Virginie Demont-Breton

Virginie Demont-Breton
Virginie Demont-Breton c.1900, Photograph by Pierre Petit
Born
Virginie Élodie Marie Thérèse Breton

(1859-07-26)26 July 1859
Courrières, France
Died10 January 1935(1935-01-10) (aged 75)
Paris, France
NationalityFrench
Known forPainting
Spouse
Adrien Demont
​
(m. 1880)​

Virginie Élodie Marie Thérèse Demont-Breton (26 July 1859, Courrières – 10 January 1935, Paris) was a French painter.

Biography

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Her father Jules Breton and her uncle Émile Breton were both well-known painters. Through her father she was introduced to other painters, the most influential being Rosa Bonheur who became a role-model and mentor to Virginie.[1] She married the painter Adrien Demont in 1880.

Her artistic career got off to an early start due to her having family ties with painters, and she finished her first painting at the young age of fourteen.[2] By the age of twenty, she was exhibiting at the Salon where she received an Honorable Mentions and, four years later, she won a gold medal at the Amsterdam Exposition.

In 1890, she and her husband moved to Wissant, a small village on the Côte d'Opale, where they built a villa designed by the Belgian architect Edmond De Vigne [fr]. Called the "Typhonium", it is in Neo-Egyptian style and has been a Historical Monument since 1985.[3]

Demont-Breton exhibited her work at the Palace of Fine Arts, the Children's Building, and The Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois.[4]

She served as President of the Union of Women Painters and Sculptors from 1895 to 1901, though she resigned for a short period of time in 1892, due to a disagreement between her and the Union's community over what she saw as their unfair methods of voting.[5] She worked with Hélène Bertaux in her effort to open the École des Beaux-Arts to women students; a goal which was achieved in 1897. Thanks to her success in this endeavor, female artists were given the opportunity to not only be present in academic settings, but also the ability to use artistic tools previously not available to them, such as nude models.[6] She was the second woman to be decorated with the Légion d'honneur – the first woman being her mentor Rosa Bonheur – in 1894,[7] and became an Officer in 1914. The previous year, she had been elected to the Royal Academy of Fine Arts (Antwerp) in 1913

Originally, she painted portraits and historical scenes but, after moving to Wissant, switched to painting the fishermen and their families in a Realistic style. In 1889, Vincent van Gogh painted his own version of one of her works, L’Homme Est en Mer (Her Man is Out to Sea). She also painted scenes of motherhood and children that depict mothers in strong and powerful imagery within nature.

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  • Alma mater
    Alma mater
  • Young fisherman
    Young fisherman
  • Fisherman's wife
    Fisherman's wife
  • Into the water
    Into the water
  • Her Man is at Sea by Virginie Demont-Breton
    Her Man is at Sea by Virginie Demont-Breton
  • Her Man is at Sea (after Demont-Breton), by Vincent van Gogh, 1889, Private collection
    Her Man is at Sea (after Demont-Breton), by Vincent van Gogh, 1889, Private collection
  • Under the orange tree
  • Mother and child in an orange grove
  • Girl with a garland of wild flowers
  • Under the pure air
    Under the pure air

Writings

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  • Tendresses dans la tourmente. 1914-1919 poésies, Alphonse Lemerre, Paris 1920
  • Les maisons que j'ai connues. Plon-Nourrit, Paris 1926

References

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  1. ^ Gaze, Delia. "Dictionary of Women Artists: Artists, J-Z." Fitzroy Dearborn Publishers 1 (1997): 449.
  2. ^ Waller, Susan. "Fin de partie: A Group of Self-Portraits by Jean-Léon Gérôme." Nineteenth-Century Art Worldwide 9, no. 1 (2015): 297-308.
  3. ^ Base Mérimée: PA00108453, Ministère français de la Culture. (in French)
  4. ^ Nichols, K. L. "Women's Art at the World's Columbian Fair & Exposition, Chicago 1893". Retrieved 24 July 2018.
  5. ^ Garb, Tamar. "Sisters of the Bush." Yale University Press, 1994, 14-18.
  6. ^ Radycki, Diane. "“Pictures of Flesh”: Modersohn-Becker and the Nude." Woman's Art Journal; Fall/Winter2009 30, no. 2 (2009): 3-14.
  7. ^ Dossier @ the Base Léonore.

Further reading

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  • Visages de Terre et de Mer - Regards de peintres à Wissant à la fin du 19è siècle, ouvrage collectif, Michèle Moyne-Charlet, Anne Esnault, Annette Bourrut Lacouture, Yann Gobert-Sergent, édition du Pas-de-Calais, SilvanaEditoriale, août 2014, 135 pages.
  • Yann Gobert-Sergent, "Virginie Demont-Breton (1859-1935), Peintre et témoin de la vie des marins de la Côte d’Opale", in the Revue Boulogne et la Mer, #14, July 2008, pages 4–7.
  • Annette Bourrut-Lacouture, "Virginie Demont-Breton (1859-1935) peintre de Wissant. La famille, la mer et les mythes fin de siècle", Bononia, #19, 1991, pages 36–45.
  • Lee Bacon (1897). "A Painter of Motherhood. Virginie Demont-Breton. Chevalière de la Légion d'Honneur". The Century Illustrated Monthly Magazine. Vol. 53. Scribner & Company. pp. 210–215. Retrieved 2020-01-10.
  • Yann Gobert-Sergent, Les jeunes modèles de Virginie Demont-Breton, entre baignades et drames de la mer, Cahiers du Patrimoine Boulonnais, n° 84, décembre 2021.
  • Yann Gobert-Sergent,Virginie Demont-Breton, peintre de la mer et adepte de la démesure architecturale, La Gazette du Patrimoine, p. 57, avril 2020.
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