Woodlands style

Norval Morrisseau, Artist and Shaman between Two Worlds, 1980, acrylic on canvas, 175 x 282 cm, National Gallery of Canada, Ottawa

Woodlands style, also called the Woodlands school, Legend painting, Medicine painting,[1] and Anishnabe painting, is a genre of painting among First Nations and Native American artists from the Great Lakes area, including northern Ontario and southwestern Manitoba. The majority of the Woodlands artists are Anishinaabeg, notably the Ojibwe, Odawa, and Potawatomi, as well as the Oji-Cree and the Cree.

Origin

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The style was founded by Norval Morrisseau (Bingwi Neyaashi Anishinaabe, 1932–2007), a First Nations Ojibwe artist from Northern Ontario, Canada.[2] He learned Ojibwe history and culture primarily from his grandfather Moses "Potan" Nanakonagos and in the 1950s collected oral history of his community. Their history and cosmology provided inspiration and subject matter for his paintings. He also drew upon his personal dreams and visions.[1] Morrisseau said, "All my painting and drawing is really a continuation of the shaman's scrolls."[3] and the Eckankar religion.[4] Ojibwe intaglio, pictographs, petrographs, and birch bark scrolls (wiigwaasabak), were stylistic antecedents of the Woodlands style.

Style

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This visionary style emphasizes outlines and X-ray views of people, animals, plants, and spiritual beings.[1] Colours are vivid, even garish. While Morrisseau initially painted on birch bark, he mostly switched to Western art materials, such as acrylic, gouache, or watercolor paints on paper, wood panels, or canvas.

Woodlands school artists

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See also

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Notes

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  1. ^ a b c "Norval Morrisseau." Native American Artworld. (retrieved 25 Oct 2010)
  2. ^ Berlo and Phillips, p. 229
  3. ^ Berlo and Phillips, p. 230
  4. ^ Rockingham, Graham (October 11, 2018). "The AGH Norval Morrisseau collection finally gets its day". The Hamilton Spectator. Retrieved 23 April 2020.
  5. ^ "Artistic community mourns loss of Ahmoo Angeconeb, 62, of Lac Seul First Nation". CBC News. 13 June 2017. Retrieved 4 June 2022.
  6. ^ a b c d Berlo and Phillips 231
  7. ^ "Benjamin Chee Chee". St. James Guide to North American Artists. 1998 – via Gale in Context Biography.
  8. ^ Smith, Theresa S.; Debassige, Blake; Cheechoo, Shirley; Mishibinijima, James Simon; Bell, Leland (1994). "Beyond the Woodlands: Four Manitoulin Painters Speak Their Minds". American Indian Quarterly. 18 (1): 1–24. doi:10.2307/1185726. ISSN 0095-182X. JSTOR 1185726.
  9. ^ "Church, Kelly Jean". Benezit Dictionary of Artists. 2014. doi:10.1093/benz/9780199773787.article.B2260379. Retrieved 2024-03-22.
  10. ^ "Obituary: Eddy Cobiness". AMMSA. 1996. Archived from the original on 17 Jan 2013.
  11. ^ "Street Artist in Brush Strokes". Archived from the original on 26 December 2015.
  12. ^ "Woodland art and wisdom of artist/elder Abe Kakepetum | WorldCat.org". search.worldcat.org. Retrieved 2024-03-22.
  13. ^ "Daphne Odjig [footprints] Woodlands meets Picasso in artist's vibrant style". Windspeaker.com. Retrieved 2024-03-22.
  14. ^ "Artist and Scholar List". First American Art Magazine. Retrieved 8 July 2016.
  15. ^ "Vision Circle: The art of Roy Thomas". Retrieved 2024-03-22.
  16. ^ Posted, Sydney Hildebrandt (2020-01-03). "Jan 2020: Painting on the walls". Our Communities. Retrieved 2024-03-22.

References

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  • Berlo, Janet C. and Ruth B. Phillips. Native North American Art. Oxford: Oxford University Press, 1998: 97-8. ISBN 978-0-19-284218-3.

Further reading

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  • Dawson, K.C.A. (1966) "The Kaministikwia Itaglio Dog Effigy Mound." Ontario Archeology. No.9 (June):25-84.
  • Pollack, Jack. The Art of Norval Morrisseau. Toronto: Metheren Press, 1979. ASIN B001BY1VHU.
  • Rajnovich, Grace. "Reading Rock Art." Interpreting the Indian Rock Paintings of the Canadian Shield. Dundum Press Ltd., 1994'
  • Robinson, Donald C. Travels To the House of Invention. Bolton, Ontario: Key Porter Books, Ltd., 1997. ISBN 1-55013-880-4.
  • Selwyn Dewdney and King Kenneth E. Indian Rock Paintings of the Great Lakes. University of Toronto Press, 1967.
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