File:Sandeep Mukherjee Mutual Entanglements 2015.jpg
Sandeep_Mukherjee_Mutual_Entanglements_2015.jpg (541 × 184 pixels, file size: 80 KB, MIME type: image/jpeg)
Summary
[edit]This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. | |
Description | Painting installation by Sandeep Mukherjee, Mutual Entanglements (acrylic on duralene, 7' x 50', 2015). The image illustrates a middle period and body of Sandeep Mukherjee's work in the mid-2000s: his process-oriented abstractions that suggest natural and geological phenomena, cosmological events and topographic maps. In this example, an enveloping, 7' x 50', two-wall mural, the sprayed and dragged brown, green, purple and indigo colors and organic abstraction suggested a lush tropical jungle. The mural was unusual in that its construction and orientation was indeterminate and fluid, with panels that could be installed in any direction or order and yet retain cohesion, despite the lack of a repeating pattern. This series of work has been publicly exhibited in prominent venues, discussed widely in national art and daily press publications, and collected by major art institutions. |
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Source | Artist Sandeep Mukherjee. Copyright held by the artist. |
Article | |
Portion used | Entire artwork |
Low resolution? | Yes |
Purpose of use | The image serves an informational and educational purpose as the primary means of illustrating a middle period and body of work in Sandeep Mukherjee's career in the 2010s, when he continued to work abstractly, often created large-scale, multi-panel mural-like works that took on an architectural aspect by traversing walls, turning corners and interacting with the light of their spaces. These process-oriented abstractions were created through multiple applications reworked in spontaneous, rhythmic gestures with a range of tools including brushes, concrete brooms, carved rolls, sponges and Q-tips, among others. Critics likened them to botanic forms, such as tropical jungles or to microscopic and cosmological forms. Because the article is about an artist and his work, the omission of the image would significantly limit a reader's understanding and ability to visualize a key development in his art, which brought ongoing recognition from art journals, daily press publications, and eventually museums. Mukherjee's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article. |
Replaceable? | There is no free equivalent of this or any other of this series by Sandeep Mukherjee, so the image cannot be replaced by a free image. |
Other information | The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
Fair useFair use of copyrighted material in the context of Sandeep Mukherjee//en.wikipedia.org/wiki/File:Sandeep_Mukherjee_Mutual_Entanglements_2015.jpgtrue |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 21:51, 8 April 2021 | 541 × 184 (80 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Sandeep Mukherjee | Description = Painting installation by Sandeep Mukherjee, ''Mutual Entanglements'' (acrylic on duralene, 7' x 50', 2015). The image illustrates a middle period and body of Sandeep Mukherjee's work in the mid-2000s: his process-oriented abstractions that suggest natural and geological phenomena, cosmological events and topographic maps. In this example, an enveloping, 7' x 50',... |
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