List of chorale harmonisations by Johann Sebastian Bach

Lists of
Compositions by Johann Sebastian Bach
BWV Cantatas (sacred – secular) Motets Masses, Passions and Oratorios Chorale harmonisations Songs and arias Organ compositions Keyboard and lute compositions Chamber music Orchestral works Fugal works Transcriptions Printed during the composer's lifetime Lost, doubtful and spurious
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Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:

• four-part harmony
• SATB vocal forces
• pre-existing hymn tune allotted to the soprano part
• text treatment:
  • homophonic
  • no repetitions (i.e., each syllable of the hymn text is sung one time)

Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant:

• Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. A large part of these chorales are extant as autographs by the composer, and for nearly all of them a colla parte instrumental and/or continuo accompaniment are known.
• All other four-part chorales exclusively survived in collections of short works, which include manuscripts and 18th-century prints. Apart from the Three Wedding Chorales collection (BWV 250–252), these are copies by other scribes and prints only published after the composer's death, lacking context information, such as instrumental accompaniment, for the individual harmonisations.

Apart from homophonic choral settings, Bach's Lutheran hymn harmonisations also appear as:

• sung chorale fantasias in some of Bach's larger vocal works
• hymn melodies for which Bach composed or improved a thorough bass accompaniment, for instance as included in Georg Christian Schemelli's Musicalisches Gesang-Buch
• harmonisations included in purely instrumental compositions, most typically organ compositions such as chorale preludes or chorale partitas.

The compositions by Johann Sebastian Bach that had been printed during his lifetime were nearly exclusively instrumental works. Moreover, by the time Bach died in 1750 it was forgotten that a few of his vocal works (BWV 71, BWV 439–507,...) had indeed been printed in the first half of the 18th century.^[1] In the period between the publication of The Art of Fugue in the early 1750s, and the publication of further works from 1800, only one group of Bach's works was published: his four-part chorales.

The most complete 18th century publication of chorales by J. S. Bach is Carl Philipp Emanuel Bach's edition in four volumes, published by Breitkopf from 1784 to 1787. About half of the chorale harmonisations in this collection have their origin in other extant works by Bach. This collection went through four more editions and countless reprintings until 1897. Several other collections of chorales by J. S. Bach were published, some of these using the original C-clefs or different texts.

The loss of musical material from Bach's death to the first printings of chorale collections may have been substantial. Not only are many works the chorales were extracted from no longer extant but there is no way of knowing how much of all the harmonisations that were once compiled the current collections include. For example, there is no way of knowing how many of the 150 harmonisations first proposed for sale in 1764 also appear in Princess Anna Amalia's manuscript which ultimately forms the basis of the Breitkopf edition. As to the chorale melodies with figured bass, current collections include less than one hundred of them whereas those proposed for sale in 1764 numbered 240.

The chorale harmonisations BWV 250–438 were probably all extracted from lost larger vocal works. For six of them the work they have been derived from has been identified. Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.

Some harmonisations exist in different keys, i.e. pitches, in 18th-century sources: for instance a Bach cantata autograph gives the four-part chorale in one key, and the same harmonisation is found in one or more of the early chorale compilations in a different key.

The first record of the existence and sale of groups of collected chorale harmonisations and chorale melodies with figured bass extracted from larger works by J.S. Bach is from 1764, fourteen years after Bach's death. In that year the firm Breitkopf und Sohn announced for sale manuscript copies of 150 chorale harmonisations and 240 chorale melodies with figured bass by J.S. Bach.

In 1777 Johann Kirnberger started an active letter campaign to induce Breitkopf to publish a complete set of chorale harmonisations. Kirnberger's letters emphasize his motivation to have the chorales printed in order to preserve them for the benefit of future generations. The manuscript to be used once belonged to C. P. E. Bach, who sold it through Kirnberger to Princess Anna Amalia of Prussia (for twelve louis d'or). It is presumed that this manuscript contained neither the text of the chorales nor any reference to the larger works from which the harmonisations had been taken. The manuscript's harmonisations extracted only the vocal parts and ignored the instrumental parts and the continuo, even though all of Bach's chorale settings included both instrumental parts and continuo. The instrumental parts were either independent, so called obbligato instrumental parts, or mostly doubled the vocal parts sometimes separating from it for a very few beats, and the continuo had its bass mostly double the vocal bass at the lower octave, but could also separate from it for a very few beats. Finally in some cases, for reasons unknown, whoever extracted the chorale from the larger work, changed the key of the setting.

"Y" manuscript hypothesis

Hypothetical early autograph collection of chorale harmonisations from which Bach would have selected settings he later integrated into his larger vocal works.

Larger vocal works manuscripts

Mostly extant as autograph score and/or as parts written out under Bach's supervision: many of these works, such as cantatas and Passions, include four-part chorales

Three Wedding Chorales autograph

Bach's autograph of the wedding chorales BWV 250–252, written between 1734 and 1738.^[2]

Dietel manuscript, a.k.a. Dietel Collection and, in German, Choralsammlung Dietel

Main article: Dietel manuscript

Earliest of the extant larger collection of chorale harmonisations manuscripts. It contains 149 chorale harmonisations (not 150 as is written on its title page) and originated around 1735. The music in the manuscript was copied by Johann Ludwig Dietel, one of Bach's pupils from the Thomasschule.^{[3][4][5][6][7][8][9]}

A few chorale harmonisations had been published before Bach adopted them into his larger vocal works, and are therefore listed as spurious in the third annex of the BWV catalogue:^[10][11]

• "Welt, ade! ich bin dein müde", BWV Anh. 170 [scores], also known as closing movement of cantata BWV 27: five-part harmonisation published, for instance, in Vopelius' 1682 Neu Leipziger Gesangbuch, p. 947.^[12]
• Cantata BWV 43, movement 11: harmonisation by Christoph Peter [de] published in 1652, later adopted in Vopelius' Neu Leipziger Gesangbuch: "Ermuntre dich, mein schwacher Geist", p. 70.^[13]
• Cantata BWV 8, movement 6 (BWV 8/6): Daniel Vetter's four-part setting of "Liebster Gott, wann werd ich sterben", published in 1713.^[14][15]

Several more harmonisations stay close to the version published by Vopelius: for example "Christus, der ist mein Leben", BWV 281, is a variant of the harmonisation found in the Neu Leipziger Gesangbuch, with added embellishments and the harmonic structure altered for one of the tune's four phrases.^[16]

Printed collections of Bach's harmonisations usually provide an alphabetical collation of the chorales, that is, ranged alphabetically by text incipit of the hymn. Some editions contain an alphabetical index at the end of the compilation, for instance at the end of the final volume of C. P. E. Bach's 18th-century collection. Other editions, such as the Breitkopf compilations of 1892 and 1899, present the chorales themselves in alphabetical order. However, not all of these alphabetical collations result in analogous chorale sequences. Some major differences in this respect result from chorales that are known by different names: in that case it depends on the editor which name is used for the collation. For example, the melody of "Ach, lieben Christen, seid getrost" also being known as "Wo Gott der Herr nicht bei uns hält" it is an editor's discretion whether BWV 256 is found early on^[17] or near the end^[18] of an alphabetically sorted collection.

Some of Bach's voice and thoroughbass settings published in Georg Christian Schemelli's 1736 Musicalisches Gesang-Buch are better known in their four-part realisation included in the chorale harmonisation collections.

Chorales published by Birnstiel (200)

In 1765 F. W. Birnstiel published 100 chorales in Berlin. The edition had been initiated by F. W. Marpurg and completed, edited and supplemented with a preface and a list of errata by C. P. E. Bach. A second volume of 100 was issued by the same publisher in 1769, edited by J. F. Agricola. C. P. E. Bach criticised this publication as being full of mistakes in an article which was published in Hamburg in the Staats- und Gelehrte Zeitung des Hamburgischen unpartheyeschen Correspondenten on 30 May 1769, in which he also claimed that some of the chorale harmonisations included in the volume had not been composed by his father.

C. P. E. Bach's edition for Breitkopf (371)

After Kirnberger died in 1783, C. P. E. Bach became Breitkopf's editor for the chorales, which he then published in four parts:

• Vol. I (1784): Nos. 1–96
• Vol. II (1785): Nos. 97–194
• Vol. III (1786): Nos. 195–283
• Vol. IV (1787): Nos. 283–370

Since the number 283 was used twice (last number of Vol. III and first number of Vol. IV), the collection actually contained 371 items. The collection also contained several doubles (e.g. No. 156 is identical to No. 307): it totalled 348 independent harmonisations.^[19]

C. P. E. Bach's selection of 371 chorale harmonisations was republished a few times in the 19th century, for instance by Carl Ferdinand Becker in 1832 (third edition),^[20] and by Alfred Dörffel in 1870.

Bach Gesellschaft (larger vocal works + 3 + 185)

The Bach-Gesellschaft Ausgabe (BGA, Bach Gesellschaft edition) kept the chorale settings that were part of a larger vocal work (cantata, motet, Passion or oratorio) together with these larger vocal works and added the Three Wedding Chorales to its 13th volume containing wedding cantatas. The remaining separate four-part chorales, purged from doubles, were ordered alphabetically and numbered from 1 to 185 in the 39th volume which was published in 1892.^[17]

Richter's edition for Breitkopf (389)

In the late 19th century Bernhard Friedrich Richter collected all straightforward chorale harmonisations that had appeared in the BGA edition —including as well the separate ones as those from larger vocal works—, added a "Herr Gott, dich loben alle wir" harmonisation from a variant version of Cantata 130, and numbered all of these chorales in alphabetical order. The set contained a few doubtful and spurious settings (e.g. from Telemann cantatas which at the time were still attributed to Bach), but four-part settings which were part of a more complex texture (e.g. the fifth movement of Cantata 22 where the vocal homophony is supplemented by instrumental figuration) were not always included by Richter. The set was published by Breitkopf as Joh. Seb. Bach: 389 Choral-Gesänge für gemischten Chor in 1899.^[18]

The Bach-Werke-Verzeichnis, published in 1950, did not assign a separate BWV number to harmonisations contained in extant larger vocal works such as cantatas and Passions. The Three Wedding Chorales were assigned the numbers 250 to 252, and the 185 (+1: see below) four-part chorales contained in Vol. 39 of the BGA edition were given, in the same order, the numbers 253 to 438.^[21]

Terry (405)

Published in 1929, Charles Sanford Terry's J. S. Bach's Four-Part Chorales contains 405 chorale harmonisations and 95 melodies with figured bass. The collection was reprinted 1964, with a foreword by Walter Emery.^[22]

Riemenschneider (371)

Albert Riemenschneider's collection of 371 chorales was published in 1941. It contained the same 371 settings as the C. P. E. Bach edition for Breitkopf, but with a few differences in the collation. In some cases Riemenschneider restored some information about obbligato instrumental parts based on extant larger works, e.g. his No. 270 from cantata BWV 161, or about the continuo bass line if this does not exactly coincide with the vocal bass, e.g. his No. 29 from cantata BWV 32 and his No. 35 from the Christmas Oratorio. Riemenschneider did however not restore original keys to the extant larger works, but instead kept the chorales in the keys as they had been published in the Breitkopf collection, e.g. his No. 22, in E-flat major, comes from cantata BWV 180 where it is in F major. At times the key signature in Riemenschneider's edition does not correspond to the key,^{[clarification needed]} for instance No. 19, in G minor but written with a "Dorian" G key signature. This too is presumably^{[speculation?]} reproduced from the Breitkopf edition, which would have followed a common 17th- and 18th-century practice.^[23]

Editio Musica Budapest (388)

Editio Musica Budapest (EMB) published Imre Sulyok's edition of 388 chorale harmonisations in 1982. With a few differences (e.g. a de-doubling of the near-identical BWV 253 and 414, and some differences in the collation) the collection is largely comparable to the Richter edition.^[24]

Kalmus (389)

Kalmus republished the 389 chorales of Richter's collection.^[25]

NBA

The New Bach Edition published the Three Wedding Chorales and the four-part chorales contained in the Dietel collection in 1991 (Series III, Vol. 2/1). The chorales from C. P. E. Bach's collection were published in 1996 (Series III, Vol. 2/2). Vol. 3 of the same series, published in 2002, contains a few chorales of doubtful authenticity found in other manuscripts and early editions. Vol. 9 of the second series, published in 2000, contains a few doubtful chorales found in various Passions. Better known chorale harmonisations are also contained in other volumes of series I (cantatas), II (Passions and oratorios) and V (e.g. BWV 299 as contained in the Notebook for Anna Magdalena Bach).

Czarnecki (413)

Christopher Czarnecki (editor). J.S. Bach 413 Chorales. SeeZar Publications, 2014. ISBN 0989087913

Dahn (420)

Luke Dahn (editor). J.S. Bach Chorales: a new critical and complete edition arranged by BWV catalogue number with text and historical contextual information included for each chorale with numerous indices included in the appendix. LuxSitPress, 2017.

Most of Bach's known chorale harmonisations are movements in his extant cantatas, motets, Passions and oratorios. These are compositions which have a BWV number ranging from 1 to 249. BWV 250 to 438 is the range of the separate four-part chorales. Chorale harmonisations with a number above 438 are mostly later additions to the BWV catalogue. The 5th chapter of the 1998 edition of the Bach-Werke-Verzeichnis (BWV^2a) contains the chorales BWV 250–438, and some later additions (BWV 500a, 1084, 1089 and 1122–1126).^[26]

All BWV numbers used in the listings below are according to the latest version of the Bach-Werke-Verzeichnis and further updates of these numbers found at the Bach Digital website. When a BWV number is followed by a slash ("/"), the number or letter after that slash indicates the movement in the composition.

Settings from Schemellis Gesangbuch are indicated by their BWV number (BWV 439–507), by the number of the hymn in the original publication (Nos. 1–954),^[27] and, between brackets, the number of the setting in Vol. 39 of the BGA edition (1–69).^[28]

A cross-reference between Lutheran hymns, their Zahn number,^[29] and their appearance in compositions by Bach (including, but not limited to, the chorale harmonisations) can be found pp. 471–481 of BWV^2a.^[30]

Legend to the table

column		content
1	Chorale text	Text incipit of the harmonised hymn. Information regarding which part of the hymn Bach used is given in parentheses, typically verse numbers indicated by "v." Hymn titles without such information as in (untexted) chorale harmonisation collections.
2	Zahn	Zahn number of the chorale melody. When the data in the Zahn column starts with N that refers to "Nachtrag von vier Melodien" (supplement of four melodies), pp. 566–568 in Zahn's 1893 last volume: the number after the slash refers to the place of the melody in this sequence of four.[29]
3	BWV	Sorted by BWV number, the table has these subdivisions: BWV 1–197a: from church cantatas, Ascension Oratorio BWV 226–229: from motets BWV 244–244b: from St Matthew Passion BWV 245: from St John Passion BWV 248: from Christmas Oratorio BWV 250–252: Three Wedding Chorales BWV 253–438: 186 four-part chorales in BGA Vol. 39 BWV 441*–deest: Other chorale harmonisations
4	389	Number of the chorale setting in Richter's 19th-century compilation of chorale harmonisations. These are also known as Kalmus numbers while that publisher reissued Richter's compilation of 389 chorales. Richter/Kalmus Nos. 130, 219 and 387 are not included in the table: see "In church cantatas" section below.
5	CPE	Numbers as in C. P. E. Bach's 18th-century publication of his father's chorales. The two No. 283 chorales are distinguished as "283" for the one included in Vol. III, and "283bis" for the one included in Vol. IV.
6	Rie.	Numbers as in Riemenschneider's 1941 publication of the chorales.
7	Notes	External links in this column go to chorale pages at Luke Dahn's bach-chorales.com website.
8	BC F	Bach Compendium (BC) series F; external links in this column go to the Bach Digital Work page about the chorale

Bach's chorale harmonisations

Chorale text	Zahn	BWV	389	CPE	Rie.	Notes	BC F
From church cantatas, Ascension Oratorio	(Zahn)	1–197a	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Wie schön leuchtet der Morgenstern (v. 7)	8359	0001/6	378			0001_6	—
Ach Gott, vom Himmel sieh darein (v. 6)	4431	0002/6	007	262	262	0002_6	003.2a/b
Ach Gott, wie manches Herzeleid (v. 18)	0553a	0003/6	008	156	156	0003_6	087.2a/b
				307	308
Christ lag in Todesbanden (v. 7)	7012a	0004/8	041	184	184	0004_8	026.3b
Wo soll ich fliehen hin (v. 11)	2164	0005/7	028	303	304	0005_7	020.2b
Erhalt uns, Herr, bei deinem Wort (v. 2)	0350	0006/6	079	072	072	0006_6	056.1a/b
Christ unser Herr zum Jordan kam (v. 7)	7246	0007/7	044			0007_7	—
Liebster Gott, wenn werd ich sterben (v. 5)	6634	0008/6	227	043	043	0008_6; Spurious[15]	131.1a/b
Liebster Gott, wenn werd ich sterben	6634	0008/6*				≈BWV 8/6; ≈BWV 483	131.1c
Es ist das Heil uns kommen her (vv. 7–8)	4430	0009/7	087	289	290	0009_7	059.2a/b
Meine Seele erhebt den Herren (doxology)	7372~	0010/7	122	357	358	0010_7; Tune: German Magnificat (metric)	140.3a/b
Du Lebensfürst, Herr Jesu Christ (v. 4)	5741	0011/6	082	342	343	0011_6; (BWV 11 = Ascension Oratorio)	057.3
Was Gott tut, das ist wohlgetan (v. 6)	5629	0012/7	340			0012_7; ≈BWV 69a/6	—
In allen meinen Taten (v. 15)	2293b	0013/6	295	103	103	0013_6	166.3; —
Wär Gott nicht mit uns diese Zeit (v. 3)	4434	0014/5	330	182	182	0014_5	188.1a/b
Helft mir Gotts Güte preisen (v. 5)	5267	0016/6	125	099	099	0016_6	080.2a/b
Nun lob, mein Seel, den Herren (v. 3)	8244	0017/7	271	006	007	0017_7	153.3a/b
Durch Adams Fall ist ganz verderbt [de] (v. 8)	7549	0018/5	073	100	100	0018_5	052.1b/c
				126	126
Freu dich sehr, o meine Seele (v. 9)	6543	0019/7	099	297	298	0019_7	208.7b
O Ewigkeit, du Donnerwort (vv. 11, 16)	5820	0020/7, /11	276	026	026	0020_7_11	156.2
Herr Christ, der einge Gottessohn (v. 5)	4297a	0022/5				0022_5	—
O Gott, du frommer Gott (v. 1)	5148	0024/6		336	337	0024_6	157; —
Treuer Gott, ich muss dir klagen (v. 12)	6543	0025/6	101	254	254	0025_6	208.1b; —
				282	282
Ach wie flüchtig, ach wie nichtig (v. 8)	1887	0026/6	011	048	048	0026_6	006.1
Helft mir Gotts Güte preisen (v. 6)	5267	0028/6	124	023	023	0028_6	080.1a/b; —
				088	088
Nun lob, mein Seel, den Herren (v. 5)	8244	0029/8	272	116	116	0029_8	153.4b
Tröstet, tröstet meine Lieben (v. 3)	6543	0030/6	103	076	076	0030_6	208.6b
Wenn mein Stündlein vorhanden ist (v. 5)	4482a,b	0031/9	357			0031_9	201.5
Weg, mein Herz, mit den Gedanken (v. 12)	6543	0032/6	102	029	029	0032_6	208.4b
Allein zu dir, Herr Jesu Christ (v. 4)	7292b	0033/6	016	013	013	0033_6	011.2a/b
Wie schön leuchtet der Morgenstern (v. 7)	8359	0036.4/5					209.2a
Wie schön leuchtet der Morgenstern (v. 6)	8359	0036/4	377	085	086	0036_4	209.2b
				195	195
				304	305
Nun komm, der Heiden Heiland (v. 8)	1174	0036/8	264	028	028	0036_8	151.2a/b
Ich dank dir, lieber Herre (v. 4)	5354b	0037/6	178	340	341	0037_6	101.3a/b
Aus tiefer Not schrei ich zu dir (v. 5)	4437	0038/6	031	010	010	0038_6	022.1a/b
Kommt, laßt euch den Herren lehren (v. 6)	6543	0039/7	104	067	067	0039_7	208.5b/c
Wir Christenleut habn jetzund Freud (v. 3)	2072	0040/3	379	320	321	0040_3	210.2a/b
Schwing dich auf zu deinem Gott (v. 2)	4870	0040/6	305	142	142	0040_6	172.1a/b
Freuet euch, ihr Christen alle (v. 4)	7880a	0040/8	105	008	008	0040_8	067.1a/b
Jesu, nun sei gepreiset (v. 3)	8477a	0041/6		011	011	0041_6; ≈BWV 171/6	118.3a; —
Verleih uns Frieden gnädlich (complete)	1945	0042/7	322	091	091	0042_7; Text version: Walter 1566 [de]	182.2
				259	259
Du Lebensfürst, Herr Jesu Christ (vv. 1, 13)	5741	0043/11	081	102	102	0043_11; Spurious[11]	057.1a
In allen meinen Taten (v. 9)	2293b	0044/7	296	354	355	0044_7	166.4b
O Gott, du frommer Gott (v. 2)	5206b	0045/7	278	084	085	0045_7	045.4a/b
O großer Gott von Macht (v. 9)	5101a	0046/6		081	082	0046_6	158.1b
Warum betrübst du dich, mein Herz (v. 11)	1689	0047/5	333	094	094	0047_5	189.3a/b
Ach Gott und Herr (v. 4)	2051	0048/3	004	279	279	0048_3	002.2a/b
Herr Jesu Christ, ich schrei zu dir (v. 12)	4486	0048/7	144	266	266	0048_7	202.4b
Herr Jesu Christ, du höchstes Gut
In dich hab ich gehoffet, Herr (v. 1)	2461	0052/6	212			0052_6	—
Werde munter, mein Gemüte (v. 6)	6551	0055/5	362	095	095	0055_5	206.5a/b
Du, o schönes Weltgebäude (v. 6)	6773	0056/5	072	086	087	0056_5	050.2a/b
Hast du denn, Jesu, dein Angesicht (v. 6)	1912a	0057/8	231	090	090	0057_8	078.1a/b; —
Komm, Heiliger Geist, Herre Gott (v. 1)	7445a	0059/3	220			0059_3; ≈BWV 175/7	—
Es ist genug (v. 5)	7173	0060/5	091	216	216	0060_5	060.1
Nun komm, der Heiden Heiland (v. 8)	1174	0062/6	265	170	170	0062_6	151.1a/b/c
Gelobet seist du, Jesu Christ (v. 7)	1947	0064/2	108	160	160	0064_2	069.3a/b
Was frag ich nach der Welt (v. 1)	5206b	0064/4	280	255	255	0064_4	045.3
Jesu, meine Freude (v. 5)	8032	0064/8	200	138	138	0064_8	116.2a/b
Ein Kind geborn zu Bethlehem (v. 4)	0192b	0065/2	302	012	012	0065_2	169.1b
Ich hab in Gottes Herz und Sinn (v. 10)	7568	0065/7	346	041	041	0065_7	194.1b
Christ ist erstanden (v. 3)	8584	0066/6	037			0066_6	025.2
Erschienen ist der herrlich Tag (v. 1)	1743	0067/4	083			0067_4	—
Du Friedefürst, Herr Jesu Christ (v. 1)	4373	0067/7	068	042	042	0067_7	049.2; —
Es woll uns Gott genädig sein (v. 3)	7247	0069/6	097	332	333	0069_6	066.4b
Was Gott tut, das ist wohlgetan (v. 6)	5629	0069a/6		292	293	0069a_6; ≈BWV 12/7	193.4c
Freu dich sehr, o meine Seele (v. 10)	6543	0070/7	098			0070_7	—
Meinen Jesum laß ich nicht, weil ... (v. 5)	3449	0070/11	243	347	348	0070_11	141.4b
Was mein Gott will, das g'scheh allzeit (v. 1)	7568	0072/6	344			0072_6	—
Von Gott will ich nicht lassen (v. 9)	5264b	0073/5	328	191	191	0073_5	185.4b
Gott Vater, sende deinen Geist (v. 2)	2496c	0074/8	223	369	370	0074_8	128.2b
Was Gott tut, das ist wohlgetan (vv. 5–6)	5629	0075/7, /14				0075_7_14; =BWV 100/6	—
Es woll uns Gott genädig sein (vv. 1, 3)	7247	0076/7, /14				0076_7_14	—
Wenn einer alle Ding verstünd (v. 8)?	4431	0077/6	006	253	253	0077_6; No autograph text: added later	003.3b
O Gottes Sohn, Herr Jesu Christ (v. 5)?
Ach Gott, vom Himmel sieh darein
Jesu, der du meine Seele (v. 12)	6804	0078/7	188	296	297	0078_7	187.4a/b
Nun danket alle Gott (v. 1)	5142	0079/3	259			0079_3	—
Nun laßt uns Gott dem Herren (v. 8)	0159	0079/6	267			0079_6	—
Ein feste Burg ist unser Gott (v. 1)	7377	0080.2/1					—
Ein feste Burg ist unser Gott (v. 4)	7377	0080/8	076	273	273	0080_8	053.4a/b
Jesu, meine Freude (v. 2)	8032	0081/7	197	323	324	0081_7	116.3a/b
Mit Fried und Freud ich fahr dahin (v. 4)	3986	0083/5	250	324	325	0083_5	144.2a/b
Wer weiß, wie nahe mir mein Ende (v. 12)	2778	0084/5	373	112	112	0084_5	205.2a/b/c
Ist Gott mein Schild und Helfersmann (v. 4)	2542	0085/6	216	122	122	0085_6	111.1a/b
Es ist das Heil uns kommen her (v. 11)	4430	0086/6	086	004	004	0086_6	059.1a/b
Selig ist die Seele (v. 9)	8032	0087/7	201	096	096	0087_7	116.4b
Wer nur den lieben Gott läßt walten (v. 8)	2778	0088/7	368	104	104	0088_7	205.5a/b
Wo soll ich fliehen hin (v. 7)	2164	0089/6	026	281	281	0089_6	020.4a/b
Nimm von uns, Herr, du treuer Gott (v. 7)	2561	0090/5	319	267	267	0090_5	181.3b
Gelobet seist du, Jesu Christ (v. 7)	1947	0091/6	109	053	051	0091_6	069.2a/b
Ich hab in Gottes Herz und Sinn (v. 12)	7568	0092/9	347			0092_9	—
Wer nur den lieben Gott läßt walten (v. 7)	2778	0093/7	369			0093_7	—
Was frag ich nach der Welt (vv. 7–8)	5206b	0094/8	281	290	291	0094_8	045.5
Wenn mein Stündlein vorhanden ist (v. 4)	4482a,b	0095/7	356			0095_7	201.6b
Herr Christ, der einge Gottessohn (v. 5)	4297a	0096/6	128	302	303	0096_6	081.2a/b
In allen meinen Taten (v. 9)	2293b	0097/9	297			0097_9; ≈BWV 392	166.9b/c
Was Gott tut, das ist wohlgetan (v. 6)	5629	0099/6	341			0099_6	—
Was Gott tut, das ist wohlgetan (v. 6)	5629	0100/6				0100_6; =BWV 75/7, /14	193; —
Nimm von uns, Herr, du treuer Gott (v. 7)	2561	0101/7	318	291	292	0101_7	181.1a/b
So wahr ich lebe, spricht dein Gott (v. 6)	2561	0102/7	320	110	110	0102_7	181.2b
Barmherzger Vater, höchster Gott (v. 9)	7568	0103/6	348	120	120	0103_6	194.6b/c
				348	349
Der Herr ist mein getreuer Hirt (v. 1)	4457	0104/6	013	125	125	0104_6	010.2; —
				325	326		010.2b
Jesu, der du meine Seele (v. 11)	6804	0105/6				0105_6	187.6b
Was willst du dich betrüben (v. 7)	5264b	0107/7	327			0107_7	—
Gott Vater, sende deinen Geist (v. 10)	2496c	0108/6	224	046	045	0108_6	128.1b
Wir Christenleut habn jetzund Freud (v. 5)	2072	0110/7	380	057	055	0110_7	210.1a/b
Was mein Gott will, das g'scheh allzeit (v. 4)	7568	0111/6	345			0111_6	—
Der Herr ist mein getreuer Hirt (v. 5)	4457	0112/5	014	312	313	0112_5	010.3a/b
				352	353
Herr Jesu Christ, du höchstes Gut (v. 1)	4486	0113/1				0113_1	—
Herr Jesu Christ, du höchstes Gut (v. 8)	4486	0113/8	142	293	294	0113_8	202.3a/b
Ach lieben Christen, seid getrost (v. 6)	4441a	0114/7	386	300	301	0114_7	212.4a/b
Mache dich, mein Geist, bereit (v. 10)	6274a	0115/6	312	038	038	0115_6	179.1b/c
Du Friedefürst, Herr Jesu Christ (v. 7)	4373	0116/6	069			0116_6	—
Sei Lob und Ehr dem höchsten Gut (vv. 4, 9)	4430	0117/4, /9	090	248	248	0117_4_9	059.3b
				353	354		059.3a/c
Herr Gott, dich loben wir (vv. 38–41)	8652	0119/9	134			0119_9	—
Herr Gott, dich loben wir (vv. 34–41)	8652	0120/6	135			0120_6	—
Lobe den Herren, den mächtigen ... (vv. 4–5)	1912a	0120a/8	230			0120a_8; ≈BWV 137/5	—
Christum wir sollen loben schon (v. 8)	0297	0121/6	042	055	056	0121_6	029.1a/b
Das neugeborne Kindelein (v. 4)	0491	0122/6	057	052	053	0122_6	037.1a/b
				178	178
Liebster Immanuel, Herzog ... (v. 6)	4932c	0123/6	229	194	194	0123_6	132.1a/b
Meinen Jesum laß ich nicht, weil ... (v. 6)	3449	0124/6	246			0124_6	—
Mit Fried und Freud ich fahr dahin (v. 4)	3986	0125/6	251			0125_6	—
Verleih uns Frieden gnädlich (complete)	1945	0126/6	321	215	215	0126_6; Text version: Walter 1566 [de]	182.1b
Herr Jesu Christ, wahr Mensch und Gott (v. 8)	2570	0127/5	147	283bis	384	0127_5	199.1a/b
O Jesu, meine Lust [wikisource:de] (v. 4)	5206b	0128/5	279			0128_5	—
Gelobet sei der Herr, mein Gott (v. 5)	5206b	0129/5				0129_5	045; —
Herr Gott, dich loben alle wir (v. 11)	0368	0130/6	131			0130_6; Bach struck v. 12 in cantata[31]	105.3b
Ich freue mich in dir (v. 4)	5187	0133/6	181	061	060	0133_6	164.1a/b
Ach Herr, mich armen Sünder (v. 6)	5385a	0135/6	156			0135_6	—
Wo soll ich fliehen hin (v. 9)	2164	0136/6	027	330	331	0136_6	020.5b
Lobe den Herren, den mächtigen ... (v. 5)	1912a	0137/5	230			0137_5; ≈BWV 120a/8	078.2c
Wohl dem, der sich auf seinen Gott (v. 5)	2383	0139/6	238			0139_6	—
Wachet auf, ruft uns die Stimme (v. 3)	8405	0140/7	329	179	179	0140_7	186.1a/b/c
Was Gott tut, das ist wohlgetan (v. 1)	5629	0144/3	338	064	065	0144_3	193.1
Was mein Gott will, das g'scheh allzeit (v. 1)	7568	0144/6	343	265	265	0144_6	194.4
Auf, mein Herz, des Herren Tag (v. 1)	3432b	0145/a	209	337	338	0145a	123.2a
Erschienen ist der herrlich Tag (v. 4)	1743	0145/5	084	017	017	0145_5	016.1a/b
Freu dich sehr, o meine Seele (v. 1)?	6551	0146/8	360			0146_8; Text: proposal Martin Petzold[32]	—
Jesu, meiner Seelen Wonne (vv. 6, 16)	6551	0147/6, /10				0147_6_10; aka Jesu, Joy of Man's Desiring	—
Wo soll ich fliehen hin	2164	0148/6	029	025	025	0148_6; Textless in cantata	020.1b
Herzlich lieb hab ich dich, o Herr (v. 3)	8326	0149/7	155			0149_7	—
Lobt Gott, ihr Christen, allzugleich (v. 8)	0198	0151/5	235	054	054	0151_5	127.3a/b
Schau, lieber Gott, wie meine Feind (v. 1)	4431	0153/1	005	003	003	0153_1	003.1b
Befiehl du deine Wege (v. 5)	5385a	0153/5	160	021	021	0153_5	092.3b
Ach Gott, wie manches Herzeleid (vv. 16–18)	0553a	0153/9	009	217	217	0153_9	087.1a/b
Jesu, meiner Seelen Wonne (v. 2)	6551	0154/3	365	233	233	0154_3; ≈BWV 359	206.1a/b/3b
Meinen Jesum laß ich nicht, weil ... (v. 6)	3449	0154/8	244	152	152	0154_8	141.2
Es ist das Heil uns kommen her (v. 12)	4430	0155/5	088	334	335	0155_5	059.2a/b
Herr, wie du willst, so schicks ... [de] (v. 1)	4438	0156/6	150	316	317	0156_6	023.2
Meinen Jesum laß ich nicht, weil ... (v. 6)	3449	0157/5	245			0157_5	—
Christ lag in Todesbanden (v. 5)	7012a	0158/4	040			0158_4; ≈BWV 279	026.4b
Jesu Leiden, Pein und Tod (v. 33)	6288b	0159/5	194	059	061	0159_5	115.1a/b
Herzlich tut mich verlangen (v. 4)	5385a	0161/6	161	270	270	0161_6	092.13b/c
Alle Menschen müssen sterben (v. 7)	6783	0162/6	018			0162_6	—
Herr Christ, der einge Gottessohn (v. 5)	4297a	0164/6	127	101	101	0164_6	081.1a/b
Nun laßt uns Gott dem Herren (v. 5)	0159	0165/6	266			0165_6	—
Wer weiß, wie nahe mir mein Ende (v. 1)	2778	0166/6	372	204	204	0166_6	205.3
Nun lob, mein Seel, den Herren (v. 5)	8244	0167/5				0167_5	—
Herr Jesu Christ, du höchstes Gut (v. 8)	4486	0168/6	143	092	092	0168_6	202.2a/b
Nun bitten wir den Heiligen Geist (v. 3)	2029	0169/7	256	097	097	0169_7	147.2a/b
Jesu, nun sei gepreiset (v. 2)	8477a	0171/6	204			0171_6; ≈BWV 141/6; BGA: v. 3 per P 94	—
Wie schön leuchtet der Morgenstern (v. 4)	8359	0172/6	376	322	323	0172_6	209.4b
Herzlich lieb hab ich dich, o Herr (v. 1)	8326	0174/5	153	056	058	0174_5	091.2
O Gottes Geist, mein Trost und Rat (v. 9)	7445a	0175/7	220			0175_7; ≈BWV 59/3	126.1b
Was alle Weisheit in der Welt (v. 8)	7246	0176/6	045	119	119	0176_6	065.2
Ich ruf zu dir, Herr Jesu Christ (v. 5)	7400	0177/5	183	071	071	0177_5	103.2a/b/c
Wo Gott der Herr nicht bei uns hält (vv. 7–8)	4441a	0178/7	384			0178_7	—
Ich armer Mensch, ich armer Sünder (v. 1)	2778	0179/6	371	338	339	0179_6	205.6a/b
Schmücke dich, o liebe Seele (v. 9)	6923	0180/7	304	022	022	0180_7	171.1a/b/c
Zeuch ein zu deinen Toren (v. 5)	5267	0183/5	126	123	123	0183_5	080.3b
O Herre Gott, dein göttlich Wort (v. 8)	5690	0184/5	283	014	014	0184_5	159.1a/b/c
Ich ruf zu dir, Herr Jesu Christ (v. 1)	7400	0185/6	184			0185_6	103.3b
Singen wir aus Herzensgrund (v. 4)	4816	0187/7	308	109	109	0187_7	033.1
Auf meinen lieben Gott (v. 1)	2164	0188/6	025			0188_6	—
Jesu, nun sei gepreiset (v. 2)	8477a	0190/7	205	326	327	0190_7	118.2
Treuer Gott, ich muss dir klagen (v. 6)	6543	0194/6	100	063	064	0194_6	208.2b
				256	256
Wach auf, mein Herz, und singe (vv. 9–10)	0159	0194/12	268	093	093	0194_12	152.2a/b/c
				257	257
Nun danket all und bringet Ehr (v. 1)	0198	0195/6	236			0195_6	—
Nun bitten wir den Heiligen Geist (v. 3)	2029	0197/5	255	083	084	0197_5	147.3a/b
Wer nur den lieben Gott läßt walten (v. 7)	2778	0197/10	370	066	062	0197_10	205.7a/b
Ich freue mich in dir (v. 4)	5206b	0197a/7				0197a_7; ≈BWV 398	045.2b
From motets	(Zahn)	226–229	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Komm, Heiliger Geist, Herre Gott (v. 3)	7445a	0226/2	221	069	069	0226_2	126.2a/b/c
Jesu, meine Freude (vv. 1, 6)	8032	0227/1, 11	196	263	263	0227_1_11	116.5
Jesu, meine Freude (v. 2)	8032	0227/3	198			0227_3; SSATB	116.6a/b
Jesu, meine Freude (v. 4)	8032	0227/7	199	283	283	0227_7	116.7a/b
Komm, Jesu, komm (v. 11)		0229/2	222			0229_2; Not on a pre-existing tune[33]	—
From St Matthew Passion	(Zahn)	244–244b	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Herzliebster Jesu (v. 1)	0983	0244/3	166	078	078	0244_3	093.3
O Welt, sieh hier dein Leben (v. 5)	2293b	0244/10	294	117	117	0244_10	166.6b
O Haupt voll Blut und Wunden (v. 5)	5385a	0244/15	163	098	098	0244_15; ≈BWV 244/17	092.5c
O Haupt voll Blut und Wunden (v. 6)		0244/17				0244_17; ≈BWV 244/15
Was mein Gott will, das g'scheh allzeit (v. 1)	7568	0244/25	342	115	115	0244_25	194.7
Meinen Jesum laß ich nicht, weil ... (v. 6)	3449	0244b/29	247			0244b_29	—
In dich hab ich gehoffet, Herr (v. 5)	2461	0244/32	213	118	118	0244_32	108.2a/b
O Welt, sieh hier dein Leben (v. 3)	2293b	0244/37	292	050	050	0244_37	166.7b
Werde munter, mein Gemüte (v. 6)	6551	0244/40	361	121	121	0244_40	206.6a/b/c
Befiehl du deine Wege (v. 1)	5385a	0244/44	159	087	080	0244_44	092.6b
Herzliebster Jesu (v. 4)	0983	0244/46	167	105	105	0244_46	093.4a/b
O Haupt voll Blut und Wunden (vv. 1–2)	5385a	0244/54	162	074	074	0244_54	092.7
O Haupt voll Blut und Wunden (v. 9)	5385a	0244/62	164	089	089	0244_62	092.8a/b
From St John Passion	(Zahn)	245	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Herzliebster Jesu (v. 7)	0983	0245/3	168	058	059	0245_3; Two versions (2nd in CPE, Rie.,...)	093.1a/b/c
Vater unser im Himmelreich (v. 4)	2561	0245/5	317	047	047	0245_5; Two versions (1st =BWV 416)	181.4a/c
O Welt, sieh hier dein Leben (vv. 3–4)	2293b	0245/11	293	062	063	0245_11; ≈BWV 395	166.5a/b/c; —
Jesu Leiden, Pein und Tod (v. 10)	6288b	0245/14	192	082	083	0245_14	115.2a/b
Christus, der uns selig macht (v. 1)	6283b	0245/15	049	080	081	0245_15	031.2
Herzliebster Jesu (vv. 8–9)	0983	0245/17	169	111	111	0245_17	093.2a/b
Durch dein Gefängnis, Gottes Sohn (1 v.)	2383	0245/22	239	309	310	0245_22	137.3b
Valet will ich dir geben (v. 3)	5404a	0245/26	315	108	108	0245_26	180.2a/b
Jesu Leiden, Pein und Tod (v. 20)	6288b	0245/28	193	106	106	0245_28	115.3a/b
Christus, der uns selig macht (v. 8)	6283b	0245/37	050	113	113	0245_37	031.3a/b
Herzlich lieb hab ich dich, o Herr (v. 3)	8326	0245/40	154	107	107	0245_40	091.3a/b
From Christmas Oratorio	(Zahn)	248	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Wie soll ich dich empfangen (v. 1)	5385a	0248/5	165	344	345	0248_5	092.9b
Vom Himmel hoch, da komm ich her (v. 13)	0346	0248/9		045	046	0248_9	184.2b
Ermuntre dich, mein schwacher Geist (v. 9)	5741	0248/12	080	009	009	0248_12	057.2a/b
				360	361
Schaut, schaut, was ist für Wunder dar (v. 8)	0346	0248/17	323			0248_17	184.3b
Wir singen dir, Immanuel (v. 2)	0346	0248/23		343	344	0248_23	184.3b
Gelobet seist du, Jesu Christ (v. 7)	1947	0248/28	110			0248_28	069.4a/b
Fröhlich soll mein Herze springen (v. 15)	6461	0248/33	335	139	139	0248_33	190.2b
Lasst Furcht und Pein (v. 4)	2072	0248/35	381	359	360	0248_35	210.3b
Hilf, Herr Jesu, laß gelingen (v. 5)	N/1	0248/42		367	368	0248_42	098.1c
Nun, liebe Seel, nun ist es Zeit (v. 5)	2461	0248/46	214	077	077	0248_46	108.3b
Ihr Gestirn, ihr hohlen Lüfte (v. 9)	3614	0248/53	114	034	035	0248_53	073.1b
Ich steh an deiner Krippen hier (v. 1)	4429a	0248/59	263	361	362	0248_59	150.2b
Ihr Christen, auserkoren (v. 4)	5385a	0248/64				0248_64	092.14b
Three Wedding Chorales	(Zahn)	250–252	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Was Gott tut, das ist wohlgetan	5629	0250	339	346	347	0250; Three Wedding Chorales No. 1	193.3
Sei Lob und Ehr dem höchsten Gut	4430	0251	089	328	329	0251; Three Wedding Chorales No. 2	059.4
Nun danket alle Gott	5142	0252	258	329	330	0252; Three Wedding Chorales No. 3	148.2
186 four-part chorales in BGA Vol. 39	(Zahn)	253–438	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Ach bleib bei uns, Herr Jesu Christ	0493	0253	001	177	177	0253; ≈BWV 414	035.1
Ach Gott, erhör mein Seufzen	1831a	0254	002	186	186	0254	001.1
Ach Gott und Herr	2051	0255	003	040	040	0255	002.1
Ach lieben Christen, seid getrost	4441a	0256	385	031	031	0256	212.3
Wär Gott nicht mit uns diese Zeit	4441a	0257	388	284	285	0257	212.1
Wo Gott der Herr nicht bei uns hält	4441a	0258	383	335	336	0258; ≈BWV 488: Schemelli No. 881 (63)	212.2
Ach, was soll ich Sünder machen	3573b	0259	010	039	039	0259	005.1
Allein Gott in der Höh sei Ehr	4457	0260	012	249	249	0260	010.1
Allein zu dir, Herr Jesu Christ	7292b	0261	015	358	359	0261	011.1
Alle Menschen müssen sterben	6778	0262	017	153	153	0262	008.1
Alles ist an Gottes Segen	3842f	0263	019	128	128	0263	012.1
Als der gütige Gott	1645	0264	020	159	159	0264	013.1
Als Jesus Christus in der Nacht	0258	0265	021	180	180	0265	014.1
Als vierzig Tag nach Ostern warn	1743	0266	022	208	208	0266	015.1
An Wasserflüssen Babylon	7663	0267	023	005	005	0267	017.1a/b/c
Ein Lämmlein geht und trägt die Schuld				308	309
Auf, auf, mein Herz, und du mein ganzer ...	0824	0268	024	124	124	0268	019.1
Aus meines Herzens Grunde	5269	0269	030	001	001	0269	021.1
Befiehl du deine Wege	5385a	0270	157	285	286	0270	092.1
Befiehl du deine Wege	5385a	0271	158	366	367	0271	092.2
Befiehl du deine Wege	5393	0272	032	339	340	0272; Setting likely by C. P. E. Bach[34]	136.2
Christ, der du bist der helle Tag	0384	0273	033	230	230	0273	024.1
Christe, der du bist Tag und Licht	0343	0274	034	245	245	0274	027.1
Christe, du Beistand deiner Kreuzgemeine	0993	0275	035	210	210	0275	028.1
Christ ist erstanden	8584	0276	036	197	197	0276	025.1
Christ lag in Todesbanden	7012a	0277	038	015	015	0277	026.2
Christ lag in Todesbanden	7012a	0278	039	370	371	0278	026.1
Christ lag in Todesbanden	7012a	0279	040	261	261	0279; ≈BWV 158/4	026.4b
Christ unser Herr zum Jordan kam	7246	0280	043	065	066	0280	065.1
Christus, der ist mein Leben	0132	0281	046	007	006	0281	030.1
Christus, der ist mein Leben	0132	0282	047	315	316	0282; Included in BWV 95/1	030.2
Christus, der uns selig macht	6283b	0283	048	198	198	0283	031.1
				306	307
Christus ist erstanden, hat überwunden	6240c	0284	051	200	200	0284	032.1
Da der Herr Christ zu Tische saß	2503	0285	052	196	196	0285	034.1
Danket dem Herrn, denn er ist sehr...	0012	0286	053	228	228	0286	183.1
Dank sei Gott in der Höhe	5391	0287	054	310	311	0287	119.1
Das alte Jahr vergangen ist	0381c	0288	055	162	162	0288	036.1
Das alte Jahr vergangen ist	0381c	0289	056	313	314	0289	036.2
Das walt Gott Vater und Gott Sohn	0673	0290	058	224	224	0290	038.1
Das walt mein Gott	4217	0291	059	075	075	0291	039.1
Den Vater dort oben	4795	0292	060	239	239	0292	040.1
Der du bist drei in Einigkeit	0335	0293	061	154	154	0293	042.1
Der Tag, der ist so freudenreich	7870	0294	062	158	158	0294	043.1
Des Heilgen Geistes reiche Gnad	3706	0295	063	207	207	0295	178.1
Die Nacht ist kommen	5001	0296	064	231	231	0296	044.1
Die Sonn hat sich mit ihrem Glanz	0923	0297	065	232	232	0297; ≈BWV 447: Schemelli No. 40 (3)	161.1
Dies sind die heilgen zehn Gebot	1951	0298	066	127	127	0298	046.1
Dir, dir, Jehova, will ich singen	3068	0299	067	209	209	0299; =AMBII 39; ≈BWV 452: S 397 (32)	047.1
Du großer Schmerzensmann	5159	0300	070	164	167	0300	051.1
Du, o schönes Weltgebäude	6773	0301	071	137	134	0301	050.1
Ein feste Burg ist unser Gott	7377	0302	074	020	020	0302	053.1b
Ein feste Burg ist unser Gott	7377	0303	075	250	250	0303	053.2b
Eins ist not, ach Herr, dies Eine	7127	0304	077	280	280	0304	054.1
Erbarm dich mein, o Herre Gott	5851	0305	078	033	034	0305	055.1
Erstanden ist der heilge Christ	1746	0306	085	176	176	0306	058.1
Es ist gewißlich an der Zeit	4429a	0307	262	260	260	0307	150.1
Es spricht der Unweisen Mund wohl	4436	0308	092	027	027	0308	062.1
Es stehn vor Gottes Throne	4298	0309	093	166	166	0309	063.1
Es wird schier der letzte Tag herkommen	1423	0310	094	238	238	0310	064.1
Es woll uns Gott genädig sein	7247	0311	095	016	016	0311	066.2
Es woll uns Gott genädig sein	7247	0312	096	351	352	0312	066.1
Für Freuden laßt uns springen	2339	0313	106	163	163	0313	068.1
Gelobet seist du, Jesu Christ	1947	0314	107	287	288	0314	069.1
Gib dich zufrieden und sei stille	7417a	0315	111	271	271	0315	070.1
Gott, der du selber bist das Licht	5814	0316	112	225	225	0316	071.1
Gott der Vater wohn uns bei	8507	0317	113	134	135	0317	072.1
Gottes Sohn ist kommen	3294	0318	115	018	018	0318	143.1a/b
Gott hat das Evangelium	1788	0319	116	181	181	0319	074.1
Gott lebet noch	7951	0320	117	234	234	0320; ≈BWV 461: Schemelli No. 488 (37)	075.1
Gottlob, es geht nunmehr zu Ende	2855	0321	118	192	192	0321	077.1
Gott sei gelobet und gebenedeiet	8078	0322	119	070	070	0322	076.1
Gott sei uns gnädig und barmherzig	7372	0323	120	319	320	0323; Tune: German Magnificat (metric)	140.2
Meine Seele erhebet den Herren	7372~	0324	121	130	130	0324; Tune: German Magnificat (chant)	140.1
Heilig, heilig (or) Sanctus, Sanctus Dominus Deus Sabaoth	8633	0325	123	235	235	0325	079.1
				318	319
Herr Gott, dich loben alle wir	0368	0326	129	167	164	0326	105.1
Vor deinen Thron tret ich hiermit	0368	0327	132	333	334	0327	105.2
Herr Gott, dich loben wir	8652	0328	133	205	205	0328	083.1
Herr, ich denk an jene Zeit	4840	0329	136	212	212	0329	134.1
Herr, ich habe mißgehandelt	3695	0330	137	035	033	0330	084.2
Herr, ich habe mißgehandelt	3695	0331	138	286	287	0331	084.1b
Herr Jesu Christ, dich zu uns wend	0625	0332	139	136	136	0332	085.1
Herr Jesu Christ, du hast bereit't	4711	0333	140	226	226	0333	086.1
Herr Jesu Christ, du höchstes Gut	4486	0334	141	073	073	0334	202.1
Herr Jesu Christ, meins Lebens Licht	0314	0335	145	294	295	0335	170.1a/b
O Jesu, du mein Bräutigam				236	236
Herr Jesu Christ, wahr Mensch und Gott	0423	0336	146	189	189	0336	088.1
Herr, nun laß in Friede	3302	0337	148	190	190	0337	089.1
Herr, straf mich nicht in deinem Zorn	4606a	0338	149	221	221	0338	090.1
Wer in dem Schutz des Höchsten ist	4438	0339	151	144	144	0339	023.1a/b
Herr, wie du willst, so schick's mit mir [de]				317	318
Herzlich lieb hab ich dich, o Herr	8326	0340	152	277	277	0340	091.1
Heut ist, o Mensch, ein großer Trauertag	8569(A)	0341	170	168	168	0341	094.1A
Heut triumphieret Gottes Sohn	2585	0342	171	079	079	0342	095.1
Hilf, Gott, daß mirs gelinge	4329	0343	172	199	199	0343	096.1
				301	302
Hilf, Herr Jesu, laß gelingen	3687a	0344	173	155	155	0344	097.1
Ich bin ja, Herr, in deiner Macht	5878	0345	174	251	251	0345	099.1
Ich dank dir, Gott, für all Wohltat	8090b	0346	175	223	223	0346	100.1
Ich dank dir, lieber Herre	5354b	0347	176	002	002	0347	101.2
Ich dank dir, lieber Herre	5354b	0348	177	272	272	0348	101.1
Ich dank dir schon durch deinen Sohn	0247b	0349	179	188	188	0349	004.1
Ich danke dir, o Gott, in deinem Throne	3199	0350	180	229	229	0350	139.1
Ich hab mein Sach Gott heimgestellt	1679	0351	182	019	019	0351	102.1
Jesu, der du meine Seele	6804	0352	185	037	037	0352	187.3
Jesu, der du meine Seele	6804	0353	186	269	269	0353	187.1
Jesu, der du meine Seele	6804	0354	187	368	369	0354	187.2
Jesu, der du selbsten wohl	6335	0355	189	169	169	0355	112.1
Jesu, du mein liebstes Leben	7891	0356	190	243	243	0356	113.1
Jesu, Jesu, du bist mein	6446	0357	191	244	244	0357; ≈BWV 470: Schemelli No. 741 (53)	114.1
Jesu, meine Freude	8032	0358	195	355	356	0358	116.1
Jesu meiner Seelen Wonne	6551	0359	363	364	365	0359	206.1b
Jesu, meiner Seelen Wonne	6551	0360	364	349	350	0360	206.2
Jesu, meines Herzens Freud	4798d	0361	202	264	264	0361	117.1
Jesu, nun sei gepreiset	8477a	0362	203	252	252	0362	118.1
Jesus Christus, unser Heiland, der von uns ...	1576	0363	206	030	030	0363	121.1
Jesus Christus, unser Heiland, der den Tod ...	1978	0364	207	174	174	0364	120.1
Jesus, meine Zuversicht	3432b	0365	208	175	175	0365	123.1
Ihr Gestirn, ihr hohlen Lüfte	3703	0366	210	161	161	0366	104.1
In allen meinen Taten	2276	0367	211	140	140	0367	107.1
In dulci jubilo	4947	0368	215	143	143	0368	110.1
Keinen hat Gott verlassen	5395	0369	217	129	129	0369	124.1
Komm, Gott Schöpfer, Heiliger Geist	0295	0370	218	187	187	0370	125.1
Kyrie, Gott Vater in Ewigkeit	8600	0371	225	132	132	0371	129.1
Lass, o Herr, dein Ohr sich neigen	6863	0372	226	218	218	0372	082.1
Liebster Jesu, wir sind hier	3498b	0373	228	131	131	0373	133.1
				327	328
Lobet den Herren, denn er ist sehr ...	0975	0374	232	227	227	0374	135.1
Lobt Gott, ihr Christen, allzugleich	0198	0375	233	276	276	0375	127.1b
Lobt Gott, ihr Christen, allzugleich	0198	0376	234	341	342	0376	127.2
Machs mit mir, Gott, nach deiner Güt	2383	0377	237	044	044	0377	137.1
Mein Augen schließ ich jetzt	1067	0378	240	258	258	0378	138.1
Meinen Jesum laß ich nicht, Jesus ...	3448a	0379	241	151	151	0379	122.1
Meinen Jesum laß ich nicht, weil ...	3449	0380	242	298	299	0380	141.1b
Meines Lebens letzte Zeit	6380	0381	248	345	346	0381	142.1
Mit Fried und Freud ich fahr dahin	3986	0382	249	049	049	0382	144.1
Mitten wir im Leben sind	8502	0383	252	214	214	0383	145.1
Nicht so traurig, nicht so sehr	3355	0384	253	149	149	0384	146.1
Nun bitten wir den Heiligen Geist	2029	0385	254	036	036	0385	147.1
Nun danket alle Gott	5142	0386	257	032	032	0386; Leuthen Chorale	148.1
Nun freut euch, Gottes Kinder all	0364	0387	260	185	185	0387	106.1
Nun freut euch, lieben Christen g'mein	4427	0388	261	183	183	0388	149.1
Nun lob, mein Seel, den Herren	8244	0389	269	268	268	0389	153.1
Nun lob, mein Seel, den Herren	8244	0390	270	295	296	0390	153.2
Nun preiset alle Gottes Barmherzigkeit	4089a	0391	273	222	222	0391	154.1
Nun ruhen alle Wälder	2293b	0392	298	288	289	0392; ≈BWV 97/9	166.9c
O Welt, sieh hier dein Leben	2293b	0393	289	275	275	0393	166.1a/b
O Welt, sieh hier dein Leben	2293b	0394	290	365	366	0394	166.2
O Welt, sieh hier dein Leben	2293b	0395	291	362	363	0395	166.5c
Nun sich der Tag geendet hat [choralwiki]	0212b	0396	274	240	240	0396	155.1
O Ewigkeit, du Donnerwort	5820	0397	275	274	274	0397; ≈BWV 513: Notebook AMB II No. 42	156.1
O Gott, du frommer Gott	5206b	0398	277	311	312	0398; ≈BWV 197a/7	045.2b
O Gott, du frommer Gott	5148	0399	282	314	315	0399	157.1
O Herzensangst, o Bangigkeit	1003	0400	284	173	173	0400	160.1
O Lamm Gottes, unschuldig	4361a	0401	285	165	165	0401	162.1
O Mensch, bewein dein Sünde groß	8303	0402	286	201	201	0402	061.1
				305	306
O Mensch, schau Jesum Christum an	3994c	0403	287	203	203	0403	163.1
O Traurigkeit, o Herzeleid	1915	0404	288	060	057	0404	165.1b
O wie selig seid ihr doch, ihr Frommen	1583	0405	299	213	213	0405; ≈BWV 495: Schemelli No. 894 (65)	167.1
O wie selig seid ihr doch, ihr Frommen	1581	0406	300	219	219	0406	007.1
O wir armen Sünder	8187h	0407	301	202	202	0407	168.1
Schaut, ihr Sünder	8569(B)	0408	303	171	171	0408	094.1B
Seelenbräutigam	3255b	0409	306	141	141	0409	173.1
Sei gegrüßet, Jesu gütig	3889b	0410	307	172	172	0410; ≈BWV 499: Schemelli No. 293 (22)	174.1
Singt dem Herrn ein neues Lied	6424	0411	309	246	246	0411	175.1
So gibst du nun, mein Jesu, gute Nacht	0849	0412	310	206	206	0412; ≈BWV 501: Schemelli No. 315 (26)	177.1
Sollt ich meinem Gott nicht singen	7886b	0413	311	220	220	0413; ≈BWV 481: Schemelli No. 281 (18)	130.1
Uns ist ein Kindlein heut geborn	0493	0414	313	148	148	0414; ≈BWV 253	035.2
Valet will ich dir geben	5404a	0415	314	024	024	0415	180.1
Vater unser im Himmelreich	2561	0416	316	047	047	0416; =BWV 245/5 (first version)	181.4a
Von Gott will ich nicht lassen	5264b	0417	324	363	364	0417	185.1
Von Gott will ich nicht lassen	5264b	0418	325	331	332	0418	185.2
Von Gott will ich nicht lassen	5264b	0419	326	114	114	0419	185.3
Warum betrübst du dich, mein Herz	1689	0420	331	145	145	0420	189.2
Warum betrübst du dich, mein Herz	1689	0421	332	299	300	0421	189.1a/b
Warum sollt ich mich denn grämen	6461	0422	334	356	357	0422	190.1a/b
Was betrübst du dich, mein Herze	6830	0423	336	237	237	0423	191.1
Was bist du doch, o Seele, so betrübet	1837	0424	337	193	193	0424; ≈BWV 506: Schemelli No. 779 (55)	192.1
Was willst du dich, o meine Seele, kränken	7844	0425	349	241	241	0425	195.1
Weltlich Ehr und zeitlich Gut	4975	0426	351	211	211	0426	197.1
Wenn ich in Angst und Not	4233	0427	352	147	147	0427	200.1
Wenn mein Stündlein vorhanden ist	4482a,b	0428	353	321	322	0428	201.3
Wenn mein Stündlein vorhanden ist	4482a,b	0429	354	051	052	0429	201.1
Wenn mein Stündlein vorhanden ist	4482a,b	0430	355	350	351	0430	201.2
Wenn wir in höchsten Nöten sein	0394	0431	358	068	068	0431	203.1
Wenn wir in höchsten Nöten sein	0394	0432	359	247	247	0432	203.2
Wer Gott vertraut, hat wohl gebaut	8207b	0433	366	135	137	0433	204.1
Wer nur den lieben Gott läßt walten	2778	0434	367	146	146	0434	205.1
Wie bist du, Seele, in mir so gar betrübt	4092	0435	374	242	242	0435	207.1
Wie schön leuchtet der Morgenstern	8359	0436	375	278	278	0436	209.1
Wir glauben all an einen Gott, Schöpfer ...	7971	0437	382	133	133	0437	211.1
Wo Gott zum Haus nicht gibt sein Gunst	0305	0438	389	157	157	0438	213.1
Other chorale harmonisations	(Zahn)	441*–deest	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Auf, auf, mein Herz, mit Freuden	5243	0441*				0441; ≈BWV 441, Schemelli No. 320 (27)	018.1
Beschränkt, ihr Weisen dieser Welt	7765	0443*				≈BWV 443, Schemelli No. 689 (47)	265
Brunnquell aller Güter	6252b	0445*				≈BWV 445, Schemelli No. 335 (29)	247
Der Tag mit seinem Lichte	7512b	0448*				≈BWV 448, Schemelli No. 43 (4)	222
Dich bet ich an, mein höchster Gott	2437	0449*				≈BWV 449, Schemelli No. 396 (31)	249
Ich bin ja, Herr, in deiner Macht	5869a	0464*				≈BWV 464, Schemelli No. 861 (58)	276
Jesu, deine Liebeswunden	1302	0471*				≈BWV 471, Schemelli No. 139 (10)	228
Kommt, Seelen, dieser Tag	5185	0479*				≈BWV 479, Schemelli No. 936 (67)	285
Kommt wieder aus der finstern ...	4709	0480*				≈BWV 480, Schemelli No. 938 (68)	286
Mein Jesu! was vor Seelenweh	8383	0487*				≈BWV 487, Schemelli No. 283 (19)	237
Selig, wer an Jesum denkt	4846	0498*				≈BWV 498, Schemelli No. 292 (21)	239
So gehst du nun, mein Jesu, hin	7631b	0500*				≈BWV 500, Schemelli No. 296 (23)	241
So gehst du nun, mein Jesu, hin (1 v.)	7631b	0500a				0500a; Fr. St Mark Pass. past.; ≈BWV 500
Steh ich bei meinem Gott	5207	0503*				≈BWV 503, Schemelli No. 945 (69)	287
Christus, der uns selig macht (1 v.)	6283b	1084				1084; From St Mark Passion pasticcio	(D 5b/6)
Da Jesus an dem Kreuze stund	1706	1089				1089	109.1
Denket doch, ihr Menschenkinder		1122				1122	041.1
Wo Gott zum Haus nicht gibt sein Gunst	0305	1123				1123	213.2
Ich ruf zu dir, Herr Jesu Christ	7400	1124				1124	103.1
O Gott, du frommer Gott	5206b	1125				1125	045.1
Lobet Gott, unsern Herren	5393	1126				1126	136.1
Welt, ade! Ich bin dein müde (v. 1)	6531	Anh. 170	350	150	150	0027_6; =BWV 27/6; SSATB; Spurious[12]	196; —
O Traurigkeit, o Herzeleid (1 v.)	1915	deest				deest; From St Mark Passion pasticcio	—
Welt, tobe wie du willst	—	deest					198.1

More than 200 of Bach's over 400 homophonic chorale harmonisations survived in his larger vocal works.

Four-part chorales also appearing as cantata movements composed by Johann Sebastian Bach (verse incipits, and their translations by Pamela Dellal, from the Emmanuel Music website unless otherwise indicated):^[35] BWV 1/6: "Wie bin ich doch so herzlich froh" ("How happy I am", v. 7 of "Wie schön leuchtet der Morgenstern") • 2/6: "Das wollst du, Gott, bewahren rein" ("This, God, you would keep pure", v. 6 of Ach Gott, vom Himmel sieh darein") • 3/6: "Erhalt mein Herz im Glauben rein" ("If my heart remains pure in faith", v. 18 of "Ach Gott, wie manches Herzeleid") • 4/8 • 5/7 • 6/6 • 7/7 • 9/7 • 10/7 • 12/7 • 13/6 • 14/5 • 16/6 • 17/7 • 18/5 • 19/7 • 20/7=/11 • 22/5 • 24/6 • 25/6 • 26/6 • 28/6 • 29/8 • 30/6 • 31/9 • 32/6 • 33/6 • 36/4 and /8 • 37/6 • 38/6 • 39/7 • 40/3, /6 and /8 • 41/6 • 42/7 • 44/7 • 45/7 • 46/6 • 47/5 • 48/3 and /7 • 52/6 • 55/5 • 56/5 • 57/8 • 59/3 • 60/5 • 62/6 64. • 64/2, /4 and /8 • 65/2 and /7 • 66/6 • 67/4 and /7 • 69/6 • 69a/6 • 70/7 and /11 • 72/6 • 73/5 • 74/8 • 75/7=/14 • 76/7=/14 • 77/6 • 78/7 79. • 79/3 and /6 • 80/8 • 81/7 • 83/5 • 84/5 • 85/6 • 86/6 • 87/7 • 88/7 • 89/6 • 90/5 • 91/6 • 92/9 • 93/7 • 94/8 • 95/1 (extract: 282) and /7 • 96/6 • 97/9 • 99/6 • 100/6 • 101/7 • 102/7 • 103/6 • 104/6 • 105/6 • 107/7 • 108/6 • 110/7 • 111/6 • 112/5 • 113/1 and /8 • 114/7 • 115/6 • 116/6 • 117/4=/9 • 119/9 • 120/6 • 120a/8 • 121/6 • 122/6 • 123/6 • 124/6 • 125/6 • 126/6 • 127/5 • 128/5 • 129/5 • 130/6 • 133/6 • 135/6 • 136/6 • 137/5 • 139/6 • 140/7 • 144/3 and /6 • 145/a and /5 • 146/8 • 147/6=/10 • 148/6 • 149/7 • 151/5 153. • 153/1, /5 and /9 • 154/3 and /8 • 155/5 • 156/6 • 157/5 • 158/4 • 159/5 • 161/6 • 162/6 • 164/6 • 165/6 • 166/6 • 167/5 • 168/6 • 169/7 • 171/6 • 172/6 • 174/5 • 175/7 • 176/6 • 177/5 • 178/7 • 179/6 • 180/7 • 183/5 • 184/5 • 185/6 • 187/7 • 188/6 • 190/7 • 194/6 and /12 • 195/6 • 197/5 and /10 • 197a/7 (≈398)

Spurious chorale harmonisations in Bach's autographs: BWV 8/6 • 27/6 (=Anh. 170) • 43/11

Chorale harmonisations from spurious or doubtful cantatas (or: cantata versions) in the Richter/Kalmus collection of 389 chorale harmonisations: No. 130: BWV Anh. 31: "Herr Gott, dich loben alle wir" [scores] from a doubtful version of BWV 130^[36] • No. 219: BWV 218/5 = TWV 1:634/5: "Komm, Gott Schöpfer, Heiliger Geist", by Telemann • No. 387: BWV 219/5 = TWV 1:1328/5: "Wo Gott der Herr nicht bei uns hält", by Telemann

Chorale harmonisations appearing in Bach's motets: BWV 226/2 • 227/1=/11, /3 (SSATB) and /7 • 229/2

Four-part chorales appearing in the St Matthew Passion: BWV 244/3, /10, /15≈/17, /25, /32, /37, /40, /44, /46, /54 and /62 • 244b/29

Four-part chorales appearing in the St John Passion: BWV 245/3, /5 (=BWV 416), /11, /14, /15, /17, /22, /26, /28, /37 and /40

For his own performances of the Jesus Christus ist um unsrer Missetat willen verwundet Passion Bach composed and/or reworked a few of its chorales: No. 9b: "So gehst du nun, mein Jesu" (BWV 500a)^[37] • No. 14: "O hilf Christe, Gottes Sohn" (BWV 1084)^[38] • No. 29: "O Traurigkeit, o Herzeleid" (BWV deest)^[39]

Four-part chorale appearing in the Ascension Oratorio: BWV 11/6

Four-part chorales in Bach's Christmas Oratorio, BWV 248: Part I/5 and /9 • II/3, /8 and /14 • III/5, /10 and /12 • IV/7 • V/4 and /11 • VI/6 and /11

Somewhat less than 200 of Bach's chorale harmonisations only survived in early collections containing multiple, usually short, works.

The Bach Gesellschaft published 185 four-part chorales in the 39th volume of its complete Bach-edition. The BWV 253–438 range, which, in its original collation, was based on the BGA publication does however contain 186 chorales. The difference is that BWV 279, (near-)identical to BWV 158/4, was not retained in the BGA set:

• BGA No. 26 → "Christ lag in Todesbanden", BWV 278
• not in BGA Vol. 39: "Christ lag in Todesbanden", BWV 279 (≈BWV 158/4, in BGA Vol. 32)
• BGA No. 27 → "Christ unser Herr zum Jordan kam", BWV 280

Legend to the table

column		content
01	BWV	Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows: preceded by I: in Anh. I (lost works) of BWV1 (1950 first edition of the BWV) preceded by II: in Anh. II (doubtful works) of BWV1 preceded by III: in Anh. III (spurious works) of BWV1 preceded by N: new Anh. numbers in BWV2 (1990) and/or BWV2a (1998)
02	2a	Section in which the composition appears in BWV2a: Chapters of the main catalogue indicated by Arabic numerals (1-13) Anh. sections indicated by Roman numerals (I–III) Reconstructions published in the NBE indicated by "R"
03	Date	Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher.
04	Name	Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
05	Key	Key of the composition
06	Scoring	See scoring table below for the abbreviations used in this column
07	BG	Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[40]
08	NBE	New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[41] Cantatas (Vol. 1–34: church cantatas grouped by occasion; Vol. 35–40: secular cantatas; Vol. 41: Varia) Masses, Passions, Oratorios (12 volumes) Motets, Chorales, Lieder (4 volumes) Organ Works (11 volumes) Keyboard and Lute Works (14 volumes) Chamber Music (5 volumes) Orchestral Works (7 volumes) Canons, Musical Offering, Art of Fugue (3 volumes) Addenda (approximately 7 volumes)
09	Additional info	may include: "after" – indicating a model for the composition "by" – indicating the composer of the composition (if different from Johann Sebastian Bach) "in" – indicating the oldest known source for the composition "pasticcio" – indicating a composition with parts of different origin "see" – composition renumbered in a later edition of the BWV "text" – by text author, or, in source Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes.
10	BD	Bach Digital Work page

Legend for abbreviations in "Scoring" column

Voices (see also SATB)
a	A	b	B	s	S	t	T	v			V
alto (solo part)	alto (choir part)	bass (solo part)	bass (choir part)	soprano (solo part)	soprano (choir part)	tenor (solo part)	tenor (choir part)	voice (includes parts for unspecified voices or instruments as in some canons)			vocal music for unspecified voice type
Winds and battery (bold = soloist)
Bas	Bel	Cnt	Fl	Hn	Ob	Oba	Odc	Tai	Tbn	Tdt	Tmp	Tr
bassoon (can be part of Bc, see below)	bell(s) (musical bells)	cornett, cornettino	flute (traverso, flauto dolce, piccolo, flauto basso)	natural horn, corno da caccia, corno da tirarsi, lituo	oboe	oboe d'amore	oboe da caccia	taille	trombone	tromba da tirarsi	timpani	tromba (natural trumpet, clarino trumpet)
Strings and keyboard (bold = soloist)
Bc		Hc	Kb	Lu	Lw	Org	Str	Va	Vc	Vdg	Vl	Vne
basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu		harpsichord	keyboard (Hc, Lw, Org or clavichord)	lute, theorbo	Lautenwerck (lute-harpsichord)	organ (/man. = manualiter, without pedals)	strings: Vl I, Vl II and Va	viola(s), viola d'amore, violetta	violoncello, violoncello piccolo	viola da gamba	violin(s), violino piccolo	violone, violone grosso

186 four-part chorales in BGA Vol. 39, BWV 253–438

BWV	2a	Date	Name	Key	Scoring	BG	NBE	Additional info	BD
253	5.	1750 or earlier	chorale setting "Ach bleib bei uns, Herr Jesu Christ"	A maj.	SATB	39: 177	III/2.2: 101	after Z 439; text by Calvisius; ↔ BWV 414	00323
254	5.	1750 or earlier	chorale setting "Ach Gott, erhör mein Seufzen"	D Dor.	SATB	39: 177	III/2.2: 105	after Z 1831a; text by Schechs [wikisource:de]	00324
255	5.	1750 or earlier	chorale setting "Ach Gott und Herr"	C maj.	SATB	39: 178	III/2.2: 24	after Z 4441a; text by Rutilius [de]	00325
256	5.	1750 or earlier	chorale setting "Ach lieben Christen, seid getrost"	A min.	SATB	39: 178	III/2.2: 19	after Z 4441a; text by Gigas	00326
259	5.	1750 or earlier	chorale setting "Ach, was soll ich Sünder machen"	E min.	SATB	39: 179	III/2.2: 23	after Z 3573b; text by Flittner [de]	00329
260	5.	c. 1735 or earlier	chorale setting "Allein Gott in der Höh sei Ehr"	G maj.	SATB	39: 180	III/2.1: 9 III/2.2: 147	after Z 4457; text by Decius after Gloria	00330
261	5.	1750 or earlier	chorale setting "Allein zu dir, Herr Jesu Christ"	B min.	SATB	39: 180	III/2.2: 206	after Z 7292b; text by Hubert	00331
262	5.	1750 or earlier	chorale setting "Alle Menschen müssen sterben"	D maj.	SATB	39: 181	III/2.2: 88	after Pachelbel; text by Albinus, Rosenmüller	00332
263	5.	1750 or earlier	chorale setting "Alles ist an Gottes Segen"	G maj.	SATB	39: 181	III/2.2: 72	after Z 3842f	00333
264	5.	1750 or earlier	chorale setting "Als der gütige Gott"	G maj.	SATB	39: 182	III/2.2: 91	after Z 1646; text by Weiße	00334
265	5.	1750 or earlier	chorale setting "Als Jesus Christus in der Nacht"	D Dor.	SATB	39: 182	III/2.2: 102	after Z 258; text by Heermann	00335
266	5.	1750 or earlier	chorale setting "Als vierzig Tag nach Ostern warn"	E min.	SATB	39: 182	III/2.2: 120	after Z 1743; text by Herman	00336
267	5.	c. 1735 or earlier	chorale setting "An Wasserflüssen Babylon"	G maj.	SATB	39: 183	III/2.2: 4	after Z 7663; text by Dachstein	00337
				A♭ Maj.			III/2.1: 98
			chorale setting "Ein Lämmlein geht und trägt	G maj.		39: 183		after Z 7663; text by Gerhardt
				A♭ Maj.			III/2.2: 180
268	5.	1750 or earlier	chorale setting "Auf, auf, mein Herz"	G maj.	SATB	39: 184	III/2.2: 70	after Z 824; text by Birken	00338
269	5.	1750 or earlier	chorale setting "Aus meines Herzens Grunde"	G maj.	SATB	39: 184	III/2.2: 2	after Z 5269; text by Niege [de]	00339
270	5.	c. 1735 or earlier	chorale setting "Befiehl du deine Wege"	B min.	SATB	39: 185	III/2.1: 47 III/2.2: 170	after Z 5385a; text by Gerhardt	00340
271	5.	c. 1735 or earlier	chorale setting "Befiehl du deine Wege"	B min.	SATB	39: 185	III/2.1: 97 III/2.2: 210	after Z 5385a; text by Gerhardt	00341
272	5.	1730–1761	chorale setting "Befiehl du deine Wege"	D min.	SATB	39: 186	III/2.2: 196	by Bach, C. P. E.?; after Z 5393; text by Gerhardt	00342
273	5.	1750 or earlier	chorale setting "Christ, der du bist der helle Tag"	G min.	SATB	39: 186	III/2.2: 136	after Z 384; text by Alberus	00343
274	5.	1750 or earlier	chorale setting "Christe, der du bist Tag und Licht"	G min.	SATB	39: 187	III/2.2: 145	after Z 343; text by Musculus after "Christe qui lux es"	00344
275	5.	1750 or earlier	chorale setting "Christe, du Beistand"	D Dor.	SATB	39: 187	III/2.2: 122	after Z 993; text by Löwenstern	00345
276	5.	1750 or earlier	chorale setting "Christ ist erstanden"	D Dor.	SATB	39: 188	III/2.2: 110	after Z 8584; text: "Christ ist erstanden"	00346
277	5.	1750 or earlier	chorale setting "Christ lag in Todesbanden"	D Dor.	SATB	39: 189	III/2.2: 11	after Z 7012a; text by Luther	00347
278	5.	c. 1735 or earlier	chorale setting "Christ lag in Todesbanden"	E min.	SATB	39: 190	III/2.1: 92 III/2.2: 212	after Z 7012a; text by Luther	00348
279	5.	c. 1725–1735	chorale setting "Christ lag in Todesbanden"	E min.	SATB	32: 154	III/2.1: 24 III/2.2: 155	after Z 7012a; text by Luther; ↔ BWV 158/4	00349
280	5.	1750 or earlier	chorale setting "Christ unser Herr zum Jordan kam"	D Dor.	SATB	39: 190	III/2.2: 36	after Z 7246; text by Luther	00350
281	5.	1750 or earlier	chorale setting "Christus, der ist mein Leben"	F maj.	SATB	39: 191	III/2.2: 6	after Z 132, Neu Leipziger GB, p 942[42]	00351
282	5.	1750 or earlier	chorale setting "Christus, der ist mein Leben"	G maj.	SATB	39: 191	III/2.2: 184	after BWV 95/1	00352
283	5.	1750 or earlier	chorale setting "Christus, der uns selig macht"	A min.	SATB	39: 192	III/2.2: 112	after Z 6283a; text by Weiße after "Patris sapientia"	00353
284	5.	1750 or earlier	chorale setting "Christus ist erstanden, hat überwunden"	C maj.	SATB	39: 192	III/2.2: 113	after Z 6240b; text by Weiße	00354
285	5.	1750 or earlier	chorale setting "Da der Herr Christ zu Tische saß"	C min.	SATB	39: 193	III/2.2: 110	after Z 2503; text by Herman	00355
286	5.	1750 or earlier	chorale setting "Danket dem Herrn, denn er ist"	A min.	SATB	39: 193	III/2.2: 134	after Z 12; text by Horn [de]	00356
287	5.	1750 or earlier	chorale setting "Dank sei Gott in der Höhe"	F maj.	SATB	39: 194	III/2.2: 182	after Z 5391; text by Mühlmann [de]	00357
288	5.	c. 1735 or earlier	chorale setting "Das alte Jahr vergangen ist"	D Dor.	SATB	39: 194	III/2.1: 11 III/2.2: 93	after Z 381; text by Steuerlein [de]	00358
289	5.	1750 or earlier	chorale setting "Das alte Jahr vergangen ist"	E min.	SATB	39: 194	III/2.2: 183	after Z 381; text by Steuerlein [de]	00359
290	5.	1750 or earlier	chorale setting "Das walt Gott Vater und Gott Sohn"	F maj.	SATB	39: 195	III/2.2: 132	after Z 673; text by Behm	00360
291	5.	1750 or earlier	chorale setting "Das walt mein Gott"	D min.	SATB	39: 195	III/2.2: 42	after Z 4217; text by Förtsch [wikisource:de]?	00361
292	5.	1750 or earlier	chorale setting "Den Vater dort oben"	C maj.	SATB	39: 196	III/2.2: 141	after Z 4795; text by Weiße	00362
293	5.	1750 or earlier	chorale setting "Der du bist drei in Einigkeit"	D Dor.	SATB	39: 196	III/2.2: 89	after Z 335e; text by Luther after "O lux beata Trinitas"	00363
294	5.	1750 or earlier	chorale setting "Der Tag, der ist so freudenreich"	G maj.	SATB	39: 197	III/2.2: 90	after Z 7870; text after "Dies est laetitiae"	00364
295	5.	1750 or earlier	chorale setting "Des Heilgen Geistes reiche Gnad"	D min.	SATB	39: 197	III/2.2: 120	after Z 370b; text by Gesius after "Spiritus Sancti gratia"	00365
296	5.	1750 or earlier	chorale setting "Die Nacht ist kommen"	G Mix.	SATB	39: 198	III/2.2: 136	after Z 5001; text by Herbert [de]	00366
297	5.	1750 or earlier	chorale setting "Die Sonn hat sich mit ihrem Glanz gewendet"	D Dor.	SATB	39: 198	III/2.2: 137	after Z 923; text by Stegmann [de]; ↔ BWV 447	00367
298	5.	1750 or earlier	chorale setting "Dies sind die heilgen zehn Gebot"	C maj.	SATB	39: 198	III/2.2: 72	after Z 1951; text by Luther	00368
299 [2]	5.	1725–1735	chorale setting "Dir, dir, Jehova, will ich singen"	B♭ maj.	SATB	39: 199	III/2.1: 11 III/2.2: 121	↔ Z 3068; text by Crasselius; → BWV 452	00369
299 [1]			Notebook A. M. Bach (1725) No. 39: chorale setting "Dir, dir, Jehova, will ich singen"		S(AT)B (V Bc)	432: 50	V/4: 126		11543
300	5.	1750 or earlier	chorale setting "Du großer Schmerzensmann"	E min.	SATB	39: 199	III/2.2: 94	after Z 5159a; text by Thebesius [de]	00370
301	5.	1750 or earlier	chorale setting "Du, o schönes Weltgebäude"	D min.	SATB	39: 200	III/2.2: 80	after Z 6773; text by Franck, J.	00371
302	5.	c. 1735 or earlier	chorale setting "Ein feste Burg ist unser Gott"	D maj.	SATB	39: 200	III/2.1: 48 III/2.2: 14	after Z 7377; text by Luther after Ps. 46	00372
303	5.	c. 1735 or earlier	chorale setting "Ein feste Burg ist unser Gott"	D maj.	SATB	39: 201	III/2.1: 10 III/2.2: 148	after Z 7377; text by Luther after Ps. 46	00373
304	5.	c. 1735 or earlier	chorale setting "Eins ist not, ach Herr, dies Eine"	D maj.	SATB	39: 201	III/2.1: 36 III/2.2: 166	after Z 7127; text by Schröder	00374
305	5.	1750 or earlier	chorale setting "Erbarm dich mein, o Herre Gott"	A min.	SATB	39: 202	III/2.2: 20	after Z 5851; text by Hegenwald after Ps. 51	00375
306	5.	1750 or earlier	chorale setting "Erstanden ist der heilig Christ"	F maj.	SATB	39: 202	III/2.2: 100	after Z 288; text after "Surrexit Christus hodie"	00376
307	5.	c. 1735 or earlier	chorale setting "Es ist gewisslich an der Zeit"	B♭ maj.	SATB	39: 203	III/2.1: 22 III/2.2: 155	after Z 4429a; text by Ringwaldt	00377
308	5.	1750 or earlier	chorale setting "Es spricht der Unweisen Mund wohl"	B♭ maj.	SATB	39: 204	III/2.2: 17	after Z 4436; text by Luther after Ps. 14	00378
309	5.	1750 or earlier	chorale setting "Es stehn vor Gottes Throne"	G Dor.	SATB	39: 204	III/2.2: 95	after Z 4298; text by Helmbold	00379
310	5.	1750 or earlier	chorale setting "Es wird schier der letzte Tag herkommen"	E min.	SATB	39: 205	III/2.2: 140	after Z 1423; text by Weiße	00380
311	5.	1750 or earlier	chorale setting "Es woll uns Gott gnädig sein"	B min.	SATB	39: 205	III/2.2: 12	after Z 7247; text by Luther after Ps. 67	00381
312	5.	c. 1735 or earlier	chorale setting "Es woll uns Gott gnädig sein"	A min.	SATB	39: 206	III/2.1: 70 III/2.2: 202	after Z 7247; text by Luther after Ps. 67	00382
327	5.	1750 or earlier	chorale setting "Vor deinen Thron tret ich hiermit"	D maj.	SATB	39: 213	III/2.2: 193	after Z 368; text by Hodenberg?	00397
313	5.	1750 or earlier	chorale setting "Für Freuden lasst uns springen"	G min.	SATB	39: 206	III/2.2: 93	after Z 2339; text by Peltsch [fr]	00383
314	5.	c. 1735 or earlier	chorale setting "Gelobt seist du, Jesu Christ"	D maj.	SATB	39: 207	III/2.1: 48 III/2.2: 171	after Z 1947; text by Luther	00384
315	5.	c. 1735 or earlier	chorale setting "Gib dich zufrieden und sei stille"	E min.	SATB	39: 207	III/2.1: 38 III/2.2: 161	after BWV 511; text by Gerhardt; ↔ BWV 512, Z 7417a	00385
316	5.	1750 or earlier	chorale setting "Gott, der du selber bist das Licht"	G min.	SATB	39: 208	III/2.2: 133	after Z 5814; text by Rist	00386
317	5.	1750 or earlier	chorale setting "Gott der Vater wohn uns bei"	D maj.	SATB	39: 208	III/2.2: 78	after Z 8507; text by Luther	00387
318	5.	1750 or earlier	chorale setting "Gottes Sohn ist kommen"	G maj.	SATB	39: 209	III/2.2: 13	after Z 3294; text by Horn [de]	00388
				F maj.			III/2.2: 214
319	5.	1750 or earlier	chorale setting "Gott hat das Evangelium"	E min.	SATB	39: 209	III/2.2: 102	after Z 1788; text by Alberus	00389
320	5.	1750 or earlier	chorale setting "Gott lebet noch"	F maj.	SATB	39: 210	III/2.2: 138	after Z 7951; text by Zihn [de]; ↔ BWV 461	00390
321	5.	1750 or earlier	chorale setting "Gottlob, es geht nunmehr zum Ende"	B♭ maj.	SATB	39: 210	III/2.2: 108	after Z 2853; → Z 2855; text by Luther	00391
322	5.	1750 or earlier	chorale setting "Gott sei gelobet und gebenedeiet"	C maj.	SATB	39: 211	III/2.2: 39	after Z 8078; text by Luther	00392
323	5.	1750 or earlier	chorale setting "Gott sei uns gnädig und barmherzig"	F♯ min.	SATB	39: 212	III/2.2: 186	after German Magnificat; text after Ps. 67	00393
325	5.	1750 or earlier	chorale setting "Heilig, heilig, heilig"	F maj.	SATB	39: 212	III/2.2: 138	after Z 8633a; text after Sanctus; ↔ Z 8634