List of compositions by Johann Sebastian Bach

Lists of
Compositions by Johann Sebastian Bach
BWV Cantatas (sacred – secular) Motets Masses, Passions and Oratorios Chorale harmonisations Songs and arias Organ compositions Keyboard and lute compositions Chamber music Orchestral works Fugal works Transcriptions Printed during the composer's lifetime Lost, doubtful and spurious
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Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra.

There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work.^[1] The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which had been published in the second half of the 18th century), followed by a rough overview of the unpublished ones.^[2] In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)

In the 2nd half of the 19th century the Bach-Gesellschaft (BG) published all Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA).^[3] This offered a unique identification of all Bach's known works, a system that was quickly adopted, for instance, by the biographers: Philipp Spitta used it complementarily to the Peters edition's numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.^[4]

Despite this, there was still much confusion. Some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's, giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions).

In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by the Neue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version of O Jesu Christ, meins Lebens Licht was published in NBG XVII¹ in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).^[4]

In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. BG cantata number = BWV number of the cantata):^[5]

1. Kantaten (Cantatas), BWV 1–224
2. Motetten (Motets), BWV 225–231
3. Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
4. Passionen, Oratorien (Passions, Oratorios), BWV 244–249
5. Vierstimmige Choräle (Four-part chorales), BWV 250–438
6. Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
7. Werke für Orgel (Works for organ), BWV 525–771
8. Werke für Klavier (Keyboard compositions), BWV 772–994
9. Werke für Laute (Lute compositions), BWV 995–1000
10. Kammermusik (Chamber music), BWV 1001–1040
11. Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
12. Kanons (Canons), BWV 1072–1078
13. Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080

For instance, the Prelude and Fugue in E-flat major now became BWV 552, situated in the range of the works for organ. In contrast to other catalogues such as the Köchel catalogue for Mozart's compositions there is no attempt at chronological organization in the BWV numbering, for instance BWV 992 is an early composition by Bach. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 = BWV 225).^[6]

Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instance Clavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).

The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:

• I – lost works, or works of which only a tiny fraction had survived (Anh. 1–23)
• II – works of dubious authenticity (Anh. 24–155)
• III – works that were once attributed to Bach, but for which it had been established they were not composed by him (Anh. 156–189)

Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.

Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example, BWV 11, formerly listed as a Cantata, was moved to the fourth chapter of the main catalogue as an Oratorio. Rather than renumbering a composition, an arrow indicated where the composition was inserted: "BWV 11/249b→" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly, BWV 1083/243a→ meant BWV 1083, inserted after BWV 243a (3rd chapter). Also authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "Anh. II 114/Anh. III 183→ indicating it was now considered a spurious work.^[7]

In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV^2a, contained a few further updates and collation rearrangements.^[8]

New additions (Nachträge) to BWV²/BWV^2a included:

• BWV 1081–1126
• BWV Anh. 190–213

A few exceptions to the principle that compositions were not renumbered were when a composition from the Anhang could be recovered or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV²) → BWV 1121 (BWV^2a, where it is in section 7 as a work for organ).^[9]

Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:

• BWV 243a: 1723 E♭ major version of the 1733 Magnificat in D major BWV 243
• BWV 1071 renumbered to BWV 1046a (early version of the first Brandenburg Concerto)
• BWV Anh. 198 renumbered to BWV 149/1a (earlier abandoned version of the opening movement of Cantata BWV 149)

Some versions were completely removed from the catalogue, e.g. BWV 655b and c.

Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232^IV/4 (BWV 232, fourth movement of Part IV).

Numbers above BWV 1126 were added in the 21st century.

An upper case R added to a BWV number indicates a reconstructed version, that is a conjectured earlier version of a known composition. One of such reconstructions, the Concerto for oboe and violin, as published in NBA VII/7 (Supplement) p. 75, based on the double harpsichord concerto BWV 1060, is known as BWV 1060R.

As of mid-2018 the Bach digital website started to implement the new numbers of the 3rd edition of the Bach-Werke-Verzeichnis, which has been announced for publication in 2020.^[10] For example, the Leipzig version of the Christ lag in Todes Banden cantata used to be BWV 4 in previous versions of the catalogue, and, in BWV³, has become BWV 4.2.^[11]

In the meantime, the New Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,^[12][13] offering a new system to refer to Bach's works, e.g. NBA IV/4: 2, 105, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.

Some years after the completion of the NBA in 2007 its publisher Bärenreiter joined with the Bach Archive again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of the Mass in B minor, appearing in 2010.^[14]

The Bach Compendium (BC), a catalogue covering Bach's vocal works was published in 1985.^[15] Occasionally works that have no BWV number can be identified by their BC number, e.g. BC C 8 for "Der Gerechte kömmt um" an arrangement attributed to Bach on stylistic grounds, however unmentioned in the BWV.^[16]

Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach or which he (had) copied for performance usually have a BNB number.^[17]

The Berlin State Library (Staatsbibliothek zu Berlin = SBB) holds an important collection of composition manuscripts relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instance BWV 525a = SBB St 345, or according to the abbreviations used at the Bach-digital website D-B Mus. ms. Bach St 345.

Apart from indicating his first published keyboard composition as Opus 1, Bach did not use opus numbers. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.

Listing Bach's works according to their time of composition cannot be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.^[18] This list was published in 1982 as Guide pratique des cantates de Bach in Paris, ISBN 2-221-00749-2. A revised edition was published in 2005 (ISBN 2747598888).

Various catalogues with works by other composers have intersections with collections of works associated with Bach:^[19]

BR-WFB (or) BR

Bach-Repertorium numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = BR A49

Other BRs:

• BR-CPEB: works by Carl Philipp Emanuel Bach (for this composer Helm or Wotquenne numbers are however more often used)
• BR-JCFB: works by Johann Christoph Friedrich Bach

Fk (or) F

Falck catalogue numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = F 25/2

H

Helm numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = H 569

HWV

Works by George Frideric Handel, e.g. BWV Anh. 106 = HWV 605

TWV

Compositions by Georg Philipp Telemann, e.g. BWV 824 = TWV 32:14

Warb (or) W

Warburton numbers for works by Johann Christian Bach, e.g. BWV Anh. II 131 = W A22 (or: Warb A 22)

Wq

Wotquenne numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = Wq 145

There are over 1500 works that feature in a catalogue of works by Bach, like the Bach-Werke-Verzeichnis, or in a collection of works associated with Bach (e.g. in one of the Notebooks for Anna Magdalena Bach). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by himself or another composer.

Legend to the table

column		content
01	BWV	Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows: preceded by I: in Anh. I (lost works) of BWV1 (1950 first edition of the BWV) preceded by II: in Anh. II (doubtful works) of BWV1 preceded by III: in Anh. III (spurious works) of BWV1 preceded by N: new Anh. numbers in BWV2 (1990) and/or BWV2a (1998)
02	2a	Section in which the composition appears in BWV2a: Chapters of the main catalogue indicated by Arabic numerals (1-13) Anh. sections indicated by Roman numerals (I–III) Reconstructions published in the NBE indicated by "R"
03	Date	Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher.
04	Name	Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
05	Key	Key of the composition
06	Scoring	See scoring table below for the abbreviations used in this column
07	BG	Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[3]
08	NBE	New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[13] Cantatas (Vol. 1–34: church cantatas grouped by occasion; Vol. 35–40: secular cantatas; Vol. 41: Varia) Masses, Passions, Oratorios (12 volumes) Motets, Chorales, Lieder (4 volumes) Organ Works (11 volumes) Keyboard and Lute Works (14 volumes) Chamber Music (5 volumes) Orchestral Works (7 volumes) Canons, Musical Offering, Art of Fugue (3 volumes) Addenda (approximately 7 volumes)
09	Additional info	may include: "after" – indicating a model for the composition "by" – indicating the composer of the composition (if different from Johann Sebastian Bach) "in" – indicating the oldest known source for the composition "pasticcio" – indicating a composition with parts of different origin "see" – composition renumbered in a later edition of the BWV "text" – by text author, or, in source Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes.
10	BD	Bach Digital Work page

Background colours

Colour	Meaning
green	extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellow	extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol)
orange-brown	extant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member

Table sections (collated as in BWV^2a for BWV 1–1126 and Anhang)

BWV (original ranges in parentheses)
1. Cantatas (1–224) • 2. Motets (225–231) • 3. Masses, Mass movements, Magnificat (232–243) • 4. Passions, Oratorios (244–249) • 5. Four-part chorales (250–438) • 6. Songs, Arias and Quodlibet (439–524) • 7. Works for organ (525–771) • 8. Keyboard compositions (772–994) • 9. Lute compositions (995–1000) • 10. Chamber music (1001–1040) • 11. Works for orchestra (1041–1071) • 12. Canons (1072–1078) • 13. Musical Offering, The Art of Fugue (1079–1080) • Later additions (1081–...) • Reconstructions
BWV Anhang (Appendix)
I: Lost/fragmentary (1–23) • II: Doubtful (24–155) • III: Spurious (156–189) • N: Nachträge (New additions, 190–213)
Not in BWV (BWV deest)
Sorted by BC, BGA, BNB, NBA, etc.

Collections

Without resorting the table (i.e. collection kept together in BWV2a)
Cello Suites BWV 1007–1012 • Christmas Oratorio, BWV 248 • Clavier-Übung IV = Goldberg Variations BWV 988 • Inventions BWV 772–786 • Sinfonias BWV 787–801 • Sonatas and partitas for solo violin BWV 1001–1006
Using the sort function (not available in all browsers)
Cantatas by function (Advent I → Trinity XXVII; other Feasts, celebrations and church services; Secular cantatas): sort by NBA → I/1 Clavier-Übung I (1731): sort by NBA → V/1 Clavier-Übung II (1735): sort by NBA → V/2 Clavier-Übung III (1739): sort by NBA → IV/4 Kirnberger collection of chorale preludes: sort by BWV → BWV 690 Klavierbüchlein für Wilhelm Friedemann Bach (1720): sort by NBA → V/5 Twelve Little Preludes: sort by BG → 36: 118 Neumeister Chorales by J. S. Bach (without BWV 601, 639, 719, 723, 737 and 751): sort by NBA → IV/9 Notebook for Anna Magdalena Bach (1722): sort by Name → Notebook A. M. Bach (1722) Notebook for Anna Magdalena Bach (1725): sort by Name → Notebook A. M. Bach (1725) Vivaldi arrangements: sort by Additional info → after Vivaldi The Well-Tempered Clavier book I (1722): sort by BG → Vol. 14 The Well-Tempered Clavier book II (1739–1742): sort by NBA → V/6.2 The Well-Tempered Clavier book II (1744): sort by BG → 14: 91

Works in Bach's catalogues and collections

BWV	2a	Date	Name	Key	Scoring	BG	NBE	Additional info	BD
1.	Cantatas (see also: List of Bach cantatas, Church cantata (Bach) and List of secular cantatas by Johann Sebastian Bach)								Up ↑
1	1.	1725-03-25	Cantata Wie schön leuchtet der Morgenstern (Annunciation)	F maj.	stbSATB 2Hn 2Odc 2Vl Str Bc	1: 1	I/28.2: 3	after Z 8359; text after Nicolai	00001
2	1.	1724-06-18	Cantata Ach Gott, vom Himmel sieh darein (Trinity II)	G min.	atbSATB 4Tbn 2Ob Str Bc	1: 53	I/16: 81	after Z 4431; text after Luther	00002
2/6			chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6)	G Dor.	SATB	1: 72	III/2.1: 25 III/2.2: 156	after Z 4431; text by Luther	11189
3	1.	1725-01-14	Cantata Ach Gott, wie manches Herzeleid (Epiphany II)	A maj.	satbSATB Hn Tbn 2Oba Str Bc	1: 73	I/5: 189	after Z 533a; text after Moller	00003
3/6			chorale setting "Ach Gott, wie manches Herzeleid" (s. 18)		SATB	1: 94	III/2.1: 26 III/2.2: 90	after Z 533a; text by Moller	11191
4.2	1.	1724-04-09	Cantata Christ lag in Todes Banden (Easter)	E min.	satbSATB Cnt 3Tbn Str Bc	1: 95	I/9: 1	after BWV 4.1; text by Luther	00004
4/8			chorale setting "Christ lag in Todes Banden" (s. 7)	E min. D min.	SATB	1: 124	III/2.2: 104	after Z 7012a; text by Luther	11295
4.1	1.	1707-04-24	Cantata Christ lag in Todes Banden (Easter; early version, lost)		satbSATB 2Vl 2Va Bc		I/9	after Z 7012a; → BWV 4.2; text by Luther	00005
5	1.	1724-10-15	Cantata Wo soll ich fliehen hin (Trinity XIX)	G min.	satbSATB Tdt 2Ob Str Bc	1: 125	I/24: 133	after Z 2164; text after Heermann	00006
5/7			chorale setting "Wo soll ich fliehen hin" (s. 11)		SATB	1: 150	III/2.1: 66 III/2.2: 180	after Z 2164; text by Heermann	11232
			chorale setting "Auf meinen lieben Gott"					after Z 2164
6	1.	1725-04-02	Cantata Bleib bei uns, denn es will Abend werden (Easter 2)	C min.	satbSATB 2Ob Odc Str Vc Bc	1: 151	I/10: 43	after Z 439 (/3: → BWV 649), Z 350a (/6); text after Lk 24:29 (/1), by Melanchthon & Selnecker (/3), Luther (/6)	00007
6/6			chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2)	G min.	SATB	1: 176	III/2.2: 40	after Z 350a; text by Luther	11338
7	1.	1724-06-24	Cantata Christ unser Herr zum Jordan kam (24 June: feast of John the Baptist)	E min.	atbSATB 2Oba 2Vl Str Bc	1: 177	I/29: 25	after Z 7246; text after Luther	00008
8.1	1.	1724-09-24	Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version)	E maj.	satbSATB Hn Fl 2Oba Str Bc	1: 211	I/23: 105	after Z 6634; by Vetter, D. (/6); text after Neumann; → BWV 8.2	00009
8.2	1.	1747-09-17	Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version)	D maj.	satbSATB Fl 2Oba Tai 2Vl Str Bc		I/23: 163	after BWV 8.1	00010
9	1.	1734-08-01	Cantata Es ist das Heil uns kommen her (Trinity VI)	E maj.	satbSATB Fl Oba Str Bc	1: 243	I/17.2: 83	after Z 4430; text after Speratus	00011
9/7			chorale setting "Es ist das Heil uns kommen her" (s. 12)		SATB	1: 274	III/2.1: 52 III/2.2: 172	after Z 4430; text by Speratus	11213
10	1.	1724-07-02	Cantata Meine Seel erhebt den Herren a.k.a. German Magnificat (Visitation)	G min.	satbSATB Tr 2Ob Str Bc	1: 275	I/28.2: 131	after Magnificat peregrini toni; text after Magnificat; → BWV 648	00012
10/7			chorale setting "Meine Seel erhebt den Herren" (doxology, ss. 10–11)		SATB	1: 303	III/2.1: 82 III/2.2: 205	after Magnificat peregrini toni; text: German Magnificat	11248
12	1.	1714-04-22	Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; two versions)	F Dor.	atbSATB Tr Ob 2Vl 2Va Bas Bc	2: 59	I/11.2: 1	after Z 5629 (/7: → BWV 69.1/6); text by Franck, S.?; text after Acts 14:22 (/3); text by Rodigast (/7); /2 → BWV 232/14	00014
		1724-04-30		G min.
13	1.	1726-01-20	Cantata Meine Seufzer, meine Tränen (Epiphany II)	D min.	satbSATB 2Fl Odc Str Bc	2: 79	I/5: 229	after Z 6543 (/3), Z 2293b (/6); text by Lehms, Heermann (/3), Fleming (/6)	00015
13/6			chorale setting "In allen meinen Taten" (s. 9)	B♭ maj.	SATB	2: 98	III/2.2: 58	after Z 2293b; text by Fleming	11347
			chorale setting "Nun ruhen alle Wälder"	G maj.			III/2.2: 216
14	1.	1735-01-30	Cantata Wär Gott nicht mit uns diese Zeit (Epiphany IV)	G min.	stbSATB Hn 2Ob Str Bc	2: 99	I/6: 139	after Z 4434; text after Luther	00016
14/5			chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3)		SATB	2: 132	III/2.1: 88 III/2.2: 103	after Z 4434; text by Luther	11250
16	1.	1726-01-01	Cantata Herr Gott, dich loben wir (New Year/Circumcision)	A min.	atbSATB Hn 2Ob Odc Str Bc	2: 173	I/4: 103	after Z 8652 (/1), 5267 (/6; → BWV 419); text by Lehms, Luther (/1), Eber (/6)	00018
		1731-01-01			atbSATB Hn 2Ob Va Str Bc
16/6		1726-01-01	chorale setting "Helft mir Gotts Güte preisen" (s. 6)		SATB	2: 198	III/2.2: 56	after Z 5267; text by Eber	11324
17	1.	1726-09-22	Cantata Wer Dank opfert, der preiset mich (Trinity XIV)	A maj.	satbSATB 2Ob Str Bc	2: 199	I/21: 147	after Z 8244 (/7); text: Meiningen, after Ps 50:23 (/1; → BWV 236/6), Lk 17:15–16 (/4), by Gramann (/7)	00019
17/7			chorale setting "Nun lob, mein Seel, den Herren" (s. 3)		SATB	2: 225	III/2.2: 4	after Z 8244; text by Gramann	11330
18.2	1.	1724-02-13	Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima)	A min.	stbSATB 2Fl Bas 4Va Vc Bc	2: 227 (in g)	I/7: 107	after BWV 18.1; text by Neumeister, after Is 55:10–11 (/2), Luther (/3), by Spengler (/5)	00020
18/5			chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8)		SATB	2: 252 (in g)	III/2.2: 71	after Z 7549; text by Spengler	11301
	1.	1715-02-24	chorale setting "Ich ruf zu dir, Herr Jesu Christ"	G min.			III/2.2: 56	after Z 7549; text by Agricola
18.1			Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima)		stbSATB Bas 4Va Vc Bc		I/7: 81	after Z 7549 (/5); text by Neumeister, after Is 55:10–11 (/2), Luther (/3), by Spengler (/5); → BWV 18.2	00021
19	1.	1726-09-29	Cantata Es erhub sich ein Streit (Michaelmas)	C maj.	stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc	2: 253	I/30: 55	after Z 6543 (/7); text after Picander	00022
19/7			chorale setting "Freu dich sehr, o meine Seele" (s. 9)		SATB	2: 288	III/2.1: 62 III/2.2: 177	after Z 6543	11227
			chorale setting "Weg, mein Herz, mit den Gedanken"					after Z 6543; text by Gerhardt
20	1.	1724-06-11	Cantata O Ewigkeit, du Donnerwort (Trinity I)	F maj.	atbSATB Tdt Tmp 3Ob Str Bc	2: 291	I/15: 133	after Z 5820; text after Rist	00023
20/7 20/11			chorale setting "O Ewigkeit, du Donnerwort" (ss. 11, 16)		SATB	2: 317, 327	III/2.2: 17	after Z 5820; text by Rist	11332
21.1	1.	before Dec. 1713	Cantata Ich hatte viel Bekümmernis (1st version: in ogni tempore; 1714-06-17: Trinity III)	C min.	satbSATB 3Tr Tmp Ob Str Bc		I/16: 109	after Z 2778 (/9); text by Franck, S.?; text after Ps 94:19 (/2), 42:12 (/6), 116:7 (/9), Rv 5:12–13 (/11), by Neumark (/9); → BWV 21.2	00024
21.2	1.	c. autumn 1720	Cantata Ich hatte viel Bekümmernis (2nd version: in ogni tempore)	D min.	satbSATB 3Tr Tmp Ob Str Bas Bc		I/16	after BWV 21.1 (same text); → BWV 21.3	00025
21.3	1.	1723-06-13	Cantata Ich hatte viel Bekümmernis (3rd version: Trinity III)	C min.	satbSATB 3Tr Tmp 4Tne Ob Str Bas Bc	51: 1	I/16	after BWV 21.2 (same text)	00026
22	1.	1723-02-07	Cantata Jesus nahm zu sich die Zwölfe (Estomihi)		satbSATB Ob Str Bc	51: 65	I/8: 1	after Z 4297a (/5); text after Luke 18:31, 34 (/1), by Cruciger (/5)	00027
23.1	1.	1723	Cantata Du wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi)	C min.	satbSATB 2Ob Str Bc	51: 93	I/8: 33	→ BWV 23.2, .3	00028
23.2	1.	1723-02-07	Cantata Du wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi)	B min.	satbSATB Cnt 3Tbn 2Oba Str Bc		I/8: 69	after BWV 23.1, Z 58 (/4); text by Luther after Agnus Dei (/4); → BWV 23.3, 245.2/40	00029
23.3	1.	1728–1731	Cantata Du wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi)	C min.	satbSATB 2Ob Str Bc	51: 93	I/8: 33	after BWV 23.1, .2; text by Luther after Agnus Dei (/4)	00030
24	1.	1723-06-20	Cantata Ein ungefärbt Gemüte (Trinity IV)	F maj.	satbSATB Tr 2Ob 2Oba Str Bc	51: 125	I/17.1: 47	after Z 5148 (/6); text by Neumeister, Heermann (/6), after Mt 7:12 (/3)	00031
24/6			chorale setting "O Gott, du frommer Gott" (s. 1)		SATB	51: 150	III/2.2: 195	after Z 5148; text by Heermann	11333
			chorale setting "Was frag ich nach der Welt"					after Z 5148; text by Kindermann
25	1.	1723-08-29	Cantata Es ist nichts Gesundes an meinem Leibe (Trinity XIV)	E min.	stbSATB Cnt 3Tbn 3Fl 2Ob Str Bc	51: 153	I/21: 79	after Z 6543 (/6); text after Rambach, Ps 38:4 (/1), by Heermann (/6)	00032
25/6			chorale setting "Treuer Gott, ich muss dir klagen" (s. 12)	C maj.	SATB	51: 188	III/2.1: 15 III/2.2: 150	after Z 6543; text by Heermann	11177
			chorale setting "Weg, mein Herz, mit den Gedenken"					after Z 6543; text by Gerhardt
			chorale setting "Freu dich sehr, o meine Seele"				III/2.2: 168	after Z 6543
26	1.	1724-11-19	Cantata Ach wie flüchtig, ach wie nichtig (Trinity XXIV)	A min.	satbSATB Hn Fl 3Ob Str Bc	51: 189	I/27: 29	after Z 1887b; text after Franck, M.	00033
26/6			chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8)		SATB	51: 216	III/2.2: 28	after Z 1887b; text by Franck, M.	11289
27	1.	1726-10-06	Cantata Wer weiß, wie nahe mir mein Ende? (Trinity XVI)	C min.	satbSSATB Hn 2Ob Odc Str Org Bc	51: 217	I/23: 221	after Z 2778 (/1); by Rosenmüller (/6 = BWV Anh. 170); text by E. J. of Schwarzburg-Rudolstadt (/1), Albinus (/6), after Neumeister (/3)	00034
28	1.	1725-12-30	Cantata Gottlob! nun geht das Jahr zu Ende (Christmas I)	A min.	satbSATB Cnt 3Tbn 2Ob Tai Str Bc	51: 245	I/3.2: 75	after Z 8244 (/2), 5267 (/6); text by Neumeister, Gramann (/2), Eber (/6), after Jer 32:41 (/3); → BWV 28/2a, Anh. 160/2	00035
28/6			chorale setting "Helft mir Gotts Güte preisen" (s. 12)		SATB	51: 272	III/2.1: 13 III/2.2: 49	after Z 5267; text by Eber	11175
			chorale setting "Zeuch ein zu deinen Toren"				III/2.2: 15	after Z 5267; text by Gerhardt
28/2a	1.	1725?	Motet Sei Lob und Preis mit Ehren	C maj.	SATB	39: 167	III/3: 15	after BWV 28/2; ↔ Anh. 160/2; was BWV 231	00036
29	1.	1731-08-27	Cantata Wir danken dir, Gott, wir danken dir (council election)	D maj.	satbSATB 3Tr Tmp 2Ob Str Org Bc	51: 273	I/32.2: 1	after BWV 120.2/4 (/1), Z 8244 (/8); text after Ps 75:2 (/2; → BWV 232/7, /23), by Gramann (/8)	00037
29/8			chorale setting "Nun lob, mein Seel, den Herren" (s. 5)		SATB	51: 316	III/2.2: 65	after Z 8244; text by Gramann	11331
30.2	1.	1738-06-24	Cantata Freue dich, erlöste Schar (24 June: feast of John the Baptist)	D maj.	satbSATB 2Fl 2Ob Oba Vl Str Bc	51: 321	I/29: 59	after BWV 30.1, Z 6543 (/6); text by Picander?, Olearius, J. (/6)	00038
30.2/6			chorale setting "Tröstet, tröstet, meine Lieben" (s. 3)	A maj.	SATB	51: 360	III/2.2: 42	after Z 6543; text by Olearius, J.	11318
			chorale setting "Freu dich sehr, o meine Seele"	G maj.				after Z 6543
30.1	1.	1737-09-28	Secular cantata Angenehmes Wiederau (for Hennicke [de] at Wiederau [de] manor)	D maj.	satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc	51: 399 34: 325	I/39: 51	text by Picander; → BWV 30.2, 195.2/6, /8	00039
31.2	1.	1724-04-09	Cantata Der Himmel lacht! Die Erde jubilieret (Leipzig version: Easter)	C maj.	stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc	7: 1	I/9: 41	after BWV 31.1 (same text)	00040
31/9			chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5)		SATB	7: 50	III/2.1: 56	after Z 4482a; text by Herman	11221
31.1	1.	1715-04-21	Cantata Der Himmel lacht! Die Erde jubilieret (Weimar version: Easter)	C maj.	stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc		I/9 rev 2: 37	after Z 4482a (/9); text by Franck, S, Herman (/9); → BWV 31.2	00041
32	1.	1726-01-13	Cantata Liebster Jesu, mein Verlangen (Epiphany I)	E min.	sbSATB Ob Str Bc	7: 53	I/5: 143	after Z 6543 (/6); text by Lehms, Gerhardt (/6)	00042
32/6			chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12)	G maj.	SATB	7: 80	III/2.2: 18	after Z 6543; text by Gerhardt	11317
			chorale setting "Freu dich sehr, o meine Seele"					after Z 6543
33	1.	1724-09-03	Cantata Allein zu dir, Herr Jesu Christ (Trinity XIII)	A min.	atbSATB 2Ob Str Bc	7: 81	I/21: 23	after Z 7292b; text after Hubert	00043
33/6			chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4)		SATB	7: 114	III/2.1: 58 III/2.2: 10	after Z 7292b; text by Hubert	11223
34.1	1.	1727-06-01	Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecost)	D maj.	atbSATB 3Tr Tmp 2Fl 2Ob Str Bc	7: 115	I/13: 129	text after Ps 128:6 (/5); → BWV 34.2	00044
34.2	1.	after 1727	Cantata O ewiges Feuer, o Ursprung der Liebe (wedding; incomplete)	D maj.	satbSATB Vl Va Bc	41: 117	I/33: 27	after BWV 34.1; text after Ps 128:4–6 (/3–/4), Nm 6:24–26 (/7)	00045
35	1.	1726-09-08	Cantata Geist und Seele wird verwirret (Trinity XII)	D min.	a 2Ob Tai Str Org Bc	7: 171	I/20: 215	text by Lehms; → BWV 1059	00046
36.4	1.	c. 1726–1730	Cantata Schwingt freudig euch empor (Advent I; early version)	D maj.	stbSATB Oba Str Bc	7: 395	I/1: 17	after BWV 36.1, Z 8359 (/5); text by Picander?, by Nicolai (/5); → BWV 36.5	00048
36.4/5			chorale setting "Wie schön leuchtet der Morgenstern" (s. 7)		SATB	7: 399	III/2.1: 28	after Z 8359; text by Nicolai	11193
36.5	1.	1731-12-02	Cantata Schwingt freudig euch empor (Advent I)	D maj.	satbSATB 2Oba Str Bc	7: 221	I/1: 41	after BWV 36.4, Z 1174 (/2, /6, /8), Z 8359 (/4); text by Picander?, by Luther (/2, /6, /8), Nicolai (/4)	00047
36.5/4			chorale setting "Wie schön leuchtet der Morgenstern" (s. 6)		SATB	7: 243	III/2.2: 48, 109, 180	after Z 8359; text by Nicolai	11346
36.5/8			chorale setting "Nun komm, der Heiden Heiland" (s. 8)	B min.	SATB	7: 258	III/2.2: 18	after Z 1174; text by Luther	11329
36.2	1.	1726-11-30 or 1725-11-30	Secular cantata Steigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost)		stbSATB Oba Va Str Bc (?)		I/35	text by Picander; after BWV 36.1/1, /3, /5, /7, /9	00049
36.3	1.	1735-07-27	Secular cantata Die Freude reget sich (birthday of Rivinius, J. F. [de]?)	D maj.	satSATB Fl Oba Str Bc	34: 39	I/38: 255	after BWV 36.1/1, /3, /5, /7, /8	00050
36.1	1.	April–May 1725	Secular cantata Schwingt freudig euch empor (birthday of Mencke, J. B. [de]?)	D maj.	stbSATB Oba Str Va Bc	34: 39	I/39: 1	→ BWV 36.2–.4	00051
37	1.	1724-05-18	Cantata Wer da gläubet und getauft wird (Ascension)	A maj.	satbSATB 2Oba Str Bc	7: 259	I/12: 79	after Z 8359 (/3), 5354 (/6); text after Mk 16: 16, by Nicolai (/3), Kolross (/6)	00052
37/6			chorale setting "Ich dank dir, lieber Herre" (s. 4)		SATB	7: 282	III/2.2: 197	after Z 5354; text by Kolross	11304
38	1.	1724-10-29	Cantata Aus tiefer Not schrei ich zu dir (Trinity XXI)	E min.	satbSATB 2Ob 4Tbn Str Bc	7: 283	I/25: 217	after Z 4437; text after Luther	00053
38/6			chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5)		SATB	7: 300	III/2.1: 67 III/2.2: 8	after Z 4437; text by Luther	11233
39	1.	1726-06-23	Cantata Brich dem Hungrigen dein Brot (Trinity I)	G min.	sabSATB 2Fl 2Ob Str Bc	7: 336	I/15 179	after Z 6543 (/7); text: Meiningen, after Is 58:7–8 (/1), Hb 13:16 (/4), by Denicke (/7)	00054
39/7			chorale setting "Kommt, lasst euch den Herren lehren" (s. 6)	B♭ maj.	SATB	7: 348	III/2.1: 81 III/2.2: 37	after Z 6543; text by Denicke	11247
			chorale setting "Freu dich sehr, o meine Seele"					after Z 6543
40	1.	1723-12-26	Cantata Darzu ist erschienen der Sohn Gottes (Christmas 2)	F maj.	atbSATB 2Hn 2Ob Str Bc	7: 349	I/3.1: 3	after Z 2072 (/3), 4870 (/6), 7880a (/8); text after 1Jh 3:8 (/1; → BWV 233/6), by Füger (/3), Gerhardt (/6), Keymann (/8)	00055
40/3			chorale setting "Wir Christenleut" (s. 3)	G min.	SATB	7: 377	III/2.2: 186	after Z 2072; text by Füger	11315
40/6			chorale setting "Schwing dich auf zu deinem Gott" (s. 2)	D min.	SATB	7: 387	III/2.2: 82	after Z 4870; text by Gerhardt	11343
40/8			chorale setting "Freuet euch, ihr Christen alle" (s. 4)	F min.	SATB	7: 394	III/2.2: 6	after Z 7880a; text by Keymann	11339
41	1.	1725-01-01	Cantata Jesu, nun sei gepreiset (New Year)	C maj.	satbSATB 3Tr Tmp 3Ob Str Vc Bc	10: 1	I/4: 37	after Z 8477a; text after Hermann; /6 → BWV 171/6	00056
41/6			chorale setting "Jesu, nun sei gepreiset" (s. 3)		SATB	10: 58	III/2.1: 90 III/2.2: 8	after Z 8477a; text by Hermann	11253
42	1.	1725-04-08	Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti)	D maj.	satbSATB 2Ob Bas Str Bc	10: 63	I/11.1: 61	after Z 1945b (/7); text after Jh 20:19 (/2), by Fabricius (/4), Luther after Da pacem Domine & Walter after 1Tm 2:2 (/7)	00057
42/7			chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2)	F♯ min.	SATB	10: 91	III/2.1: 21 III/2.2: 51, 154	after Z 1945b; text by Luther after Da pacem Domine & Walter after 1Tm 2:2	11186
43	1.	1726-05-30	Cantata Gott fähret auf mit Jauchzen (Ascension)	C maj.	satbSATB 3Tr Tmp 2Ob Str Bc	10: 93	I/12: 133	after Z 5741b (/11: by Peter [de]); text: Meiningen, after Ps 47:6–7 (/1), Mk 16:19 (/4), by Rist (/11)	00058
44	1.	1724-05-21	Cantata Sie werden euch in den Bann tun (Exaudi)	G min.	satbSATB 2Ob Str Bc	10: 127	I/12: 165	after Z 533a (/4), 2293b (/7); text after Jh 16:2 (/1–2), by Moller (/4), Fleming (/7)	00059
44/7			chorale setting "In allen meinen Taten" (s. 7)	B♭ maj.	SATB	10: 150	III/2.1: 75 III/2.2: 203	after Z 2293b; text by Fleming	11242
			chorale setting "Nun ruhen alle Wälder"					after Z 2293b; text by Gerhardt
45	1.	1726-08-11	Cantata Es ist dir gesagt, Mensch, was gut ist (Trinity VIII)	E maj.	atbSATB 2Fl Ob Oba Str Bc	10: 151	I/18: 197	after Z 5206b–c (/7); text: Meiningen, after Mh 6:8 (/1), Mt 7:22–23 (/4), by Heermann (/7)	00060
45/7			chorale setting "O Gott, du frommer Gott" (s. 7)		SATB	10: 186	III/2.2: 47	after Z 5206b–c; text by Heermann	11297
46	1.	1723-08-01	Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinity X)	D min.	atbSATB Tdt Hn 2Fl 2Odc Str Bc	10: 187	I/19: 109	after Z 5105a (/6); text after Lm 1:12 (/1), by Meyfart (/6)	00061
46/6			chorale setting "O großer Gott von Macht" (s. 9)	G min.	SATB	10: 236	III/2.2: 45	after Z 5105a; text by Meyfart	11341
47	1.	1726-10-13	Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII)	G min.	sbSATB 2Ob Str Org Bc	10: 239	I/23: 319	after Z 1689a (/5); text by Helbig, after Lk 14:11 (/1)	00062
47/5			chorale setting "Warum betrübst du dich, mein Herz" (s. 11)		SATB	10: 274	III/2.2: 52	after Z 1689a	11336
48	1.	1723-10-03	Cantata Ich elender Mensch, wer wird mich erlösen (Trinity XIX)	G min.	atSATB Tr 2Ob Str Bc	10: 275	I/24: 105	after Z 2051 (/3), 4486 (/7); text after Rm 7:24, by Rutilius [de] (/3)	00063
48/3			chorale setting "Ach Gott und Herr" (s. 4)	B♭ maj.	SATB	10: 288	III/2.1: 30 III/2.2: 166	after Z 2051; text by Rutilius [de]	11197
48/7			chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12)	G min.	SATB	10: 298	III/2.1: 33 III/2.2: 158	after Z 4486	11320
			chorale setting "Herr Jesu Christ, du höchstes Gut"					after Z 4486; text by Ringwaldt
49	1.	1726-11-03	Cantata Ich geh und suche mit Verlangen (Trinity XX)	G min.	sb Oba Str Vl Org Bc	10: 299	I/25: 107	after Z 8359; text by Birkmann, Nicolai & after Jer 31:3, Rv 3:20 (/6); /1 → BWV 1053/3	00064
50	1.		Cantata Nun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?)	D maj.	2SATB 3Tr Tmp 3Ob Str Bc	10: 341	I/30: 141	text after Rv 12:10; in SBB P 136	00065
51	1.	1730-09-17	Cantata Jauchzet Gott in allen Landen (Trinity XV)	C maj.	s (2)Tr (Tmp) Str Bc	122: 1	I/22: 77	after Z 8244 (/4); text after Ps 128:2 & 26:2 (/2), by Gramann (/4)	00066
52	1.	1726-11-24	Cantata Falsche Welt, dir trau ich nicht (Trinity XXIII)	F maj.	sSATB 2Hn 3Ob Bas Str Bc	122: 25	I/26: 131	after BWV 1046a/1 (/1), Z 2461 (/6); text by Birkmann, Reusner (/6)	00067
54	1.	1714–1717?	Cantata Widerstehe doch der Sünde (Oculi)	E♭ maj.	a 2Vl 2Va Bc	122: 59	I/18: 3	text by Lehms; → BWV 247/53?	00069
55	1.	1726-11-17	Cantata Ich armer Mensch, ich Sündenknecht (Trinity XXII)	G min.	tSATB Fl Oba Str Bc	122: 73	I/26: 55	after Z 6551 (/5); text by Birkmann, Rist (/5)	00070
55/5			chorale setting "Werde munter, mein Gemüte" (s. 6)	B♭ maj.	SATB	122: 86	III/2.2: 53	after Z 6551; text by Rist	11319
56	1.	1726-10-27	Cantata Ich will den Kreuzstab gerne tragen (Trinity XIX)	G min.	bSATB 2Ob Tai Str Vc Bc	122: 87	I/24: 173	after Z 6773 (/5); text by Birkmann, Franck, J. (/5)	00071
56/5			chorale setting "Du, o schönes Weltgebäude" (s. 6)	C Dor.	SATB	122: 104	III/2.2: 48	after Z 6773; text by Franck, J.	11300
57	1.	1725-12-26	Cantata Selig ist der Mann (Christmas 2)	G min.	sbSATB 2Ob Tai Str Bc	122: 105	I/3.1: 83	after Z 1912a–c (/8); text by Lehms, Fritsch (/8), after Jm 1:12 (/1)	00072
57/8			chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6)	B♭ maj.	SATB	122: 132	III/2.2: 50	after Z 1912a–c; text by Fritsch	11323
58.2	1.	1733-01-04 or 1734-01-03	Cantata Ach Gott, wie manches Herzeleid (New Year I)	C maj.	sb 2Ob Tai Vl Str Bc	122: 133	I/4: 217	after BWV 58.1; text by Birkmann, Moller (/1), Behm (/5)	00073
58.1	1.	1727-01-05	Cantata Ach Gott, wie manches Herzeleid (New Year I; early version)	C maj.	sb Vl Str Bc		I/4: 241	after Z 533a (/1, /5); text by Birkmann, Moller (/1), Behm (/5); → BWV 58.2	00074
59	1.	1724-05-28	Cantata Wer mich liebet, der wird mein Wort halten (Pentecost)	C maj.	sbSATB 2Tr Tmp Str Bc	122: 151	I/13: 65	after Z 7445a (/3); text by Neumeister, Luther (/3), after Jh 14:23 (/1); → BWV 74/1–/2, 175/7	00075
60	1.	1723-11-07	Cantata O Ewigkeit, du Donnerwort (Trinity XXIV)	D maj.	atbSATB Hn 2Oba Str Bc	122: 169	I/27: 1	after Z 5820 (/1), 7173 (/5); text by Rist (/1), Burmeister (/5), after Rv 14:13 (/4)	00076
60/5			chorale setting "Es ist genug, so nimm" (s. 5)	A maj.	SATB	122: 190	III/2.1: 37 III/2.2: 127	after Z 7173; text by Burmeister	11203
61	1.	1714-12-02	Cantata Nun komm, der Heiden Heiland (Advent I – first setting)	A min.	stbSATB Fag 2Vl 2Va Bc	16: 1	I/1: 1	after Z 1174 (/1), 8359 (/6); text by Neumeister, Luther (/1), Nicolai (/6), after Rv 3:20 (/4)	00077
62	1.	1724-12-03	Cantata Nun komm, der Heiden Heiland (Advent I – second setting)	B min.	satbSATB Hn 2Ob Str Bc	16: 19	I/1: 75	after Z 1174; text after Luther	00078
62/6			chorale setting "Nun komm, der Heiden Heiland" (s. 8)		SATB	16: 50	III/2.1: 68	after Z 1174; text by Luther	11234
				A min.			III/2.2: 97
63	1.	1714-12-25 1723-12-25	Cantata Christen, ätzet diesen Tag (Christmas; two versions)	C maj.	satbSATB 4Tr Tmp 3Ob Bas Str Bc	16: 51	I/2: 1	text by Heineccius?	00079
64	1.	1723-12-27	Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3)	E min.	sabSATB Cnt 3Tbn Oba Str Bc	16: 111, 371	I/3.1: 113	after Z 1947 (/2), 5206b–c (/4), 8032 (/8); text after Knauer [scores], 1Jh 3:1 (/1), by Luther (/2), Kindermann (/4), Franck, J. (/8)	00080
64/2			chorale setting "Gelobet seist du, Jesu Christ" (s. 7)	G maj.	SATB	16: 371	III/2.1: 16 III/2.2: 92	after Z 1947; text by Luther	11179
64/4			chorale setting "Was frag ich nach der Welt" (s. 1)	D maj.	SATB	16: 372	III/2.1: 16 III/2.2: 151	after Z 5206b–c; text by Kindermann	11180
64/8			chorale setting "Jesu, meine Freude" (s. 5)	E min.	SATB	16: 132	III/2.1: 15 III/2.2: 80	after Z 8032; text by Franck, J.	11178
65	1.	1724-01-06	Cantata Sie werden aus Saba alle kommen (Epiphany)	C maj.	tbSATB 2Hn 2Fl 2Odc Str Bc	16: 133	I/5: 1	after Z 192b (/2), 7568 (/7); text after Is 60:6 (/1), by Spangenberg (/2), Gerhardt (/7)	00081
65/2			chorale setting "Ein Kind geboren zu Bethlehem" (s. 4)	A min.	SATB	16: 152	III/2.2: 9	after Z 192b; text by Spangenberg	11342
			chorale setting "Puer natus in Bethlehem"					after Z 192b
65/7			chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10)	A min.	SATB	16: 166	III/2.2: 24	after Z 7568; text by Gerhardt	11337
			chorale setting "Was mein Gott will, das gscheh allzeit"					after Z 7568; text by Albert of Prussia
66.2	1.	1724-04-10	Cantata Erfreut euch, ihr Herzen (Easter 2)	D maj.	atbSATB Tr 2Ob Str Bc	16: 167	I/10: 1	after BWV 66.1/8, /1–/4, Z 8584/3	00082
66.2/6			chorale setting "Alleluja", s. 3 from "Christ ist erstanden"	F♯ min.	SATB	16: 214	III/2.1: 57	after Z 8584/3	11222
66.1	1.	1718-12-10	Secular cantata Der Himmel dacht auf Anhalts Ruhm und Glück (birthday of Leopold of Anhalt-Köthen)		atbSATB 2Ob Bas Str Bc (?)		I/35	text by Hunold; → BWV 66.2/1–/5	00083
67	1.	1724-04-16	Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti)	A maj.	atbSATB Hn Fl 2Oba Str Bc	16: 215	I/11.1: 1	after Z 1743 (/4), 4373 (/7); text after 2Ti 2:8 (/1), Jh 20:19 (/6; → BWV 234/2), by Herman (/4), Ebert (/7)	00084
67/7			chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1)		SATB	16: 246	III/2.1: 10 III/2.2: 25	after Z 4373; text by Ebert	11174
68	1.	1725-05-21	Cantata Also hat Gott die Welt geliebt (Pentecost 2)	D min.	sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc	16: 247	I/14: 31	after Z 5920 (/1), BWV 208/13 (/2) and /7 (/4); text by Ziegler, C. M., Liscow (/1), after Jh 3:18 (/5)	00085
69.2	1.	1748-08-26	Cantata Lobe den Herrn, meine Seele (council election)	D maj.	satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc	16: 281	I/32.2: 111	after BWV 69.1/1, /3, /5, Z 7247 (/6); text after Knauer [scores], Ps 103:2 (/1), by Luther (/6)	00086
69.2/6			chorale setting "Es woll uns Gott genädig sein" (s. 3)		SATB	16: 325	III/2.2: 192	after Z 7247; text by Luther	11303
69.1	1.	1723-08-15	Cantata Lobe den Herrn, meine Seele (Trinity XII)	D maj.	satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc	16: 373	I/20: 117	after BWV 12/7 (/6); text after Knauer [scores], Ps 103:2 (/1), by Rodigast (/6); → BWV 69.2/1, /3, /5	00087
69.1/6			chorale setting "Was Gott tut, das ist wohlgetan" (s. 6)	G maj.	SATB	16: 379	III/2.1: 55 III/2.2: 174	after BWV 12/7; text by Rodigast	11219
70.2	1.	1723-11-21	Cantata Wachet! Betet! Betet! Wachet! (Trinity XXVI)	C maj.	satbSATB Tr Ob Str Vc Bc	16: 327	I/27: 107	after BWV 70.1, Z 6543 (/7); text by Franck, S, Keymann (/11)	00088
70.2/11		1716-12-06	chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5)	C maj.	SATB	16: 368	III/2.2: 200	= BWV 70.1/6	11308
70.1	1.		Cantata Wachet! Betet! Betet! Wachet! (Advent II)		satbSATB Tr Ob Str Vc Bc	16: 327	I/1	after Z 3449 (/6); text by Franck, S, Keymann (/6); → BWV 70.2/1, /3, /5, /8, /10, /11	00089
71	1.	1708-02-04	Cantata Gott ist mein König (council election)	D maj.	satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org	18: 1	I/32.1: 3	after Z 5148 (/2); text by Eilmar?, Heermann & after 2Sm 19:35 & 37 (/2), Ps 74:12 (/1), 16–17 (/4), 19 (/6), Dt 33:25 & Gn 21:22b (/3)	00090
72	1.	1726-01-27	Cantata Alles nur nach Gottes Willen (Epiphany III)	A min.	sabSATB 2Ob Str Bc	18: 55	I/6: 59	after Z 7568 (/6); text by Franck, S, Albert of Prussia (/6); /1 → BWV 235/2	00091
73	1.	1724-01-23	Cantata Herr, wie du willt, so schicks mit mir (Epiphany III)	G min.	stbSATB Hn 2Ob Str Bc	18: 85	I/6: 3	after Z 4441a (/1), 5264b (/5); text by Bienemann [de] (/1), Helmbold (/5)	00092
73/5			chorale setting "Von Gott will ich nicht lassen" (s. 9)	C min. A min.	SATB	18: 104	III/2.2: 107	after Z 5264b; text by Helmbold	11310
74	1.	1725-05-20	Cantata Wer mich liebet, der wird mein Wort halten (Pentecost)	C maj.	satbSATB 3Tr Tmp 2Ob Odc Str Bc	18: 105	I/13: 83	after BWV 59/1 & /4 (/1–/2), Z 2496 (/8); text by Ziegler, C. M., Gerhardt (/8), after Jh 14:23 (/1), 28 (/4), Rm 8:1 (/6)	00093
74/8			chorale setting "Gott Vater, sende deinen Geist" (s. 2)	A min.	SATB	18: 146	III/2.1: 78 III/2.2: 212	after Z 2496; text by Gerhardt	11245
			chorale setting "Kommt her zu mir, spricht Gottes Sohn"					after Z 2496; text by Grünwald
75	1.	1723-05-30	Cantata Die Elenden sollen essen (Trinity I)	E min.	satbSATB Tr 2Ob Oba Bas Str Bc	18: 147	I/15: 85	after Z 5629 (/7=/14: → BWV 100/6); text after Ps 22:27 (/1), by Rodigast (/7, /14)	00094
76	1.	1723-06-06	Cantata Die Himmel erzählen die Ehre Gottes (Trinity II)	C maj.	satbSATB Tr 2Ob Oba Str Vdg Bc	18: 189	I/16: 1	after Z 7247 (/7=/14); text after Ps 12:2 & 4 (/1), by Luther (/7, /14); /8 ↔ BWV 528/1	00095
77	1.	1723-08-22	Cantata Du sollt Gott, deinen Herren, lieben (Trinity XIII)	C maj.	satbSATB Tdt 2Ob Str Bc	18: 233	I/21: 1	after Z 4431 (/6); text after Knauer, Lk 10:27 (/1), by Denicke? (/6)	00096
77/6			chorale setting "Wenn einer alle Ding verstünd" (s. 8)?	G min.	SATB	18: 254	III/2.1: 14 III/2.2: 150	after Z 4431; text by Denicke	11176
			chorale setting "Ach Gott, vom Himmel sieh darein"					after Z 4431; text by Luther
78	1.	1724-09-10	Cantata Jesu, der du meine Seele (Trinity XIV)	G min.	satbSATB Hn Fl 2Ob Str Vne Bc	18: 255	I/21: 115	after Z 6804; text after Rist	00097
78/7			chorale setting "Jesu, der du meine Seele" (s. 12)		SATB	18: 286	III/2.1: 60 III/2.2: 150	after Z 6804; text by Rist	11225
79	1.	1725-10-31	Cantata Gott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2nd c.1730)	G maj.	sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc	18: 287	I/31: 1	after Z 5142 (/3), 159 (/6); text after Ps 84:12 (/1), by Rinkart (/3), Helmbold (/6); → BWV 236/2, /4, 234/5	00098
80.3	1.	c. 1735?	Cantata Ein feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely W. F. Bach's addition)	D maj.	satbSATB 3Ob 2Oba Odc Str Bc	18: 317	I/31: 71	after BWV 80.2 (same text)	00099
80.1	1.	1715-03-24	Cantata Alles, was von Gott geboren (Oculi; music lost)		satb(?)SATB Ob Str Bc		I/8.2: V	after Z 7377 (/1, /6)?; text by Franck, S, Luther (/6); → BWV 80.2	00100
80.2	1.	c. 1729–1731	Cantata Ein feste Burg ist unser Gott (Reformation Day; 1st Leipzig version)	D maj.	sbSATB Ob Str Bc	18: 351	I/31: 65	after Z 7377, BWV 80.1 (/2–/4, /6–/7); text by Franck, S, Luther (/1, /2, /5, /8); → BWV 80.3	00101
80/8			chorale setting "Ein feste Burg ist unser Gott" (s. 4)		SATB	18: 378	III/2.1: 29 III/2.2: 162	after Z 7377; text by Luther	11195
81	1.	1724-01-30	Cantata Jesus schläft, was soll ich hoffen? (Epiphany IV)	E min.	atbSATB 2Fl 2Oba Str Bc	201: 1	I/6: 111	after Z 8032 (/7); text after Ps 10:1 (/2), Mt 8:26 (/4), by Franck, J. (/7)	00102
81/7			chorale setting "Jesu, meine Freude" (s. 2)		SATB	201: 24	III/2.2: 188	after Z 8032; text by Franck, J.	11305
82.1	1.	1727-02-02	Cantata Ich habe genug (Purification; 1st version)	C min.	b Ob Str Bc	201: 25	I/28.1: 77	text by Birkmann; → BWV 82.2–.4	00103
82.2	1.	1731-02-02	Cantata Ich habe genug (Purification; 2nd version)	E min.	s Fl Str Bc		I/28.1: 155	after BWV 82.1 (same text); → 82.3–.4	00104
82.2/2–/3	1.	c.1731 (AMB)	Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen"	E min.	s Bc	432: 46	V/4:122	after BWV 82.2; text by Birkmann	00104
82.2/3	1.	c.1731 (AMB)	Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete)	E min.	s Bc	432: 49	V/4:122	after BWV 82.2; text by Birkmann	00104
82.3	1.	c.1735	Cantata Ich habe genug (Purification; 3rd version)	C min.	b or mezzo Ob Str Bc		I/28.1: 109	after BWV 82.1–.2 (same text); → 82.4	00105
82.4	1.	1746–1748	Cantata Ich habe genug (Purification; 4th version)	C min.	b (or mezzo) Ob Odc Str Bc		I/28.1: 109	after BWV 82.1–.3 (same text)	00106
83	1.	1724-02-02	Cantata Erfreute Zeit im neuen Bunde (Purification)	F maj.	atbSATB 2Hn 2Ob Vl Str Bc	201: 51	I/28.1: 3	after Z 3986 (/5); text after Lk 2:29–31 (/2), Hb 4:16 (/3), by Luther (/5)	00107
83/5			chorale setting "Mit Fried und Freud ich fahr dahin" (s. 4)	D min.	SATB	201: 76	III/2.2: 188	after Z 3986; text by Luther	11309
84	1.	1727-02-09	Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae)	E min.	sSATB Ob Str Bc	201: 77	I/7: 21	after Z 2778 (/5); text after Picander, by E. J. of Schwarzburg-Rudolstadt (/5)	00108
84/5			chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 12)	B min.	SATB	201: 98	III/2.1: 27 III/2.2: 63	after Z 2778; text by E. J. of Schwarzburg-Rudolstadt	11192
			chorale setting "Wer nur den lieben Gott lässt walten"					after Z 2778; text by Neumark
85	1.	1725-04-15	Cantata Ich bin ein guter Hirt (Misericordias Domini)	C min.	satbSATB 2Ob Str Vc Bc	201: 99	I/11.1: 157	after Z 4457 (/3), 2542 (/6); text after Jh 10:12 (/1), by Becker (/3), Homburg [de] (/6)	00109
85/6			chorale setting "Ist Gott mein Schild und Helfersmann" (s. 4)		SATB	201: 118	III/2.1: 74 III/2.2: 69	after Z 2542; text by Homburg [de]	11240
86	1.	1724-05-14	Cantata Wahrlich, wahrlich, ich sage euch (Rogate)	E maj.	satbSATB 2Oba Str Bc	201: 119	I/12: 45	after Z 2496c (/3), 4430 (/6); text after Jh 16:23 (/1), by Grünwald (/3), Speratus (/6)	00110
86/6			chorale setting "Es ist das Heil uns kommen her" (s. 11)		SATB	201: 134	III/2.2: 3	after Z 4430; text by Speratus	11322
87	1.	1725-05-06	Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate)	D min.	atbSATB 2Ob 2Odc Str Bc	201: 135	I/12: 61	after Z 8032 (/7); text after Ziegler, C. M., Jh 16:24 (/1), by Müller, H. (/7)	00111
87/7			chorale setting "Selig ist die Seele" (s. 9)		SATB	201: 152	III/2.1: 73 III/2.2: 54	after Z 8032; text by Müller, H.	11239
			chorale setting "Jesu, meine Freude"					after Z 8032; text by Franck, J.
88	1.	1726-07-21	Cantata Siehe, ich will viel Fischer aussenden (Trinity V)	D maj.	satbSATB 2Hn 2Oba Tai Str Bc	201: 153	I/17.2: 33	after Z 2778 (/7); text: Meiningen, after Jer 16:16 (/1), Lk 5:10 (/4), by Neumark (/7)	00112
88/7			chorale setting "Wer nur den lieben Gott lässt walten" (s. 7)	B min.	SATB	201: 178	III/2.2: 58	after Z 2778; text by Neumark	11312
89	1.	1723-10-24	Cantata Was soll ich aus dir machen, Ephraim? (Trinity XXII)	C min.	sabSATB Hn 2Ob Str Bc	201: 179	I/26: 1	after Z 2164 (/6); text after Hs 11:8 (/1), by Heermann (/6)	00113
89/6			chorale setting "Wo soll ich fliehen hin" (s. 7)	G min.	SATB	201: 194	III/2.2: 167	after Z 2164; text by Heermann	11292
90	1.	1723-11-14	Cantata Es reißet euch ein schrecklich Ende (Trinity XXV)	D min.	atbSATB (Tr) Str Bc	201: 195	I/27: 59	after Z 2561 (/5); text by Moller (/5)	00114
90/5			chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7)		SATB	201: 214	III/2.1: 33 III/2.2: 158	after Z 2561; text by Moller	11199
			chorale setting "Vater unser im Himmelreich"					after Z 2561; text by Luther
91.2	1.	1746–1747	Cantata Gelobet seist du, Jesu Christ (Christmas; later version)	G maj.	satbSATB 2Hn Tmp 3Ob Str Bc	22: 1	I/2: 131	after BWV 91.1 (same text)	00115
91.1	1.	1724-12-25	Cantata Gelobet seist du, Jesu Christ (Christmas; early version)	G maj.	satbSATB 2Hn Tmp 3Ob Str Bc	22: 1, 333	I/2: 164	after Z 1947; text after Luther; → BWV 91.2	00116
91/6			chorale setting "Gelobet seist du, Jesu Christ" (s. 7)		SATB		III/2.1: 89 III/2.2: 30	after Z 1947; text by Luther	11252
92	1.	1725-01-28	Cantata Ich hab in Gottes Herz und Sinn (Septuagesimae)	B min.	satbSATB 2Oba Str Bc	22: 33	I/7: 41	after Z 7568; text after Gerhardt	00117
93	1.	1724-07-09	Cantata Wer nur den lieben Gott läßt walten (Trinity V)	C min.	satbSATB 2Ob Str Bc	22: 69	I/17.2: 3	after Z 2778; text after Neumark; /4 → BWV 647	00118
94	1.	1724-08-06	Cantata Was frag ich nach der Welt (Trinity IX)	D maj.	satbSATB Fl 2Ob 2Oba Str Bc	22: 95	I/19: 43	after Z 5206b–c; text after Kindermann	00119
94/8			chorale setting "Was frag ich nach der Welt" (s. 8)		SATB	22: 127	III/2.1: 53 III/2.2: 173	after Z 5206b–c; text by Kindermann	11215
95	1.	1723-09-12	Cantata Christus, der ist mein Leben (Trinity XVI)	G maj.	stbSATB Hn or Cnt 2Ob 2Oba Str Bc	22: 129	I/23: 65	after Z 132 & 3986 (/1: → BWV 282), 5404a (/3), 4482 (/7); text by Simon Graf [de] & Luther (/1), Herberger (/3), Herman (/7)	00120
95/7			chorale setting "Wenn mein Stündlein vorhanden ist" (s. 4)		SATB	22: 153	III/2.1: 64	after Z 4482; text by Herman	11229
96	1.	1724-10-08	Cantata Herr Christ, der einge Gottessohn (Trinity XVIII)	F maj.	satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc	22: 155	I/24: 1	after Z 4297a; text after Cruciger	00121
96/6			chorale setting "Herr Christ, der einge Gottessohn" (s. 5)		SATB	22: 184	III/2.1: 66 III/2.2: 179	after Z 4297a; text by Cruciger	11231
97	1.	1734-07-25? after 1735	Cantata In allen meinen Taten (two versions; Trinity V?)	B♭ maj.	satbSATB 2Ob Str Bc	22: 185, 336	I/34: 197	after Z 2293b; text by Fleming; /9 → BWV 392	00122
97/9			chorale setting "In allen meinen Taten" (s. 9)		SATB	22: 230	III/2.1: 49	after Z 2293b; text by Fleming; → BWV 392	11210
			chorale setting "Nun ruhen alle Wälder"					after Z 2293b; text by Gerhardt; → BWV 392
98	1.	1726-11-10	Cantata Was Gott tut, das ist wohlgetan (Trinity XXI)	B♭ maj.	satbSATB 2Ob Str Bc	22: 231	I/25: 241	after Z 5629 (/1); text by Birkmann, Rodigast (/1)	00123
99	1.	1724-09-17	Cantata Was Gott tut, das ist wohlgetan (Trinity XV)	G maj.	satbSATB Hn Fl Oba Str Bc	22: 251	I/22: 41	after Z 5629; text after Rodigast; /1 → BWV 100/1	00124
100	1.	1734–1735	Cantata Was Gott tut, das ist wohlgetan	G maj.	satbSATB 2Hn Tmp Fl Oba Str Bc	22: 277	I/34: 239	after Z 5629, BWV 99/1 (/1), 75/7 (/6); text by Rodigast	00125
100/6			chorale setting "Was Gott tut, das ist wohlgetan" (s. 6)		SATB	22: 323	III/2.1: 72	after 75/7=/14; text by Rodigast	11238
101	1.	1724-08-13	Cantata Nimm von uns, Herr, du treuer Gott (Trinity X)	D min.	satbSATB 2Hn Tmp Fl Oba Str Bc	23: 1	I/19: 173	after Z 2561; text after Moller	00126
101/7			chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7)		SATB	23: 32	III/2.1: 54 III/2.2: 174	after Z 2561; text by Moller	11216
102	1.	1726-08-25	Cantata Herr, deine Augen sehen nach dem Glauben (Trinity X)	G min.	atbSATB Fl Vl 2Ob Str Bc	23: 33	I/19: 229	after Z 2561 (/7); text: Meiningen, after Jer 5:3 (/1: → BWV 235/1), Rm 2:4–5 (/4), by Heermann (/7); /3 & /5 → BWV 233/4 & /5	00127
102/7			chorale setting "So wahr ich lebe, spricht dein Gott" (ss. 6–7)	C min.	SATB	23: 66	III/2.2: 62	after Z 2561; text by Heermann	11334
			chorale setting "Vater unser im Himmelreich"					after Z 2561; text by Luther
103	1.	1725-04-22 1731-04-15	Cantata Ihr werdet weinen und heulen (Jubilate, 2 versions)	B min.	atSATB Tr Fl Fl (or) Vl 2Oba Str Bc	23: 67	I/11.2: 25	after Z 7568 (/6); text by Ziegler, C. M., Gerhardt (/6)	00128
103/6			chorale setting "Barmherzger Vater, höchster Gott" (s. 9)		SATB	23: 94	III/2.1: 72 III/2.2: 68	after Z 7568; text by Gerhardt	11237
			chorale setting "Ich hab in Gottes Herz und Sinn"
			chorale setting "Was mein Gott will, das gscheh allzeit"					after Z 7568; text by Albert of Prussia
104	1.	1724-04-23	Cantata Du Hirte Israel, höre (Misericordias)	G maj.	tbSATB 2Ob 2Oba Tai Str Bc	23: 95	I/11.1: 113	after Z 4457 (/6); text after Ps 80:2 (/1), by Becker (/6)	00129
104/6			chorale setting "Der Herr ist mein getreuer Hirt" (s. 1)	A maj.	SATB	23: 116	III/2.2: 189	after Z 4457; text by Becker	11283
			chorale setting "Allein Gott in der Höh sei Ehr"					after Z 4457; text by Decius
				G maj.			III/2.2: 71		11290
105	1.	1723-07-25	Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX)	G min.	satbSATB Hn 2Ob Str Bc	23: 117	I/19: 1	after Z 6804 (/6); text after Ps 143:2 (/1), by Rist (/6)	00130
105/6			chorale setting "Jesu, der du meine Seele" (s. 11)		SATB	23: 146	III/2.1: 52	after Z 6804; text by Rist	11214
106	1.	1708-09-16?	Cantata Gottes Zeit ist die allerbeste Zeit (funeral; aka Actus tragicus)	E♭ maj.	satbSATB 2Fl 2Vdg Bc	23: 147	I/34: 1	after Z 1680 (/2d), 3986 (/3b), 2461 (/4); text after Olearius, J., Acts 17:28 & Ps 90:12 & Is 38:1 & JS 14:18 & Rv 22:20 (/2), Ps 31:6 & Lk 23:43 & by Luther (/3), Reusner (/4)	00131
107	1.	1724-07-23	Cantata Was willst du dich betrüben (Trinity VII)	B min.	stbSATB Hn 2Fl 2Oba Str Bc	23: 179	I/18: 55	after Z 5264b; text by Heermann	00132
108	1.	1725-04-29	Cantata Es ist euch gut, daß ich hingehe (Cantate)	A maj.	atbSATB 2Oba Str Bc	23: 203	I/12: 17	after Z 2496 (/6); text by Ziegler, C. M., Gerhardt (/6), after Jh 16:7 (/1), 13 (/4)	00133
108/6			chorale setting "Gott Vater, sende deinen Geist" (s. 10)	B min.	SATB	23: 230	III/2.1: 69 III/2.2: 26	after Z 2496; text by Gerhardt	11235
			chorale setting "Kommt her zu mir, spricht Gottes Sohn"					after Z 2496; text by Grünwald
109	1.	1723-10-17	Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions)	D min.	atSATB (Hn) 2Ob Str Bc	23: 231	I/25: 157	after Z 7549 (/6); text after Mk 9:24 (/1), by Spengler (/6)	00134
110	1.	1725-12-25	Cantata Unser Mund sei voll Lachens (Christmas)	D maj.	satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc	23: 263	I/2: 71	after Z 2072 (/7); text by Lehms, Füger (/7), after Ps 126:2–3 (/1), Jer 10:6 (/3), Lk 2:14 (/5)	00135
110/7			chorale setting "Wir Christenleut" (s. 5)	B min.	SATB	23: 324	III/2.2: 32	after Z 2072; text by Füger	11316
111	1.	1725-01-25	Cantata Was mein Gott will, das g'scheh allzeit (Epiphany III)	A min.	satbSATB 2Ob Str Bc	24: 1	I/6: 27	after Z 7568; text after Albert of Prussia	00136
112	1.	1731-04-08	Cantata Der Herr ist mein getreuer Hirt (Misericordias)	G maj.	satbSATB 2Hn 2Oba Str Bc	24: 29	I/11.1: 179	after Z 4457; text by Meuslin after Ps. 23	00137
112/5			chorale setting "Der Herr ist mein getreuer Hirt" (s. 5)		SATB	24: 48	III/2.1: 71 III/2.2: 183, 202		11236
			chorale setting "Allein Gott in der Höh sei Ehr"					after Z 4457; text by Decius
113	1.	1724-08-20	Cantata Herr Jesu Christ, du höchstes Gut (Trinity XI)	B min.	satbSATB Fl 2Oba Str Bc	24: 49	I/20: 79	after Z 4486; text after Ringwaldt	00138
113/8			chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8)		SATB	24: 80	III/2.1: 54 III/2.2: 175	after Z 4486; text by Ringwaldt	11217
114	1.	1724-10-01	Cantata Ach, lieben Christen, seid getrost (Trinity XVII)	G min.	satbSATB Hn Fl 2Ob Str Bc	24: 81	I/23: 287	after Z 4441a; text after Gigas	00139
114/7			chorale setting "Ach, lieben Christen, seid getrost" (s. 6)		SATB	24: 108	III/2.1: 65 III/2.2: 179	after Z 4441a; text by Gigas	11230
115	1.	1724-11-05	Cantata Mache dich, mein Geist, bereit (Trinity XXII)	G maj.	satbSATB Hn Fl Oba Str Vc Bc	24: 109	I/26: 21	after Z 6274a; text after Freystein	00140
115/6			chorale setting "Mache dich, mein Geist, bereit" (s. 10)		SATB	24: 132	III/2.1: 25 III/2.2: 23	after Z 6274a; text by Freystein	11190
			chorale setting "Straf mich nicht in deinem Zorn"					after Z 6274a; text by Albinus
116	1.	1724-11-26	Cantata Du Friedefürst, Herr Jesu Christ (Trinity XXV)	A maj.	satbSATB Hn 2Oba Str Bc	24: 133	I/27: 79	after Z 4373; text after Ebert	00141
117	1.	1728–1731	Cantata Sei Lob und Ehr dem höchsten Gut	G maj.	atbSATB 2Fl 2Ob 2Oba Str Bc	24: 159	I/34: 151	after Z 4430; text by Schütz, J. J.	00142
117/4 117/9			chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. 4, 9)		SATB	24: 159	III/2.1: 71 III/2.2: 203		11172
			chorale setting "Sei Lob und Ehr dem höchsten Gut"				III/2.1: 9 III/2.2: 147		11173
119	1.	1723-08-30	Cantata Preise, Jerusalem, den Herrn (council election)	C maj.	satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc	24: 193	I/32.1: 129	after Z 8652 (/9); text after Ps 147:12–14 (/1), by Luther (/9)	00144
120.1	1.	1729 or earlier	Cantata Gott, man lobet dich in der Stille (council election)	A maj.	satbSATB 3Tr 2Ob 2Oba Vl Str Bc	24: 247	I/32.2: 53	after Z 8652 (/6); text after Ps 65:2 (/1), by Luther (/6); ↔ BWV 120.2/6 (/1 → .3/1), /1 (/2 → .3/2), /3 (/4 ↔ 1019a/3 → .3/4)	00145
120.2	1.	1729?	Cantata Herr Gott, Beherrscher aller Dinge (wedding; incomplete)	D maj.	satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc	41: 149	I/33: 75	after BWV 1006/1 (/4 → 29/1), 137/5 (/8); text after JS 50:24 (/2), by Luther (/5), Neander (/8); ↔ BWV 120.1/2 (/1 → .3/2), /4 (/3 ↔ 1019a/3 → .3/4), /1 (/6 → .3/1)	00146
120.3	1.	1730-06-26	Cantata Gott, man lobet dich in der Stille (200th anniversary of the Augsb. Confess.; music lost, partially reconstructable)		saSATB 3Tr Tmp 2Oba Vl Str Bc ?		I/34 I/32.2	after BWV 120.1/1 (=.2/6), /2 (=.2/1 → 232II/9), /4 (=.2/3 ↔ 1019a/3); text by Picander	00147
121	1.	1724-12-26	Cantata Christum wir sollen loben schon (Christmas 2)	E min.	satbSATB Cnt 3Tbn Oba Str Bc	26: 1	I/3.1: 57	after Z 297c, text after Luther	00148
121/6			chorale setting "Christum wir sollen loben schon" (s. 8)		SATB	26: 20	III/2.2: 31	after Z 297c, text by Luther	11284
122	1.	1724-12-31	Cantata Das neugeborne Kindelein (Christmas I)	G min.	satbSATB 3Fl 2Ob Tai Str Bc	26: 21	I/3.2: 53	after Z 491; text after Schneegaß	00149
122/6			chorale setting "Das neugeborne Kindelein" (s. 5)		SATB	26: 40	III/2.1: 43 III/2.2: 30, 101	after Z 491; text by Schneegaß	11207
123	1.	1725-01-06	Cantata Liebster Immanuel, Herzog der Frommen (Epiphany)	B min.	atbSATB 2Fl 2Oba Str Bc	26: 41	I/5: 47	after Z 4932c; text after Fritsch	00150
123/6			chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6)		SATB	26: 60	III/2.2: 108	after Z 4932c; text by Fritsch	11340
124	1.	1725-01-07	Cantata Meinen Jesum laß ich nicht (Epiphany I)	E maj.	satbSATB Hn Oba Str Bc	26: 61	I/5: 115	after Z 3449; text after Keymann	00151
125	1.	1725-02-02	Cantata Mit Fried und Freud ich fahr dahin (Purification)	E min.	atbSATB Hn Fl Ob Oba Str Bc	26: 83	I/28.1: 31	after Z 3986; text after Luther	00152
126	1.	1725-02-04	Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae)	A min.	atbSATB Tr 2Ob Str Bc	26: 111	I/7: 155	after Z 350a, 1945b (/6); text after Luther, Jonas, Walter	00153
126/6			chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2)		SATB	26: 131	III/2.2: 126 (in g)	after Z 1945b; text by Luther, Walter	11335
127	1.	1725-02-11	Cantata Herr Jesu Christ, wahr' Mensch und Gott (Estomihi)	F maj.	stbSATB Tr 2Fl 2Ob Str Bc	26: 133	I/8: 107	after Z 2570; text after Eber; /1 → BWV 127/1 (variant)	00154
127/5			chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8)		SATB	26: 160	III/2.1: 46 III/2.2: 169	after Z 2570; text by Eber	11209
127/1 (var.)	1.	c.1750	Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement)	E♭ maj.	SATB 2Fl 2Ob Str Bc		I/41: 95	after BWV 127/1; → BC D 10	00155
128	1.	1725-05-10	Cantata Auf Christi Himmelfahrt allein (Ascension)	G maj.	atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc	26: 163	I/12: 101	after Z 4457 (/1), 5206b (/5); text by Ziegler, C. M., Sonnemann [de; fr; nl] (/1), Avenarius [scores] (/5)	00156
129	1.	1727-06-08	Cantata Gelobet sei der Herr, mein Gott (Trinity)	D maj.	sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc	26: 185	I/15: 37	after Z 5206b; text by Olearius, J.	00157
129/5			chorale setting "Gelobet sei der Herr, mein Gott" (s. 5)		SATB	26: 224	III/2.1: 80		11246
			chorale setting "O Gott, du frommer Gott"					after Z 5206b; text by Heermann
130.1	1.	1724-09-29	Cantata Herr Gott, dich loben alle wir (Michaelmas; 1st version)	C maj.	satbSATB 3Tr Tmp Fl 3Ob Str Bc	26: 231	I/30: 1	after Z 368; text after Eber; → BWV 130.2	00158
130/6			chorale setting "Herr Gott, dich loben alle wir" (s. 11)		SATB	26: 268	III/2.1: 61 III/2.2: 218	after Z 368; text by Eber	11226
130.2	1.	1732–1735	Cantata Herr Gott, dich loben alle wir (Michaelmas; 2nd version)	C maj.	satbSATB 3Tr Tmp Fl 3Ob Str Bc		I/30: 48	after BWV 130.1 (same text)	00159
131	1.	1707	Cantata Aus der Tiefen rufe ich, Herr, zu dir	G min.	satbSATB Ob Bas Str Bc	28: 1	I/34: 67	after Z 4486 (/2, /4); text after Ps. 130, by Ringwaldt (/2, /4); → BWV 131a	00160
132	1.	1715-12-22	Cantata Bereitet die Wege, bereitet die Bahn (Advent IV)	A maj.	satbSATB Ob Bas Str Vc Bc	28: 33	I/1: 99 rev 2: 97	text by Franck, S., Cruciger (/6)	00162
133	1.	1724-12-27	Cantata Ich freue mich in dir (Christmas 3)	A maj.	satbSATB Cnt 2Oba Str Bc	28: 51	I/3.1: 135	↔ Z 5187; text after Ziegler, C.	00163
133/6			chorale setting "Ich freue mich in dir" (s. 4)	D maj.	SATB	28: 80	III/2.1: 44 III/2.2: 34	↔ Z 5187; text by Ziegler, C.	11208
134.3	1.	1731-03-27 1735-04-12	Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; later version)	B♭ maj.	atSATB 2Ob Str Bc	28: 81	I/10: 69	after BWV 134.2	00164
134.2	1.	1724-04-11	Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; early version)	B♭ maj.	atSATB 2Ob Str Bc	28: 81, 287	I/10: 106	after BWV 134.1; → BWV 134.3	00165
134.1	1.	1719-01-01	Secular cantata Die Zeit, die Tag und Jahre macht (congratulation for New Year)	B♭ maj.	atSATB 2Ob Str Bc	29: 209	I/35: 49	text by Hunold; → BWV 134.2	00166
135	1.	1724-06-25	Cantata Ach Herr, mich armen Sünder (Trinity III)	E min.	atbSATB Cnt Tbn 2Ob Str Bc	28: 119	I/16: 197	after Z 5385a; text after Schneegaß	00167
136	1.	1723-07-18	Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinity VIII)	A min.	atbSATB Hn 2Ob 2Oba Str Bc	28: 137	I/18: 129	after Z 2164 (/6); text after Ps 139:23 (/1: → BWV 234/6), by Heermann (/6)	00168
136/6			chorale setting "Wo soll ich fliehen hin" (s. 9)	B min.	SATB	28: 164	III/2.2: 191	after Z 2164; text by Heermann	11293
137	1.	1725-08-19	Cantata Lobe den Herren, den mächtigen König der Ehren (Trinity XII)	C maj.	satbSATB 3Tr Tmp 2Ob Str Bc	28: 165	I/20: 171	after Z 1912a–c; text by Neander; /2 → BWV 650; /5 → 120.2/8	00169
137/5			chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5)		SATB	28: 196	III/2.1: 56	after Z 1912a–c; text by Neander; → BWV 120.2/8	11220
			chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen"					after Z 1912a–c; text by Fritsch
138	1.	1723-09-05	Cantata Warum betrübst du dich, mein Herz (Trinity XV)	B min.	satbSATB 2Oba Str Bc	28: 197	I/22: 19	after Z 1689a; /4 → BWV 236/3	00170
139	1.	1724-11-12	Cantata Wohl dem, der sich auf seinen Gott (Trinity XXIII)	E maj.	satbSATB 2Oba Str Bc	28: 223	I/26: 97	after Z 2383; text after Rube [fr]	00171
140	1.	1731-11-25	Cantata Wachet auf, ruft uns die Stimme (Trinity XXVII)	E♭ maj.	stbSATB Hn 2Ob Tai Vl Str Bc	28: 249	I/27: 149	after Z 8405a, text after Nicolai; /4 → BWV 645	00172
140/7			chorale setting "Wachet auf, ruft uns die Stimme" (s. 3)		SATB	28: 284	III/2.1: 19 III/2.2: 101	after Z 8405a, text by Nicolai	11183
143	1.	c. 1709–1711?	Cantata Lobe den Herrn, meine Seele (New Year)	B♭ maj.	stbSATB 3Hn Tmp Bas Str Bc	30: 43	I/4: 165 rev 2: 3	after Z 4373; text after Ps 146, by Ebert (/2, /7)	00175
				C maj.	stbSATB 3Tr Tmp Bas Str Bc		rev 2: 119
144	1.	1724-02-06	Cantata Nimm, was dein ist, und gehe hin (Septuagesima)	B min.	satSATB 2Ob Oba Str Bc	30: 75	I/7: 1	after Z 5629 (/3), 7568 (/6); text after Mt 20:14 (/1), by Rodigast (/3), Albert of Prussia (/6)	00176
144/3			chorale setting "Was Gott tut, das ist wohlgetan" (s. 1)	G maj.	SATB	30: 87	III/2.1: 34 III/2.2: 36	after Z 5629; text by Rodigast	11204
144/6			chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1)	B min.		30: 92	III/2.1: 35 III/2.2: 157	after Z 7568; text by Albert of Prussia	11205
145/1–5	1.	1729-04-19	Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Easter 3)	D maj.	stbSATB Tr Fl 2Ob Str Bc	30: 104	I/10: 111	by Bach, C. P. E.?; after Z 1743 (/5); text by Picander, Herman (/5)	00177
145/5			chorale setting "Erschienen ist der herrlich Tag" (s. 14)	F♯ min.	SATB	30: 122	III/2.2: 214	by Bach, C. P. E.?; after Z 1743; text by Herman	11321
			chorale setting "Erschienen ist der herrlich Tag"	E min.			III/2.2: 12
145/a	1.		chorale setting "Auf, mein Herz, des Herren Tag" (s. 1)	D maj.	SATB (or) Org	30: 93	III/2.2: 195	by Bach, C. P. E.; after Z 3432b; text by Neumann	10584
			chorale setting "Jesus, meine Zuversicht"					by Bach, C. P. E.; after Z 3432b; text by L. H. of Brandenb.	09019
146	1.	1726-05-12 or 1727-05-04	Cantata Wir müssen durch viel Trübsal (Jubilate)	D min.	satbSATB Fl 2Ob 2Oba Tai Str Org Bc	30: 123	I/11.2: 65	after Z 6551 (/8); text after Acts 14:22 (/2); /1 & /2 ↔ BWV 1052/1 & /2	00179
147.2	1.	1723-07-02	Cantata Herz und Mund und Tat und Leben (Visitation)	D maj.	satbSATB Tr 2Ob Oba 2Odc Str Bc	30: 191	I/28: 63	after BWV 147.1/1–5 (/1, /3, /7, /5, /9), Z 6551 (/6, /10); text by Franck, S. (/1, /3, /7, /5, /9), Janus (/6, /10)	00180
147.1	1.	1716-12-20	Cantata Herz und Mund und Tat und Leben (Advent IV)	D maj.	satbSATB Tr Ob Str Bc		I/1	text by Franck, S., Kolross (/6); /1–/5 → BWV 147.2/1, /3, /7, /5, /9	00181
148	1.	1723-09-19	Cantata Bringet dem Herrn Ehre seines Namens (Trinity XVII)	D maj.	atSATB Tr 2Oba Odc Str Bc	30: 235	I/23: 253	after Z 2164 (/6); text after Picander	00182
148/6			chorale setting "Wo soll ich fliehen hin"	F♯ min. F min.	SATB	30: 260	III/2.2: 16	after Z 2164; text by Heermann	11291
149	1.	1729-09-29	Cantata Man singet mit Freuden vom Sieg (Michaelmas)	D maj.	satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc	30: 261	I/30: 97	after BWV 208/15 (/1), Z 8326 (/7); text by Picander, Schalling (/7)	00183
149/1a	1.	Fall 1729	Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149?)	D maj.	SATB 3Tr Tmp 2Ob Str Bc		I/40 I/30	in SBB P 175; was BWV Anh. 198	01509
150	1.	1707-07-10	Cantata Nach dir, Herr, verlanget mich (Trinity III)	B min.	satbSATB Bas 2Vl Bc	30: 301	I/41: 3	text after Ps 25 (/2, /4, /6)	00184
151	1.	1725-12-27	Cantata Süßer Trost, mein Jesus kömmt (Christmas 3)	G maj.	satbSATB Fl Vl Oba Str Bc	32: 1	I/3.1: 169	after Z 198 (/5); text by Lehms, Herman (/5)	00185
151/5			chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8)		SATB	32: 16	III/2.2: 30	after Z 198; text by Herman	11307
152	1.	1714-12-30	Cantata Tritt auf die Glaubensbahn (Christmas I)	E min.	sb Fl Ob Va Vdg Bc	32: 17	I/3.2: 3	text by Franck, S.; /1 ↔ BWV 536/2, → 536a/2	00186
153	1.	1724-01-02	Cantata Schau, lieber Gott, wie meine Feind (Christmas II)	A min.	atbSATB Str Bc	32: 41	I/4: 199	after Z 4431 (/1), 5385a (/5), 533a (/9); text by Denicke (/1), Gerhardt (/5), Moller (/9), after Is 14:10 (/3)	00187
153/1			chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1)	A min.	SATB	32: 43	III/2.2: 3	after Z 4431; text by Denicke	11288
			chorale setting "Ach Gott, vom Himmel sieh darein"					after Z 4431; text by Martin Luther
153/5			chorale setting "Befiehl du deine Wege" (s. 5)	A min.	SATB	32: 46	III/2.2: 14	after Z 5385a; text by Gerhardt	11326
			chorale setting "Herzlich tut mich verlangen"					after Z 5385a; text by Knoll
153/9			chorale setting "Ach Gott, wie manches Herzeleid" (ss. 16–18)	C maj.	SATB	32: 58	III/2.2: 128	after Z 533a; text by Moller	11282
154	1.	1724-01-09	Cantata Mein liebster Jesus ist verloren (Epiphany I)	B min.	atbSATB 2Oba Str Hc Bc	32: 59	I/5: 89	after Z 6551 (/3), 3449 (/8); text by Janus (/3), Keymann (/8), after Lk 2:49; /3 → BWV 359	00188
154/3			chorale setting "Jesu, meiner Seelen Wonne" (s. 2)	A maj.	SATB	32: 65	III/2.1: 87 III/2.2: 137	after Z 6551; text by Janus; → BWV 359	11249
			chorale setting "Werde munter, mein Gemüte"					after Z 6551; text by Rist
154/8			chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6)	D maj.	SATB	32: 82	III/2.1: 88 III/2.2: 88	after Z 3449; text by Keymann	11251
155	1.	1716-01-19 1724-01-16	Cantata Mein Gott, wie lang, ach lange? (Epiphany II)	D min.	satbSATB Bas Str Bc	32: 83	I/5: 173	after Z 4430 (/5); text by Franck, S., Speratus (/5)	00189
155/5			chorale setting "Es ist das Heil uns kommen her" (s. 12)	F maj.	SATB	32: 96	III/2.2: 194	after Z 4430; text by Speratus	11302
156	1.	1727-01-26 or 1729-01-23	Cantata Ich steh mit einem Fuß im Grabe (Epiphany III)	F maj.	satbSATB Ob Str Bc	32: 97	I/6: 91	after Z 2383 (/2), 4438 (/6); text by Picander, Schein (/2), Bienemann [de] (/6); /1 ↔ BWV 1056/2	00190
156/6			chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1)	C maj.	SATB	32: 114	III/2.2: 185	after Z 4438; text by Bienemann [de]	11294
157.2	1.	after 1727-02-06	Cantata Ich lasse dich nicht, du segnest mich denn (funeral; later: Purification)	B min.	tbSATB Fl Ob Oba Va 2Vl Bc	32: 115	I/34: 41	after Z 3449 (/5), BWV 157.1 (same text)	00191
157.1	1.	1727-02-06	Cantata Ich lasse dich nicht, du segnest mich denn (funeral)		tbSATB Fl Oba Va Bc		I/34	text by Picander, Keymann (/5), after Gen 32:27 (/1); → BWV 157.2	11366
158	1.	c. 1725–1735	Cantata Der Friede sei mit dir (Purification; later: Easter 3)	D maj.	sbSATB Ob Vl Bc	32: 141	I/10: 129	after Z 6531 (/2), 7012a (/4); text by Albinus (/2), Luther (/4; ↔ BWV 279)	00192
158/4			chorale setting "Christ lag in Todes Banden" (s. 5)	E min.	SATB	32: 154	III/2.1: 24 III/2.2: 155	after Z 7012a; text by Luther; ↔ BWV 279	11187
159	1.	1729-02-27	Cantata Sehet, wir gehn hinauf gen Jerusalem (Estomihi)	C min.	satbSATB Ob Str Bc	32: 155	I/8: 153	after Z 5385a (/2), 6288a–b (/5); text by Picander, Gerhardt (/2), Stockmann (/5), after Lk 18:31 (/1), Jh 19:30 (/4)	00193
159/5			chorale setting "Jesu Leiden, Pein und Tod" (s. 33)	E♭ maj.	SATB	32: 168	III/2.1: 41 III/2.2: 33	after 6288a–b; text by Stockmann	11206
161	1.	1716-09-27	Cantata Komm, du süße Todesstunde (Trinity XVI; 1st version)	C maj.	atSATB 2Fl Str Org Bc	33: 1	I/23: 1, 33	after Z 5385a; text by Franck, S., Knoll; → BWV 161, v2	00195
161/6			chorale setting "Herzlich tut mich verlangen" (s. 4)	A min.	SATB	33: 27	III/2.1: 29 III/2.2: 160	after Z 5385a; text by Knoll	11194
			chorale setting "Befiehl du deine Wege"					after Z 5385a; text by Gerhardt
161, v2	1.	1723–1750?	Cantata Komm, du süße Todesstunde (Trinity XVI; 2nd version)	C maj.	satSATB 2Fl Str Bc		I/23: 33	after BWV 161; text by Franck, S., Knoll	00196
162.1	1.	1716-10-25	Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX)	A min.	satbSATB Str Bc		I/25: 1	after Z 6783 (/6); text by Franck, S., Rosenmüller (/6); → BWV 162.2	00197
162.2	1.	1723-10-10	Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX)	B min.	satbSATB Hn Str Bc	33: 29 (in a)	I/25: 23	after BWV 162.1 (same text)	11367
163	1.	1715-11-24	Cantata Nur jedem das Seine (Trinity XXIII)	B min.	satbSATB Str 2Vc Bc	33: 47	I/26: 77	after Z 3449 (/5), 2177 (/6); text by Franck, S., Heermann (/6)	00198
164	1.	1725-08-26	Cantata Ihr, die ihr euch von Christo nennet (Trinity XIII)	G min.	satbSATB 2Fl 2Ob Str Bc	33: 65	I/21: 57	after Z 4297a (/6); text by Franck, S., Cruciger (/6)	00199
164/6			chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5)	B♭ maj.	SATB	33: 88	III/2.1: 59 III/2.2: 57	after Z 4297a; text by Cruciger	11224
165	1.	1715-06-16 1724-06-04	Cantata O heilges Geist- und Wasserbad (Trinity)	G maj.	satbSATB Fag Str Bc	33: 89	I/15: 1	after Z 159 (/6); text by Franck, S., Helmbold (/6)	00200
166	1.	1724-05-07	Cantata Wo gehest du hin? (Cantate)	B♭ maj.	satbSATB Ob Str Bc	33: 105	I/12: 1	after Z 4486 (/3), 2778 (/6); text by Franck, S., Ringwaldt (/3), E. J. of Schwarzburg-Rudolstadt (/6), after Jh 16:5 (/1); /2 → BWV 584	00201
166/6			chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1)	G min.	SATB	33: 122	III/2.2: 116	after 2778; text by E. J. of Schwarzburg-Rudolstadt	11311
167	1.	1723-06-24	Cantata Ihr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist)	G maj.	satbSATB Tr Ob Odc Str Bc	33: 123	I/29: 1	after Z 8244 (/5); text by Gramann (/5)	00202
168	1.	1725-07-29	Cantata Tue Rechnung! Donnerwort (Trinity IX)	B min.	satbSATB 2Oba Str Bc	33: 147	I/19: 87	after Z 4486 (/6); text by Franck, S., Ringwaldt (/6)	00203
168/6			chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8)		SATB	33: 166	III/2.2: 52	after Z 4486; text by Ringwaldt	11198
169	1.	1726-10-20	Cantata Gott soll allein mein Herze haben (Trinity XVIII)	D maj.	aSATB 2Oba Tai Str Org Bc	33: 167	I/24: 59	after Z 2029a (/7); text by Birkmann, Luther (/7); /1 & /5 ↔ BWV 1053/1 & /2	00204
169/7			chorale setting "Nun bitten wir den Heiligen Geist" (s. 3)	A maj.	SATB	33: 192	III/2.1: 30 III/2.2: 54	after Z 2029a; text by Luther	11196
170	1.	1726-07-28	Cantata Vergnügte Ruh, beliebte Seelenlust (Trinity VI)	D maj.	a Oba Fl Str Org Bc	33: 193	I/17.2: 61	text by Lehms	00205
171	1.	1729-01-01	Cantata Gott, wie dein Name, so ist auch dein Ruhm (New Year)	D maj.	satbSATB 3Tr Tmp 2Ob Str Bc	35: 1	I/4: 131	after BWV 205 (/4), 41/6 (/6); text by Picander, Hermann (/6)	00206
171/6			chorale setting "Jesu, nun sei gepreiset" (s. 2)		SATB	35: 32		after BWV 41/6; text by Hermann	11253
172.1	1.	1714-05-20	Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete)	C maj.	(SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc)		I/13	after Z 8359 (/6); text by Franck, S.?, Nicolai (/6), after Jh 14:23 (/2); → BWV 172.2	00207
172/6			chorale setting "Wie schön leuchtet der Morgenstern" (s. 4)	F maj.	SATB	35: 69	III/2.2: 187	after Z 8359; text by Nicolai	11314
172.2	1.	1724-05-28	Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version)	D maj.	satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc		I/13: 1	after BWV 172.1 (same text); → BWV 172.3	00208
172.3	1.	1731-05-13	Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version)	C maj.	satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc	35: 35	I/13: 33	after BWV 172.2 (same text)	00209
173.2	1.	1727-06-02 1731-05-14	Cantata Erhöhtes Fleisch und Blut (Pentecost 2)	D maj.	satbSATB 2Fl Str Bc	35: 71	I/14: 1	after BWV 173.1	00210
173.1	1.	1722-12-10	Secular cantata Durchlauchtster Leopold (birthday of Leopold of Anhalt-Köthen)	D maj.	satbSATB 2Fl Str Bc	34: 1	I/35: 95	→ BWV 173.2 (/1–/5, /8), 175/4 (/7)	00211
174	1.	1729-06-06	Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecost 2)	G maj.	atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc	35: 103	I/14: 63	after BWV 1048/1 (/1), Z 8326 (/5); text by Picander, Schalling (/5)	00212
174/5			chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1)	D maj.	SATB	35: 157	III/2.1: 78 III/2.2: 32	after Z 8326; text by Schalling	11244
175	1.	1725-05-22	Cantata Er rufet seinen Schafen mit Namen (Pentecost 3)	G maj.	atbSATB 2Tr 3Fl Str Vc Bc	35: 159	I/14: 147	after BWV 173.1/7 (/4), BWV 59/3 (/7); text by Ziegler, C. M., Rist (/7), after Jh 10:3 & 6 (/1 & /5)	00213
175/7			chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9)		SATB	35: 177	III/2.1: 76	after Z 7445a; text by Rist	11243
			chorale setting "Komm, Heiliger Geist, Herre Gott"					after Z 7445a; text by Luther
176	1.	1725-05-27	Cantata Es ist ein trotzig und verzagt Ding (Trinity)	C min.	sabSATB 2Ob Odc Str Bc	35: 179	I/15: 17	after Z 7246 (/6); text by Ziegler, C. M., Gerhardt (/6), after Jer 17:9 (/1)	00214
176/6			chorale setting "Was alle Weisheit in der Welt" (s. 8)		SATB	35: 198	III/2.2: 67	after Z 7246; text by Gerhardt	11296
			chorale setting "Christ unser Herr zum Jordan kam"					after Z 7246; text by Luther
177	1.	1732-07-06	Cantata Ich ruf zu dir, Herr Jesu Christ (Trinity IV)	G min.	satSATB 2Ob Odc Bas Vl Str Bc	35: 199	I/17.1: 77	after Z 7400; text by Agricola, J.	00215
177/5			chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5)	G min. E min	SATB	35: 234	III/2.1: 50 III/2.2: 40		11211
178	1.	1724-07-30	Cantata Wo Gott der Herr nicht bei uns hält (Trinity VIII)	A min.	atbSATB Hn 2Ob 2Oba Str Bc	35: 235	I/18: 159	after Z 4441a; text after Jonas	00216
179	1.	1723-08-08	Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI)	G min.	stbSATB 2Ob 2Odc Str Bc	35: 273	I/20: 55	after Z 2778 (/6); text after JS 1:34 (/1), by Tietze [wikisource:de] (/6); /1 & /3 → BWV 236/1 & /5; /5 → 234/4	00217
179/6			chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1)	A min.	SATB	35: 292	III/2.1: 55 III/2.2: 196	after Z 2778; text by Tietze [wikisource:de]	11218
			chorale setting "Wer nur den lieben Gott lässt walten					after Z 2778; text by Neumark
180	1.	1724-10-22	Cantata Schmücke dich, o liebe Seele (Trinity XX)	F maj.	satbSATB 2Fl Fl Ob Odc Str Vc Bc	35: 293	I/25: 41	after Z 6923; text after Franck, J.	00218
180/7			chorale setting "Schmücke dich, o liebe Seele" (s. 9)	F maj. E♭ maj.	SATB	35: 322	III/2.1: 24 III/2.2: 15	after Z 6923; text by Franck, J.	11188
181	1.	1724-02-13	Cantata Leichtgesinnte Flattergeister (Sexagesima)	E min.	satbSATB Tr Fl Ob Str Bc	37: 1	I/7: 133		00219
182	1.	1714-03-25	Cantata Himmelskönig, sei willkommen (Palm Sunday)	B♭ maj.	atbSATB Fl (Ob 2)Vl 2Va Bc		I/8.2: 1	after 6288a–b (/7); text by Franck, S.?, Stockmann (/7), after Ps 40:8–9 (/3)	00220
		1724-03-25 1728-03-21		G maj.		37: 21	I/8.2: 43
183	1.	1725-05-13	Cantata Sie werden euch in den Bann tun (Exaudi)	A min.	satbSATB 2Oba 2Odc Str Vc Bc	37: 59	I/12: 187	after Z 5267 (/5); text by Ziegler, C. M., Gerhardt (/5), after Jh 16:2 (/1)	00221
183/5			chorale setting "Zeuch ein zu deinen Toren" (s. 5)		SATB	37: 74	III/2.2: 70	after Z 5267; text by Gerhardt	11325
			chorale setting "Helft mir Gotts Güte preisen"					after Z 5267; text by Eber
184.2	1.	1724-05-30 1727-06-03 1731-05-15	Cantata Erwünschtes Freudenlicht (Pentecost 3)	G maj.	satSATB 2Fl Str Bc	37: 75	I/14: 119	after BWV 184.1/1–/4 & /6, Z 5690 (/5); text by Wildenfels (/5)	00222
184.2/5			chorale setting "O Herre Gott, dein göttlich Wort" (s. 8)	D maj. G maj.	SATB	37: 95	III/2.1: 17 III/2.2: 10	after Z 5690; text by Wildenfels	11181
184.1	1.	1721-01-01	Secular cantata (incomplete)	G maj.	sb 2Fl Vl Str Bc (?)		I/35	→ BWV 184.2/1–/4, /6	00223
185.1	1.	1715-07-14	Cantata Barmherziges Herze der ewigen Liebe (Trinity IV)	F♯ min.	satbSATB Ob Str Bc	37: 101	I/17.1: 1	after Z 7400 (/6); text by Franck, S., Agricola, J. (/6); → BWV 185.2	00224
185/6			chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1)		SATB	37: 118	III/2.1: 50	after Z 7400; text by Agricola, J.	11212
185.2	1.	1723-06-20	Cantata Barmherziges Herze der ewigen Liebe (Trinity IV)	G min.	satbSATB Tr Ob Str Bc	37: 101	I/17.1: 1	after BWV 185.1 (same text)	11368
186.2	1.	1723-07-11	Cantata Ärgre dich, o Seele, nicht (Trinity VII)	G min.	satbSATB 2Ob Tai Bas Str Bc	37: 119	I/18: 15	after BWV 186.1/1–/5 (/1, /3, /5, /8, /10), Z 4430 (/6, /11); text by Franck, S. (/1, /3, /5, /8, /10), Speratus (/6, /11)	00225
186.1	1.	1716-12-13	Cantata Ärgre dich, o Seele, nicht (Advent III; incomplete)		stbSATB 2Ob Odc Tai Bas Str Bc		I/1	text by Franck, S., Helmbold (/6); → BWV 186.2/1, /3, /5, /8, /10	00226
187	1.	1726-08-04	Cantata Es wartet alles auf dich (Trinity VII)	G min.	sabSATB 2Ob Str Bc	37: 155	I/18: 91	after Z 4816e (/7); text: Meiningen, after Ps 104:27–28 (/1), Mt 6:31–32 (/4), by Vogel [scores] (/7); /1, /3, /4, /5 → BWV 235/6, /4, /3, /5	00227
187/7			chorale setting "Singen wir aus Herzensgrund" (ss. 4, 6)		SATB	37: 191	III/2.2: 61	after Z 4816e; text by Vogel [scores]	11344
188	1.	1728-10-17	Cantata Ich habe meine Zuversicht (Trinity XXI)	D min.	satbSATB 2Ob Tai Str Org Bc	37: 193	I/25: 265	after Z 2164 (/6); text by Picander; /1 ↔ BWV 1052/3	00228
190.1	1.	1724-01-01	Cantata Singet dem Herrn ein neues Lied (New Year; incomplete)	D maj.	atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc	37: 227	I/4: 1	after Z 8652 (/1–/2), 8477a (/7); text by Luther (/1–/2), Hermann (/7); → BWV 190.2/1, /2, /3, /5	00230
190/7			chorale setting "Jesu, nun sei gepreiset" (s. 2)		SATB	37: 257	III/2.2: 189	after 8477a; text by Hermann (/7)	11306
190.2	1.	1730-06-25	Cantata Singet dem Herrn ein neues Lied (200th anniversary of the Augsb. Confess.; incomplete)		atbSATB 3Tr Tmp 3Ob Str Bc (?)		I/34	after BWV 190/1, /2, /3, /5; text by Picander, Luther (/1–/2, /7)	00231
191	1.	1743–1746	Cantata Gloria in excelsis Deo (Christmas)	D maj.	stSSATB 3Tr Tmp 2Fl 2Ob Str Bc	41: 1	I/2: 171	after BWV 232/4, /5, /8, /12; text: Lk 2:14, doxology	00232
192	1.	autumn 1730?	Cantata Nun danket alle Gott (incomplete)	G maj.	sbSATB 2Fl 2Ob Str Bc	41: 65	I/34: 107	after Z 5142; text by Rinkart	00233
193.2	1.	1727-08-25	Cantata Ihr Tore zu Zion (council election; incomplete)	D maj.	saSA(TB) 2Ob Str (Bc)	41: 91	I/32.1: 201	after BWV 193.1/1, /7, /9	00234
193.1	1.	1727-08-03	Secular cantata Ihr Häuser des Himmels, ihr scheinenden Lichter (name day of Friedrich August II; incomplete)		saSA(TB) 2Ob Str (Bc)		I/36	text by Picander; → BWV 193.2/1, /3, /5	00235
194.3	1.	1724-06-04 1731-05-20	Cantata Höchsterwünschtes Freudenfest (Trinity; 1st Leipzig version)	B♭ maj.	stbSATB 3Ob Bas Str Bc	29: 99	I/31: 145	after BWV 194.2 (same text); → BWV 194.4	00236
194.4	1.	1726-06-16	Cantata Nun lasst uns Gott, dem Herren? (Trinity; 2nd Leipzig version)	B♭ maj.	stbSATB 3Ob Bas Str Bc	29: 99	I/31: 145, 235	after BWV 194.3/12, /2, /3, /4, /5, /7, /10	00237
194.2	1.	1723-11-02	Cantata Höchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ)	B♭ maj.	sabSATB 3Ob Bas Str Bc	29: 99	I/31: 123	after BWV 194.1/1, /3, /5, /7, /9, Z 6543 (/6), 159 (/12); text by Heermann (/6), Gerhardt (/12); → BWV 194.3	00238
194.2/6			chorale setting "Treuer Gott, ich muß dir klagen" (ss. 6–7)	B♭ maj. G maj.	SATB	29: 124	III/2.1: 20 III/2.2: 35, 152	after Z 6543; text by Heermann	11184
			chorale setting "Jesu, deine tiefen Wunden"					after Z 6543; text by Heermann
			chorale setting "Freu dich sehr, o meine Seele"					after Z 6543
194.2/12			chorale setting "Wach auf, mein Herz, und singe" (ss. 9–10)	B♭ maj.	SATB	29: 138	III/2.1: 20 III/2.2: 52, 152	after Z 159; text by Gerhardt	11185
			chorale setting "Nun lasst uns Gott dem Herren"					after Z 159; text by Helmbold
194.1	1.	1717–1723?	Secular cantata model for church cantata versions of BWV 194 (incomplete)	B♭ maj.	3Ob Str &?		I/35	→ BWV 194.2/1, /3, /5, /8, /10	00239
195.3	1.	c.1748–1749	Cantata Dem Gerechten muß das Licht (wedding; last version)	D maj.	satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc	131: 1	I/33: 171	after BWV 195.2, Z 198 (/6); text after Ps 97:11–12 (/1), by Gerhardt (/6)	00242
195.1	1.	1727–1731	Cantata Dem Gerechten muß das Licht (wedding; 1st version, lost)		SATB 3Tr Tmp 2Fl 2Ob Str Bc		I/33	→ BWV 195.2	00240
195.2	1.	c. 1742	Cantata Dem Gerechten muß das Licht (wedding; 2nd version, incomplete)		SATB &?		I/33	after BWV 195.1, 30.1/5, /1 (/6, /8); text after Ps 97:11–12 (/1); → BWV 195.3	00241
196	1.	1708-06-05?	Cantata Der Herr denket an uns (wedding)	C maj.	stbSATB Str Bc	131: 71	I/33: 1	text after Ps. 115: 12–15	00243
197.2	1.	1736–1737	Cantata Gott ist unsre Zuversicht (wedding)	D maj.	sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc	131: 95	I/33: 117	after Z 2029a (/5), 2778 (/10), BWV 197.1/4, /6 (/6, /8); text by Luther (/5)	00244
197.2/5			chorale setting "Nun bitten wir den Heiligen Geist" (s. 3)	A maj.	SATB	131: 128	III/2.2: 46	after Z 2029a; text by Luther	11328
197.2/10			chorale setting "Wer nur den lieben Gott lässt walten"	B min.	SATB	131: 144	III/2.2: 37	after Z 2778; text by Neumark	11313
197.1	1.	1728-12-25	Cantata Ehre sei Gott in der Höhe (Christmas; incomplete)	D maj.	abSATB 2Fl Oba Bas Str Vc Bc	41: 109	I/2: 63	after Z 5206b–c (/7); text by Picander, Ziegler, C. (/7; ↔ BWV 398), after Lk 2:14 (/1); /4 & /6 → BWV 197.2/6, /8	00245
197.1/7			chorale setting "Ich freue mich in dir" (s. 4)		SATB	41: 114	III/2.2: 182	after Z 5206b–c; text by Ziegler, C.; ↔ BWV 398	11298
			chorale setting "O Gott, du frommer Gott"					after Z 5206b–c; text by Heermann; ↔ BWV 398
198	1.	1727-10-17	Secular cantata Laß, Fürstin, laß noch einen Strahl a.k.a. Trauer-Ode (funeral ceremony for Christiane Eberhardine)	B min.	satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc	133: 1 44: 54	I/38: 179	text by Gottsched, J. C.; ↔ BWV 244a, 247	00246
199.2	1.	1720–1721	Cantata Mein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete)	D min.	s Ob Str Vdg Bc	41: 202	I/20: 48	after BWV 199.1 (same text); → 199.3	00247
199.3	1.	1723-08-08	Cantata Mein Herze schwimmt im Blut (Trinity XI; Leipzig version)	D min.	s Ob Str Vc Bc		I/20: 23	after BWV 199.2 (same text)	00248
199.1	1.	1714-08-12	Cantata Mein Herze schwimmt im Blut (Trinity XI; Weimar version)	C min.	s Ob Str Bc	NBG 132	I/20: 1	text by Lehms, Heermann (/6); → BWV 199.2	00249
200	1.	1742–1743 (JSB)	Aria Bekennen will ich seinen Namen	E maj.	a (2Vl) Bc		I/28.1: 189	after Stölzel; text after Lk 2:29–32	00250
201	1.	autumn 1729	Secular cantata Geschwinde, ihr wirbelnden Winde a.k.a. Der Streit zwischen Phoebus und Pan (dramma per musica)	D maj.	sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc	112: 1 44: 85	I/40: 117	text by Picander; /7 → BWV 212/20	00251
202	1.	c.1718?	Secular cantata Weichet nur, betrübte Schatten (wedding)	G maj.	s Ob Str Bc	112: 73	I/40: 1	in D-LEb Peters Ms. R 8	00252
203	1.	c.1720?	Secular cantata Amore traditore	A min.	b Hc	112: 91	I/41: 31		00253
204	1.	1726–1727	Secular cantata Ich bin in mir vergnügt a.k.a. Von der Vergnügsamkeit	B♭ maj.	s Fl 2Ob Str Bc	112: 103	I/40: 79	text after Hunold	00254
205.1	1.	1725-08-03	Secular cantata Zerreißet, zersprenget, zertrümmert die Gruft a.k.a. Der zufriedengestellte Aeolus (dramma per musica for August Friedrich Müller)	D maj.	satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc	112: 137 44: 39	I/38: 1	text by Picander; → BWV 205.2/1–/7, /9–/11, /13, /15, 171/4, 216/7	00255
205.2	1.	1734-02-19	Secular cantata Blast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation of Augustus III)		satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc		I/37	after BWV 205.1/1–/7, /9–/11, /13, /15; text by Picander?	00256
206.1	1.	1736-10-07 (1734?)	Secular cantata Schleicht, spielende Wellen (dramma per musica; 1st version: birthday of Augustus III)	D maj.	satbSATB 3Tr Tmp 3Fl 2Oba Str Bc	202: 1	I/36: 157	→ BWV 206.2	00257
206.2	1.	1740-08-03	Secular cantata Schleicht, spielende Wellen (dramma per musica; 2nd version: name day of Augustus III)	D maj.	satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc		I/36: 157	after BWV 206.1	00258
207.1	1.	1726-12-11	Secular cantata Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte)	D maj.	satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc	202: 71	I/38: 97	after BWV 1046/3 (/1); → BWV 207.2/1, /3, /5, /7–/9	00259
207.2	1.	1735-08-03	Secular cantata Auf, schmetternde Töne der muntern Trompeten (dramma per musica; name day of Augustus III)	D maj.	satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc	202: 139 34: 345	I/37: 1	after BWV 207.1/1, /3, /5, /7–/9	00260
208.1	1.	1713-02-23	Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (1st version: birthday of Christian of Saxe-Weissenfels)	F maj.	sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)	29: 1	I/35: 1	text by Franck, S.; → BWV 208.2, 1040, 68/4, /2, 149/1	00261
1040	1.	1713-02-23	Trio (a.k.a. (Canonic) Trio Sonata; postlude to the Hunting Cantata?)	F maj.	Vl Ob Bc	29: 230	I/35: 1	after BWV 208.1/13; =BWV 208.1/13a	01222
208.2	1.	c.1715	Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (2nd version: for Ernst August I of Saxe-Weimar)	F maj.	sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)	29: 1	I/35: 1	after BWV 208.1 (near-identical text); → BWV 208.3	00262
208.3	1.	1742-08-03	Secular cantata Was mir behagt, ist nur die muntre Jagd (3rd version: name day of Augustus III)	F maj.	sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)?		I/37	after BWV 208.2; text after Franck, S.	00263
209	1.	1747?	Secular cantata Non sa che sia dolore (farewell of Lorenz Albrecht Beck?)	B min.	s Fl Str Bc	29: 43	I/41: 43	text after Metastasio	00264
210.2	1.	1741-09-19	Secular cantata O holder Tag, erwünschte Zeit (wedding)	A maj.	s Fl Oba Str Hc Vne	29: 67	I/40: 35	after BWV 210.1/1–/2, /4, /8, /10	00265
210.1	1.	1729-01-12	Secular cantata O angenehme Melodei (incomplete; homage to Christian of Saxe-Weissenfels)	A maj.	s (Fl Oba Str Bc)?	29: 245	I/39: 141	→ BWV 210.2/1–/2, /4, /8, /10	00266
211	1.	c.1734	Secular cantata Schweigt stille, plaudert nicht a.k.a. Coffee Cantata	G maj.	stb Fl Str Hc Bc	29: 139 44: 86	I/40: 193	text by Picander	00267
212	1.	1742-08-30	Secular cantata Mer hahn en neue Oberkeet a.k.a. Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau)	G maj.	sb Hn Fl Str Bc	29: 173 44: 132	I/39: 151	after BWV 1157/9 (/14), 201/7 (/20); text by Picander	00268
213	1.	1733-09-05	Secular cantata Laßt uns sorgen, laßt uns wachen a.k.a. Hercules auf dem Scheidewege (dramma per musica; birthday of Frederick Christian of Saxony)	F maj.	satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc	34: 119	I/36: 1	text by Picander; /1, /3, /5, /7, /9, /11 → BWV 248/36, /19, /39, /41, /4, /29	00269
214	1.	1733-12-08	Secular cantata Tönet, ihr Pauken! Erschallet, Trompeten! (birthday of queen Maria Josepha)	D maj.	satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc	34: 175	I/36: 89	text by Picander; /1, /5, /7, /9 → BWV 248/1, /15, /8, /24	00270
215	1.	1734-10-05	Secular cantata Preise dein Glücke, gesegnetes Sachsen (anniversary of the election of Augustus III as king of Poland)	D maj.	stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc	34: 243	I/37: 85	after BWV 1157/1 (/1)?; text by Clauder [fr]; /7 → BWV 248/47	00271
216.1	1.	1728-02-05	Secular cantata Vergnügte Pleißenstadt (wedding; incomplete)	C maj.	sa &?		I/40: 21	after BWV 204/8 (/3), 205.1/13 (/7); text by Picander; → BWV 216.2/1, /3, /5, /7	00272
216.2	1.	1728–1731	Secular cantata Erwählte Pleißenstadt a.k.a. Apollo et Mercurius (incomplete)		at &?		I/39	after BWV 216.1/1, /3, /5, /7; text by Meißner [scores] after Picander	00273
2.	Motets (see also: List of motets by Johann Sebastian Bach)								Up ↑
225	2.	1726–1727 New Year?	Motet Singet dem Herrn ein neues Lied	B♭ maj.	2SATB (+colla parte instr.?)	39: 3	III/1: 1	after Z 8244 (/2); text after Ps. 149: 1–3 (/1), by Gramann after Ps. 103 (/2), after Ps. 150: 2, 6 (/3)[20]	00282
226	2.	1729-10-20	Motet Der Geist hilft unser Schwachheit auf (funeral of Ernesti, J. H.)	B♭ maj.	2SATB Str Vc 2Ob Tai Bas	39: 39, 143	III/1: 37	after Z 7445a (/2); text after Rom. 8: 26–27 (/1), by Luther (/2)[20]	00283
226/2			chorale setting "Komm, Heiliger Geist, Herre Gott" (s. 3)	B♭ maj. G maj.	SATB	39: 57	III/2.1: 18 III/2.2: 38	after Z 7445a; text by Luther	11182
227	2.	c. 1723–1735	Motet Jesu, meine Freude	E min.	SSATB (+colla parte instr.?)	39: 59	III/1: 75	after Z 8032 (odd mvts); text by Franck, J. (odd mvts), after Rom. 8: 1–2, 9–11 (even mvts)[20]	00284
227/1 227/11			chorale setting "Jesu, meine Freude" (ss. 1, 6)		SATB	39: 61	III/2.1: 27 III/2.2: 156	after Z 8032; text by Franck, J.	11200
227/3			chorale setting "Jesu, meine Freude" (s. 2)		SATB	39: 66	III/2.1: 28	after Z 8032; text by Franck, J.	11201
227/7			chorale setting "Jesu, meine Freude" (s. 4)		SATB	39: 75	III/2.1: 22 III/2.2: 168	after Z 8032; text by Franck, J.	11202
228	2.	c. 1715	Motet Fürchte dich nicht	A maj.	2SATB (+colla parte instr.?)	39: 85	III/1: 105	after Z 6461 (/2); text after Is. 41: 10 (/1), 43: 1 (/2), by Gerhardt (/2)[20]	00285
229	2.	before 1731–1732	Motet Komm, Jesu, komm	G min.	2SATB (+colla parte instr.)	39: 107	III/1: 125	text by Thymich[20]	00286
230	2.	1723–1739?	Motet Lobet den Herrn, alle Heiden	C maj.	SATB Bc (+colla parte instr.?)	39: 127	III/1: 147	text after Ps. 117[20]	00287
231								see BWV 28/2a	00288
118.1	2.	1736–1737	Motet O Jesu Christ, meins Lebens Licht (funeral)	B♭ maj.	SATB 2Hn Cnt 3Tbn	24: 185	III/1: 163	text by Behm; → BWV 118.2[20]	00143
118.2	2.	1746–1747	Motet O Jesu Christ, meins Lebens Licht (funeral)	B♭ maj.	SATB 2Ob Tai Bas 2Hn Str Bc	NBG 171	III/1: 171	text by Behm; after BWV 118.1[20]	11121
3.	Masses, Mass movements, Magnificat (see also: List of Masses, Mass movements and Magnificats by Johann Sebastian Bach)								Up ↑
232	3.	Aug. 1748 – Oct. 1749 (compilation, completion)	Mass a.k.a. Hohe Messe,