – violin, viola, Mellotron, Hohner Pianet
• Bill Bruford – drums, percussion

Additional musician

• Eddie Jobson – violin overdubs (1, 6), Hohner Pianet overdub (2) on original version only^[6]

Production personnel

• George Chkiantz – recording engineer
• Peter Walmsley, Chris Kettle, Tex Read, Harvey Baker & Nick Bell – road team
• Nicholas de Ville – cover design
• Willie Christie – photography
• Bob Bowkett, C.C.S. – typography
• Joe Pizzo, David Zink & Riley Jackson of Lamar University, Texas – Kirlian photograph
• Dik Fraser – special thanks