Ys (album)

Ys
Studio album by Joanna Newsom
Released	November 14, 2006 (2006-11-14)
Recorded	December 2005 – June 2006
Studio	The Village Recording Studio and Entoorage Studios in Los Angeles, California
Genre	Progressive folk[1] indie folk[2] baroque pop[3] avant-pop[4] indie rock[5]
Length	55:38
Label	Drag City
Producer	Joanna Newsom Van Dyke Parks
Joanna Newsom chronology
The Milk-Eyed Mender (2004) Ys (2006) Have One on Me (2010)

Ys (/ˈiːs/ EESS) is the second studio album by the American singer-songwriter Joanna Newsom, released by Drag City on November 14, 2006. It was produced by Newsom and Van Dyke Parks, recorded by Steve Albini and mixed by Jim O'Rourke, with orchestral arrangements by Van Dyke Parks. It features guest vocals from Bill Callahan and Emily Newsom. The vocals and harp were recorded at the Village Recording Studio in Los Angeles in December 2005, with the orchestration recorded between May and June 2006 at the Entourage Studios in Los Angeles.^[6]

The album consists of five tracks with song durations ranging from 7 to 17 minutes that deal with events and people important in Newsom's life, including the sudden death of her best friend, a continuing illness and a tumultuous relationship.^[7] The album is named after the mythical Breton city of Ys.^[7]

Ys received acclaim. It was Newsom's first album to chart in the Billboard 200, where it peaked at number 134, and charted in the United Kingdom, France, Norway and Ireland. It has featured on several music publications' lists of the greatest albums.

The album features full orchestra arrangements by Van Dyke Parks on four of the five tracks. Parks also contributes accordion. Newsom's harp and vocals were recorded by Steve Albini and the orchestra was recorded by Tim Boyle. Newsom and Parks produced the album and it was mixed by Jim O'Rourke. The recording process was completely analog, on two 24-track tape recorders. The music was mixed to tape and mastered at Abbey Road Studios.^[8]

Bass guitar is contributed by Lee Sklar, and electric guitar by jazz guitarist Grant Geissman. Don Heffington played percussion and Matt Cartsonis played mandolin and banjo. Bill Callahan provides backing vocals on the song "Only Skin", while on "Emily", these are sung by Joanna's sister, Emily Newsom, after whom the song is named.

The album, particularly the length of the songs and orchestral arrangements, was partially inspired by the 1971 Roy Harper album Stormcock.^[9] In September 2007, Harper supported Joanna Newsom at her Royal Albert Hall performance, playing Stormcock in its entirety. Newsom was also impressed by Van Dyke Parks' 1967 album Song Cycle, and asked him to collaborate on Ys after listening to that record.^[7]

In August 2006, ahead of the album release in November, an internal server belonging to the online music publication Pitchfork was hacked; it contained promotional copies of hundreds of albums, including Ys.^[10] On tour in late 2007, Newsom performed Ys in its entirety with a 29-piece orchestra.^[11]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	85/100[12]
Review scores
Source	Rating
AllMusic	[13]
Entertainment Weekly	B+[14]
The Guardian	[15]
The Independent	[16]
MSN Music (Consumer Guide)	C+[17]
NME	8/10[18]
Pitchfork	9.4/10[19]
Rolling Stone	[20]
Spin	[21]
Uncut	[3]

At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, Ys received an average score of 85, indicating "universal acclaim".^[12] Chris Dahlen of Pitchfork called it "great because Newsom confronts a mountain of conflicting feelings, and sifts through them for every nuance".^[19] Describing it as "incredibly likeable, and more convivial than the twee Milk Eyed Mender", Jimmy Newlin of Slant Magazine dubbed Ys "a precious—in every sense of the word—masterpiece".^[22] Uncut's John Mulvey felt that though its "vast scale" opens up the potential for "self-indulgence" and "prog folly", upon listening to the record "all the doubts evaporate. Every elaboration has a purpose, every labyrinthine melodic detour feels necessary rather than contrived."^[3] Heather Phares of AllMusic described Ys as "a demanding listen, but it's also a rewarding and inspiring one",^[13] while Alexis Petridis of The Guardian concluded that the album is a "hard sell, perhaps, but it could be the best musical investment you make all year".^[15]

Pat Long of NME wrote that Newsom "has managed to lessen the twee factor of her last record, in the process crafting an album as bewitching as it is odd".^[18] Leah Greenblatt of Entertainment Weekly felt that Newsom "remains an acquired taste", but that Van Dyke Parks' contributions and the album's orchestration "have an ameliorating effect on the too-precious warble that either bewitches or repels."^[14] The Independent's Andy Gill wrote that Ys "leaves one in no doubt of her oddball credentials" and "rarely, if ever, has an artist so assiduously cultivated cult status".^[16] Among negative assessments, Rolling Stone critic Christian Hoard called the album "hard to stomach" and plagued by overlong tracks "with meandering strings-and-things accompaniment and indulgent vocal quirks that make Björk sound like Kelly Clarkson."^[20] Robert Christgau, in his Consumer Guide column for MSN Music, wrote that much of the "sprightly" qualities of The Milk-Eyed Mender had been "subsumed here by ambition, to be kind, and privilege, to be brutally accurate", and that the songs "reveal only that her taste for the antique is out of control".^[17]

Ys was Newsom's first album to chart in the United States, reaching number 134 on the Billboard 200.^[23] As of March 2010, Ys had sold more than 250,000 copies.^[24]

In 2016, several critics wrote articles in response to its 10th anniversary. Dubbing it Newsom's "greatest achievement", Drowned in Sound's Adam Turner-Heffer credited her and the album with proclaiming US indie music as "the dominant force" for the remainder of the 2000s. Noting that it "[stood] the test of time", he claimed that it improved when focusing on where indie and folk went in coming years.^[25] "A career-making masterpiece", Stereogum's Chris DeVille praised Ys for establishing Newsom as "one of the greatest creative forces of her generation." He lauded her vocals' switching "between formalism and casual, folksy delivery", noting how it complimented her compositions. These aspects made the album "a rare instance of modern music with no real precedent."^[26] Vice's Isobel Stone named Ys Newsom's "defining album", comparing it to what The Beatles' Sgt. Pepper's Lonely Hearts Club Band, Bruce Springsteen's Born in the U.S.A., and Radiohead's OK Computer were to their respective artists.^[27]

In 2016, Chance the Rapper cited to Ys as one of his favorite albums.^[28] Frances Quinlan, who fronts indie rock quartet Hop Along, dubbed it "by far one of the affecting albums of my life" and Newsom as influential to them.^[29] Strand of Oaks' Timothy Showalter expressed his admiration of the album and Newsom's lyrical gifts, writing that she "stands at some grander place than me, and I am deeply reassured by that".^[30]

By the end of 2006 Ys appeared in more than 50 year-end lists, placing inside the top 10 in 35 of them, including a #1 ranking in Tiny Mix Tapes' Top 25 Albums of 2006,^[31] and CHARTbeat's Top 100 Albums of 2006 ^[32] a #3 ranking on Pitchfork's Top 50 Albums of 2006,^[33] and a #7 ranking Time magazine's 10 Best Albums of 2006. Despite a negative review by the US Rolling Stone,^[34] the German version of the magazine named the album the second greatest of the year.^[35] The album was also included in the book 1001 Albums You Must Hear Before You Die.^[36] It was nominated for a 2007 Shortlist Music Prize.^[37]

In 2009, Ys started to appear in many "best of the decade" lists. Pitchfork named Ys the 83rd greatest album of the 2000s. Calling Newsom "unlike anyone else" aside calling the album "the most artistically ambitious indie rock enterprise of the decade"^[38] Ys is one of two Joanna Newsom albums placed inside the top 100, the other being The Milk-Eyed Mender.^[39] UK magazine Uncut placed the album inside their "150 greatest album of the decade" list, at number 21. Gigwise named Ys the 32nd greatest album of the 2000s commenting that "the record rightly received blanket acclaim upon its initial release and is already sounding better with age. Whether she'll ever top this new-folk masterpiece remains to be seen."^[40] The Times placed the album at number 26 in their top 100 albums of the decade list,^[41] while The Guardian named it one of the '1000 Albums To Hear Before You Die'.^[42] British magazine Clash placed Ys at number 13 in their '50 Greatest Albums Of Our Lifetime' list.^{[citation needed]} German magazine Musikexpress named Ys the 92nd greatest album of the last four decades (1969–2009).^{[citation needed]} Two Spanish magazines, Playground and Rock de Lux, have respectively named Ys their 83rd and 15th greatest album of the 2000s.^{[citation needed]} About placed Ys at number one inside their greatest album of the decade list.^[43] In 2010, Tiny Mix Tapes named the album the 18th greatest of the 2000s and Cokemachineglow.com the 81st.^[44][45] Rhapsody named it the 46th best album of the 2000s (decade).^[46]

In 2020, Daniel Radcliffe selected the song "Emily" as one of his choices for the BBC Radio 4 program Desert Island Discs, describing Newsom as an artist "who gets weirder and more wonderful and more imaginative every time she comes back".^[47]

• #1 – About.com's Top 100 Alternative Albums of the 2000s^[43]
• #15 – Rock de Lux's Top 100 Albums^{[citation needed]}
• #18 – Tiny Mix Tapes's Favorite 100 Albums of 2000–2009^[44]
• #21 – Uncut's 150 Greatest Albums of the Decade^[63]
• #26 – The Times's 100 Best Albums of the Noughties^[41]
• #32 – Gigwise's 50 Greatest Albums of the 2000s^[40]
• #83 – Pitchfork's Top 200 Albums of the 2000s^[38]
• #83 – Playground's Top 200 Albums^{[citation needed]}

• #13 – Clash Magazine's 50 Greatest Albums of Our Lifetime^{[citation needed]}
• #22 – The Guardian's The 100 Best Albums of the 21st Century^[64]
• #92 – Musikexpress's The 100 Best Albums 1969–2009^{[citation needed]}
• #141 – NPR's 2017 List: “Turning The Tables: The 150 Greatest Albums by Women”
• No Order – Hervé Bourhis's 555 Records^{[citation needed]}
• Special Mention – The Guardian's 1000 Albums to Hear Before You Die^[42]